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@proceedings{2382217, author = {Drozd, David}, booktitle = {Brno Theatralia Conference 2023 - Crossing Borders with Shakespeare 1945, 5-7th June 2023}, keywords = {Shakespeare; Hamlet; Czech theatre; dramaturgy}, language = {eng}, title = {Enter Fortinbras? (Four approaches to Hamlet on Czech stage)}, url = {https://btc.phil.muni.cz/programme}, year = {2023} }
TY - CONF ID - 2382217 AU - Drozd, David PY - 2023 TI - Enter Fortinbras? (Four approaches to Hamlet on Czech stage) KW - Shakespeare KW - Hamlet KW - Czech theatre KW - dramaturgy UR - https://btc.phil.muni.cz/programme N2 - The paper focuses on four Czech performances of Hamlet, which raised the most critical and audience attention: production by Jan Mikulášek (2009), by Daniela Špinar (2013), by Michal Dočekal (2021) and finally the most recent version by Jakub Čermák (2022). All the four performances could be considered as contemporary reinterpretations of classical text using (post)modern style approach. In all the cases it is more than obvious that for all the four directors Shakespeare is our contemporary. So I would put the question the other way round - what does “contemporary” mean here? How is reality reflected, constructed and performed in these performances? One of the testing points would be the character of Fortinbras who is mostly connected with political themes in the play. So the question is - if Fortinbras does not enter, could Hamlet still be performed as a political drama? ER -
DROZD, David. Enter Fortinbras? (Four approaches to Hamlet on Czech stage). In \textit{Brno Theatralia Conference 2023 - Crossing Borders with Shakespeare 1945, 5-7th June 2023}. 2023.
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