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@inbook{2362778,
author = {Foletti, Ivan and Campini, Ruben and Moraschi, Annalisa},
address = {Turnhout},
booktitle = {Inventing Past Narratives : Venice and the Adriatic Space (13th–15th Centuries)},
doi = {http://dx.doi.org/10.1484/M.CONVISUP-EB.5.137564},
editor = {Molteni, Ilaria; Russo, Valeria},
keywords = {Byzantine art; Giotto; history of art history; Italian art; Kondakov; late medieval Venetian painting; nationalism; Venturi},
howpublished = {tištěná verze "print"},
language = {eng},
location = {Turnhout},
isbn = {978-80-280-0464-4},
pages = {88-103},
publisher = {Brepols},
title = {Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History},
url = {https://www.brepols.net/products/IS-9788028004644-1},
year = {2023}
}
TY - CHAP
ID - 2362778
AU - Foletti, Ivan - Campini, Ruben - Moraschi, Annalisa
PY - 2023
TI - Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History
VL - Convivium Supplementum, 14
PB - Brepols
CY - Turnhout
SN - 9788028004644
KW - Byzantine art
KW - Giotto
KW - history of art history
KW - Italian art
KW - Kondakov
KW - late medieval Venetian painting
KW - nationalism
KW - Venturi
UR - https://www.brepols.net/products/IS-9788028004644-1
N2 - The emergence of nineteenth- and twentieth-century European nationalisms led the continents’ old powers to exploit art history – only then emerging as a discrete discipline – in their broader nation-building strategies. Separate countries’ multifaceted historical traditions brought the development of different artistic paths and, consequently, distinct interpretations of the same artistic phenomena. This article presents an example of this dynamic by concentrating on the divergent views of late medieval Venetian painting proposed in the early twentieth century by two giants of art history, Adolfo Venturi and Nikodim Pavlovich Kondakov. By contextualizing their opposing ideas in the wider debate on Giotto and fourteenth-century Italian art, this study ultimately reveals the close connections between the two scholars’ theoretical positions and the cultural propaganda of their respective states, the Kingdom of Italy, and the Russian Empire.
ER -
FOLETTI, Ivan, Ruben CAMPINI and Annalisa MORASCHI. Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History. In Molteni, Ilaria; Russo, Valeria. \textit{Inventing Past Narratives : Venice and the Adriatic Space (13th–15th Centuries)}. Turnhout: Brepols, 2023, p.~88-103. Convivium Supplementum, 14. ISBN~978-80-280-0464-4. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.137564.
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