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@inbook{2330938, author = {Krajník, Filip and Drozd, David}, address = {Cham}, booktitle = {Shakespeare’s Global Sonnets : Translation, Appropriation, Performance}, doi = {http://dx.doi.org/10.1007/978-3-031-09472-9_11}, edition = {1}, editor = {Kingsley-Smith, Jane; Rampone, W. Reginald}, keywords = {William Shakespeare; Sonnets; translation; adaptation}, howpublished = {tištěná verze "print"}, language = {eng}, location = {Cham}, isbn = {978-3-031-09471-2}, pages = {183-200}, publisher = {Palgrave Macmillan}, title = {Playing the Poems : Five Faces of Shakespeare’s Sonnets on Czech Stages}, url = {https://link.springer.com/chapter/10.1007/978-3-031-09472-9_11}, year = {2023} }
TY - CHAP ID - 2330938 AU - Krajník, Filip - Drozd, David PY - 2023 TI - Playing the Poems : Five Faces of Shakespeare’s Sonnets on Czech Stages VL - Global Shakespeares PB - Palgrave Macmillan CY - Cham SN - 9783031094712 KW - William Shakespeare KW - Sonnets KW - translation KW - adaptation UR - https://link.springer.com/chapter/10.1007/978-3-031-09472-9_11 N2 - The chapter addresses five post-2000 Czech theatre adaptations of Shakespeare’s Sonnets, addressing the array of creative strategies and approaches to Shakespeare on the part of the respective producers. While all the productions in question touch on the basic tropes of Shakespeare’s Sonnets, such as relationships, sex and sexuality, and gender politics, the ways in which the source material is treated differ markedly. Shakespeare’s cult is both respected and deconstructed; the sonnets are reverently recited, but they are also turned into a vaudeville-like music performance; the image of love in the sonnets is both embraced and problematised. The chapter argues that this variety is possible due to the playwright’s status as an adopted national poet that goes back to the nineteenth century. Shakespeare is largely treated by Czech dramaturgy as a domestic cultural phenomenon that could be celebrated, but also freely appropriated, updated or rejected according to current needs. During their two and a half centuries of living with Shakespeare, Czechs have created an intimate relationship with the playwright, and the fact that even his poetry has entered the cultural mainstream through popular theatre adaptations testifies to his cultural importance to the Czech nation. ER -
KRAJNÍK, Filip and David DROZD. Playing the Poems : Five Faces of Shakespeare’s Sonnets on Czech Stages. In Kingsley-Smith, Jane; Rampone, W. Reginald. \textit{Shakespeare’s Global Sonnets : Translation, Appropriation, Performance}. 1st ed. Cham: Palgrave Macmillan, 2023, p.~183-200. Global Shakespeares. ISBN~978-3-031-09471-2. Available from: https://dx.doi.org/10.1007/978-3-031-09472-9\_{}11.
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