ECHEVERRI GIRALDO, Daniel Ricardo. Integrating Brechtian Concepts in the Design of a Tangible Narrative: The Case of “The Non-myth of the Noble Red”. Online. In Interactive Storytelling: 15th International Conference on Interactive Digital Storytelling, ICIDS 2022. Santa Cruz, CA, USA: Springer International Publishing, 2022, p. 383-394. ISBN 978-3-031-22297-9. Available from: https://dx.doi.org/10.1007/978-3-031-22298-6_23.
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Basic information
Original name Integrating Brechtian Concepts in the Design of a Tangible Narrative: The Case of “The Non-myth of the Noble Red”
Authors ECHEVERRI GIRALDO, Daniel Ricardo (170 Colombia, guarantor, belonging to the institution).
Edition Santa Cruz, CA, USA, Interactive Storytelling: 15th International Conference on Interactive Digital Storytelling, ICIDS 2022, p. 383-394, 12 pp. 2022.
Publisher Springer International Publishing
Other information
Original language English
Type of outcome Proceedings paper
Field of Study 10201 Computer sciences, information science, bioinformatics
Confidentiality degree is not subject to a state or trade secret
Publication form electronic version available online
WWW URL
Impact factor Impact factor: 0.402 in 2005
RIV identification code RIV/00216224:14330/22:00128861
Organization unit Faculty of Informatics
ISBN 978-3-031-22297-9
ISSN 0302-9743
Doi http://dx.doi.org/10.1007/978-3-031-22298-6_23
UT WoS 000913208900023
Keywords in English Tangible Narratives; Interactive storytelling; Tangible interaction; Epic Theatre; The Non-myth of the Noble Red
Tags firank_B
Tags International impact, Reviewed
Changed by Changed by: RNDr. Pavel Šmerk, Ph.D., učo 3880. Changed: 6/4/2023 06:56.
Abstract
Extending previous research on tangible narratives, this paper introduces a new design case - The Non-myth of the Noble Red. The preliminary work for building the case draws from and tests against a typology that characterises the tangible artefacts with narrative meaning and a narrative architecture for tangible narratives. The paper exemplifies how The Non-myth of the Noble Red integrates concepts from Brechtian theatre and presents its technical considerations. It concludes with the importance of emphasising the critical discourse of the narrative and that examining alternative storytelling methods allows the author to approach concepts that are rarely considered in conventional interactive media.
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