Detailed Information on Publication Record
2024
Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo.
VAGATA, Daniela ShalomBasic information
Original name
Genesis Bologna 2024, Constants and Variants in Genetic Criticism, 9-11 maggio 2024, Da un Inno a tre Inni: costanti e varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo.
Authors
VAGATA, Daniela Shalom
Edition
2024
Other information
Language
Italian
Type of outcome
Prezentace na konferencích
Country of publisher
Italy
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
Organization unit
Faculty of Arts
Keywords in English
genetic criticism, Ugo Foscolo, variants, critical edition
Změněno: 14/7/2024 09:42, Daniela Shalom Vagata, MA, Dottore di Ricerca
Abstract
In English
Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie. Ugo Fosolo’s Inni alle Grazie is a “work in progress” whose different editorial stages proves distinct authorial intentions. In my paper I examine the fragments belonging to the stages entitled Primi esperimenti and Stesure del Carme tripartito according to the Edizione Nazionale (1985), and in comparison with the fragments of the previous and the subsequent editorial stages of Inni alle Grazie. The analysis shed lights on the constants and the variants of the Foscolo’s first attempts to write from the one hymn to the three hymns, and it focuses on the specific progression of the mythopoiea at this stage of the creative process of Inni alle Grazie.