Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a ...
VAGATA, Daniela Shalom. Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo. 2024. |
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Original name | Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo. |
Authors | VAGATA, Daniela Shalom. |
Edition | 2024. |
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Original language | Italian |
Type of outcome | Presentations at conferences |
Country of publisher | Italy |
Confidentiality degree | is not subject to a state or trade secret |
WWW | URL |
Organization unit | Faculty of Arts |
Keywords in English | genetic criticism, Ugo Foscolo, variants, critical edition |
Changed by | Changed by: Daniela Shalom Vagata, MA, Dottore di Ricerca, učo 245738. Changed: 14/7/2024 09:42. |
Abstract (in English) |
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Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie. Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie. |
PrintDisplayed: 21/8/2024 18:31