2023
Hidden Treasure and Precious Pearl : Sant'Agnese fuori le mura, its Apse Mosaic, and the Experience of Liturgy
FOLETTI, Ivan a Martin LEŠÁKZákladní údaje
Originální název
Hidden Treasure and Precious Pearl : Sant'Agnese fuori le mura, its Apse Mosaic, and the Experience of Liturgy
Autoři
FOLETTI, Ivan (203 Česká republika, garant, domácí) a Martin LEŠÁK (203 Česká republika, domácí)
Vydání
Řím, From words to space : Textual sources for reconstructing and understanding medieval sacred spaces, od s. 75-96, 22 s. Quaderni della Bibliotheca Hertziana, 2023
Nakladatel
Campisano
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60401 Arts, Art history
Stát vydavatele
Itálie
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Odkazy
Kód RIV
RIV/00216224:14210/23:00131301
Organizační jednotka
Filozofická fakulta
ISBN
979-12-80956-20-0
Klíčová slova anglicky
Sant'Agnese; Rome; Stationa Liturgy; Liturgial Installations; Image in the Apse
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 4. 3. 2024 10:53, Mgr. et Mgr. Stanislav Hasil
Anotace
V originále
With the present study we hope to fill some of those lacunae. We will, of course, pay special attention to the aesthetics of the mosaic, but then we will turn to a discussion of the space as a whole. Our reflections are conceived for a book entitled “From Words to Space: Textual Sources for Reconstructing and Understanding Medieval Sacred Spaces,” and the texts which will serve as our starting point in this essay come from two homilies by Gregory the Great (590–604), both delivered at Sant’Agnese at the end of the sixth century before the church was rebuilt by Honorius. We will scrutinize Gregory’s homilies because they are commentaries on gospel passages that were traditionally read at Sant’Agnese. These passages, which were crucial to the ritual life of the Honorian basilica, are part of the context from which the architectural project for the new church later emerged. From this information about the liturgy and from archaeological evidence, we will attempt to reconstruct the form of the Honorian basilica at the time of its construction in the 7th century, focusing on its ritual and devotional functions. Finally, we will discuss the birth of a new aesthetic around the turn of the 7th century, and propose that the apsidal image at Sant’Agnese be treated as an “Icon of Space”, i.e. a visual act that helps construct the experience of the church as a whole, not simply as an immobile and inert picture. In other words, we will analyze the church and its decoration as a harmonious dialogue between text, image, and sacred space. The ideas of Alexei Lidov and Horst Bredekamp will serve as critical tools for this new reading of one of the pearls of Roman visual culture.
Návaznosti
MUNI/A/1321/2022, interní kód MU |
|