C 2024

The Resonance of Manawaka: Landscapes of Reconciliation in Margaret Laurence's Manawaka Series

STUDENÁ, Pavlína

Základní údaje

Originální název

The Resonance of Manawaka: Landscapes of Reconciliation in Margaret Laurence's Manawaka Series

Vydání

1st ed. Budapest, Canadian Landscapes/Paysages canadiens, od s. 53-65, 13 s. Collection Károli, 2024

Nakladatel

L'Harmattan

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60206 Specific literatures

Stát vydavatele

Maďarsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Organizační jednotka

Filozofická fakulta

ISBN

978-2-336-47988-0

Klíčová slova anglicky

identity; landscape; Manawaka; Margaret Laurence; prairie fiction; reconciliation; transformation; anger.

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 8. 10. 2024 09:47, Mgr. Bc. Pavlína Studená

Anotace

V originále

During the 1960s and 1970s, Prairie fiction and literary criticism predominantly adopted a regionalist perspective. However, with gender, class, and ethnicity in the spotlight, this perception of the region has shifted from a preoccupation with physical landscapes toward exploring individual spaces of people inhabiting this distinct region and their inner landscapes. In Margaret Laurence's Manawaka series, the vast expanse of the Canadian Prairies serves as a transformative literary landscape in which Laurence weaves together the stories of settlers and the Métis, representing both the dominant and marginalized communities. Laurence challenges the prevailing Pioneer myth of conquering uninhabited land by emphasizing the role of the landscape as a catalyst for the transformation of her protagonists. By interweaving the region's mythological past into the protagonists' journeys towards self-discovery, independence, and dignity, Laurence conveys the idea of reconciliation on both personal and national levels. This paper focuses on the opening and concluding Manawaka novels, The Stone Angel (1964) and The Diviners (1974), aiming to trace how Laurence employs various landscapes, whether Prairie, mythological, ancestral, or imaginary, as potent instruments aiding the protagonists - and metaphorically Canada itself - in the process of transformation and liberation. These landscapes also symbolize reconciliation with nature, colonial history, and Indigenous heritage.