Detailed Information on Publication Record
2023
Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History
FOLETTI, Ivan, Ruben CAMPINI and Annalisa MORASCHIBasic information
Original name
Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History
Authors
FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution), Ruben CAMPINI (380 Italy, belonging to the institution) and Annalisa MORASCHI (380 Italy, belonging to the institution)
Edition
Turnhout, Inventing Past Narratives : Venice and the Adriatic Space (13th–15th Centuries), p. 88-103, 16 pp. Convivium Supplementum, 14, 2023
Publisher
Brepols
Other information
Language
English
Type of outcome
Kapitola resp. kapitoly v odborné knize
Field of Study
60401 Arts, Art history
Country of publisher
Belgium
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
printed version "print"
References:
RIV identification code
RIV/00216224:14210/23:00134383
Organization unit
Faculty of Arts
ISBN
978-80-280-0464-4
UT WoS
999
Keywords in English
Byzantine art; Giotto; history of art history; Italian art; Kondakov; late medieval Venetian painting; nationalism; Venturi
Tags
Tags
International impact, Reviewed
Změněno: 14/3/2024 12:22, Alžběta Filipová, M.A., Ph.D.
Abstract
V originále
The emergence of nineteenth- and twentieth-century European nationalisms led the continents’ old powers to exploit art history – only then emerging as a discrete discipline – in their broader nation-building strategies. Separate countries’ multifaceted historical traditions brought the development of different artistic paths and, consequently, distinct interpretations of the same artistic phenomena. This article presents an example of this dynamic by concentrating on the divergent views of late medieval Venetian painting proposed in the early twentieth century by two giants of art history, Adolfo Venturi and Nikodim Pavlovich Kondakov. By contextualizing their opposing ideas in the wider debate on Giotto and fourteenth-century Italian art, this study ultimately reveals the close connections between the two scholars’ theoretical positions and the cultural propaganda of their respective states, the Kingdom of Italy, and the Russian Empire.
Links
GF21-01706L, research and development project |
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