SKOPAL, Pavel and Michal ŠAŠEK. Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons. In Herzogenrath, Bernd. The Barrandov Studios : A Central European Hollywood. Amsterdam: Amsterdam University Press, 2023, p. 169-191. Eastern European Screen Cultures. ISBN 978-94-6298-945-0. Available from: https://dx.doi.org/10.5117/9789462989450_ch05.
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Basic information
Original name Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons
Authors SKOPAL, Pavel (203 Czech Republic, guarantor, belonging to the institution) and Michal ŠAŠEK (203 Czech Republic, belonging to the institution).
Edition Amsterdam, The Barrandov Studios : A Central European Hollywood, p. 169-191, 23 pp. Eastern European Screen Cultures, 2023.
Publisher Amsterdam University Press
Other information
Original language English
Type of outcome Chapter(s) of a specialized book
Field of Study 60405 Studies on Film, Radio and Television
Country of publisher Netherlands
Confidentiality degree is not subject to a state or trade secret
Publication form printed version "print"
WWW URL
RIV identification code RIV/00216224:14210/23:00131868
Organization unit Faculty of Arts
ISBN 978-94-6298-945-0
Doi http://dx.doi.org/10.5117/9789462989450_ch05
Keywords in English state-socialist cinema; patronage; film production; Barrandov; film dramaturgy; structure and agency
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Michal Večeřa, Ph.D., učo 261655. Changed: 18/2/2024 09:14.
Abstract
Marcela Pittermannová became a member of a creative group at Barrandov in 1961. After its previous head, Jan Procházka, was made persona non grata in 1970, the group was run by Ota Hofman until 1982, then by the writer Stanislav Rudolf from 1982 to 1984, and finally by Pittermannová until 1990. She was a dramaturge in the successful area of production for children for almost three decades. In effect, an analysis of her position, decisions, and negotiations in relation to both the indigenous bureaucracy and to foreign coproduction partners can help to understand dynamics of the structure-agency relationship at Barrandov since the 1960s to the end of state-socialist era. This chapter focuses on the role of clients, patrons, and brokers in the dramaturgical job to understand its dynamics and functions in the production system.
Links
MUNI/A/1391/2022, interní kód MUName: Setrvačnost a zlom v dějinách kinematografie
Investor: Masaryk University, Continuities and changes in cinema history
PrintDisplayed: 20/7/2024 09:33