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@proceedings{2348418,
author = {Palladino, Adrien},
booktitle = {12. Byzantologický den / 12th Day of Byzantine Studies Slovanský ústav AV ČR},
keywords = {Byzantine; Textiles; Object Conversion; Conques; Treasures; Objects; Enamel; Workshops; Art History; Historiography; 19th century},
language = {eng},
title = {Byzantine Echoes in “Romanesque” France: Textiles, Enamels & Modern Myths},
year = {2023}
}
TY - CONF
ID - 2348418
AU - Palladino, Adrien
PY - 2023
TI - Byzantine Echoes in “Romanesque” France: Textiles, Enamels & Modern Myths
KW - Byzantine
KW - Textiles
KW - Object Conversion
KW - Conques
KW - Treasures
KW - Objects
KW - Enamel
KW - Workshops
KW - Art History
KW - Historiography
KW - 19th century
N2 - The presence of objects of Byzantine or Islamic origins within church treasures of medieval Europe is one of the preferred topics for art historians to understand how specific stories, memories, and myths can become attached to artifacts taken out of their original context and brought into a new one. Usually, these objects are characterized by their appearance which marks them as somewhat different, distinguished from the “local” production. They are also often “old”, stemming from markedly older periods of production, and thus linked with notions of distance, exoticism, and sometimes associated with a certain “authenticity”. In some cases, as other pieces of spolia, they are also used to mark the superiority of one culture towards another. In this paper, I firstly presented the general framework of the reception of Islamic and Byzantine objects, often conflated, in European church treasures of the 11th-12th centuries, before moving the case of Conques – with focus on two categories of artifacts: textiles and enamels.
ER -
PALLADINO, Adrien. Byzantine Echoes in “Romanesque” France: Textiles, Enamels \&{} Modern Myths. In \textit{12. Byzantologický den / 12th Day of Byzantine Studies Slovanský ústav AV ČR}. 2023.
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