2024
ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION
SANDU, Ion; Shiru WANG; Bianca BOROS; YULIA IVASHKO; Andrei Victor SANDU et. al.Basic information
Original name
ANALYSIS OF THE WALL PAINTING OF THE DUNHUANG FRESCO AS A BASIS FOR ITS PRESERVATION AND RESTORATION
Authors
SANDU, Ion (642 Romania); Shiru WANG (804 Ukraine); Bianca BOROS (642 Romania); YULIA IVASHKO (804 Ukraine); Andrei Victor SANDU (642 Romania) and Pavol TIŠLIAR ORCID (703 Slovakia, guarantor, belonging to the institution)
Edition
International Journal of Conservation Science, UNIV ALEXANDRU IOAN CUZA IASI, ARHEOINVEST INTERDISCIPLINARY PLATFORM, 2024, 2067-533X
Other information
Language
English
Type of outcome
Article in a journal
Field of Study
60101 History
Country of publisher
Romania
Confidentiality degree
is not subject to a state or trade secret
References:
Impact factor
Impact factor: 0.600 in 2023
RIV identification code
RIV/00216224:14210/24:00135567
Organization unit
Faculty of Arts
UT WoS
001267334200027
EID Scopus
2-s2.0-85186226448
Keywords in English
China; Dunhuang; cave paintings; analysis; preservation; restoration
Tags
Changed: 10/3/2025 10:41, Mgr. Renata Macholdová
Abstract
V originále
The article analyses the wall paintings of Dunhuang sanctuaries based on mathematical methods of defining features and system-structural analysis. This makes it possible to analyse the frescoes according to a certain common criterion and to identify common and different ones. The method of system-structural analysis made it possible to present the sanctuary as a certain integrity with components covered with decor and decorated with sculpture. The main thematic genres of frescoes by period were analysed and it was proved that, in general, the process of the genesis of plans, structural schemes and wall paintings from the early to middle and late periods had the same characteristics, that is, the features of archaism and simplicity characterized both the number and variety of plans and structural schemes, and the subjects of frescoes. The features of each genre at different periods are determined.