SANDU, Ion, Shiru WANG, Bianca BOROS, YULIA IVASHKO, Andrei Victor SANDU and Pavol TIŠLIAR. ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION. International Journal of Conservation Science. ROMANIA: UNIV ALEXANDRU IOAN CUZA IASI, ARHEOINVEST INTERDISCIPLINARY PLATFORM, 2024, vol. 15, Special Issue 1, p. 371-388. ISSN 2067-533X. Available from: https://dx.doi.org/10.36868/IJCS.2024.SI.27.
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Basic information
Original name ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION
Authors SANDU, Ion (642 Romania), Shiru WANG (804 Ukraine), Bianca BOROS (642 Romania), YULIA IVASHKO (804 Ukraine), Andrei Victor SANDU (642 Romania) and Pavol TIŠLIAR (703 Slovakia, guarantor, belonging to the institution).
Edition International Journal of Conservation Science, ROMANIA, UNIV ALEXANDRU IOAN CUZA IASI, ARHEOINVEST INTERDISCIPLINARY PLATFORM, 2024, 2067-533X.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60101 History
Country of publisher Romania
Confidentiality degree is not subject to a state or trade secret
WWW link na publikaci
Impact factor Impact factor: 0.800 in 2022
Organization unit Faculty of Arts
Doi http://dx.doi.org/10.36868/IJCS.2024.SI.27
UT WoS 999
Keywords in English China; Dunhuang; cave paintings; analysis; preservation; restoration
Changed by Changed by: prof. PhDr. Pavol Tišliar, PhD., učo 118546. Changed: 7/3/2024 13:34.
Abstract
The article analyses the wall paintings of Dunhuang sanctuaries based on mathematical methods of defining features and system-structural analysis. This makes it possible to analyse the frescoes according to a certain common criterion and to identify common and different ones. The method of system-structural analysis made it possible to present the sanctuary as a certain integrity with components covered with decor and decorated with sculpture. The main thematic genres of frescoes by period were analysed and it was proved that, in general, the process of the genesis of plans, structural schemes and wall paintings from the early to middle and late periods had the same characteristics, that is, the features of archaism and simplicity characterized both the number and variety of plans and structural schemes, and the subjects of frescoes. The features of each genre at different periods are determined.
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