C 2023

Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History

FOLETTI, Ivan, Ruben CAMPINI and Annalisa MORASCHI

Basic information

Original name

Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History

Authors

FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution), Ruben CAMPINI (380 Italy, belonging to the institution) and Annalisa MORASCHI (380 Italy, belonging to the institution)

Edition

Turnhout, Inventing Past Narratives : Venice and the Adriatic Space (13th–15th Centuries), p. 88-103, 16 pp. Convivium Supplementum, 14, 2023

Publisher

Brepols

Other information

Language

English

Type of outcome

Kapitola resp. kapitoly v odborné knize

Field of Study

60401 Arts, Art history

Country of publisher

Belgium

Confidentiality degree

není předmětem státního či obchodního tajemství

Publication form

printed version "print"

References:

RIV identification code

RIV/00216224:14210/23:00134383

Organization unit

Faculty of Arts

ISBN

978-80-280-0464-4

UT WoS

999

Keywords in English

Byzantine art; Giotto; history of art history; Italian art; Kondakov; late medieval Venetian painting; nationalism; Venturi

Tags

Tags

International impact, Reviewed
Změněno: 14/3/2024 12:22, Alžběta Filipová, M.A., Ph.D.

Abstract

V originále

The emergence of nineteenth- and twentieth-century European nationalisms led the continents’ old powers to exploit art history – only then emerging as a discrete discipline – in their broader nation-building strategies. Separate countries’ multifaceted historical traditions brought the development of different artistic paths and, consequently, distinct interpretations of the same artistic phenomena. This article presents an example of this dynamic by concentrating on the divergent views of late medieval Venetian painting proposed in the early twentieth century by two giants of art history, Adolfo Venturi and Nikodim Pavlovich Kondakov. By contextualizing their opposing ideas in the wider debate on Giotto and fourteenth-century Italian art, this study ultimately reveals the close connections between the two scholars’ theoretical positions and the cultural propaganda of their respective states, the Kingdom of Italy, and the Russian Empire.

Links

GF21-01706L, research and development project
Name: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Acronym: CIMS)
Investor: Czech Science Foundation, Partner Agency (Switzerland)