Detailed Information on Publication Record
2023
Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France
PALLADINO, AdrienBasic information
Original name
Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France
Authors
PALLADINO, Adrien (250 France, guarantor, belonging to the institution)
Edition
Turnhout, Contextualizing Conques : Imaginaries, Narratives and Geographies, p. 20-41, 22 pp. Convivium Supplementum, 13, 2023
Publisher
Brepols
Other information
Language
English
Type of outcome
Kapitola resp. kapitoly v odborné knize
Field of Study
60401 Arts, Art history
Country of publisher
Belgium
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
printed version "print"
References:
RIV identification code
RIV/00216224:14210/23:00132319
Organization unit
Faculty of Arts
ISBN
978-80-280-0425-5
UT WoS
001158126400005
Keywords in English
Byzantine; historicism in architecture; Neo-Byzantine; nineteenth-century; restorations; Romano- Byzantine; Romanesque; Second Empire; Third Republic
Tags
Tags
International impact, Reviewed
Změněno: 13/3/2024 09:21, Alžběta Filipová, M.A., Ph.D.
Abstract
V originále
Taking as starting point an unrealized project for Conques by Jean- Camille Formigé, the architect of the abbey-church’s restorations in the 1870s–1880s, this paper explores the broader theories and practices of historicist restoration and building projects between the 1840s and the end of the nineteenth century. By looking firstly at the theorical frame in which the concepts of “Byzantine”, “Neo-Byzantine”, “Romano- Byzantine” and “Romanesque” were fabricated, and by then examining some of the most important monuments of historicist architecture (such as Saint-Front in Périgueux, the Sacré-Coeur), I aim to uncover the impact of these terms and their role in the reinvention of medieval art as well as in the formulation of racist, colonial, and national myths in modern art history. In these crucial years for the development of the discipline of art history but also for the formation of a French national identity, the role of the “Romano-Byzantine”and “Byzantine”styles reveals a tension at the intersection of religious revival, orientalist art history, and trans-Mediterranean – and perhaps also colonial – desires.
Links
101007770, interní kód MU |
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