2023
Relictual Relics. Reflections on Nature, Placedness, and Ecologies of Holy Sites in Late Antiquity (4th–8th c.)
PALLADINO, AdrienZákladní údaje
Originální název
Relictual Relics. Reflections on Nature, Placedness, and Ecologies of Holy Sites in Late Antiquity (4th–8th c.)
Autoři
Vydání
From Name to Space, and to Myth: Toponyms, Topographies, Representations, and How Places Become Mythical in the Pre-Modern Mediterranean Space and Beyond (7th–14th c.), 2023
Další údaje
Jazyk
angličtina
Typ výsledku
Prezentace na konferencích
Obor
60401 Arts, Art history
Stát vydavatele
Švýcarsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Landscape; ecology; pareidolia; images; pilgrimage; relics; objects
Změněno: 28. 5. 2024 12:30, Alžběta Filipová, M.A., Ph.D.
Anotace
V originále
The subject of “natural” relics, that is remains from natural places – or “not man-made” – is of particular interest for understanding conceptions of the sacred shared by the great religions – Abrahamic but not only. Natural elements such as trees, springs, mountains, caves or elevated stones, in their vertical prominence towards the sky or, on the contrary, their penetration into the earth, mark divine presence and served as liminal zones between the earthly world and that of the divine, of the living and the dead. Likewise, fragments of these places – stone, dirt, sand, dust, water, clay, etc. – could become imbued portable pars pro toto, parts representative of the whole of these same places. Natural objects, to a certain extent, were thus transformed into cultural artifacts. In this paper, I offer thoughts on two specific aspects of natural objects in sacred spaces, specifically relating older objects – in terms of geological or historical time – and their capacity of evoking memories or creating images. These objects have functioned like relics of places or relics of figures who have left a mark onto the earthly surface. The first modality I speak about are natural objects which present direct imprint of holy figures and the possibility of pareidolia – that is the human capacity or rather their need of perceiving, or creating, images in traces and in nature. The second modality concerns what Bruno Reudenbach has eloquently called “Ortsreliquien,” or “relics of space”, a specific development of the cult of sacred spaces during Late Antiquity and their ambiguous relationship with images, especially around one famous painted casket of the Vatican.
Návaznosti
101007770, interní kód MU |
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