k 2024

Evolution of Ancient Kuchean Music, its Local Indo-European Linguistic Connections and Transmission to Other Inner Asian Musical Traditions

SCHWARZ, Michal a Joohee HONG

Základní údaje

Originální název

Evolution of Ancient Kuchean Music, its Local Indo-European Linguistic Connections and Transmission to Other Inner Asian Musical Traditions

Autoři

SCHWARZ, Michal (203 Česká republika, garant, domácí) a Joohee HONG (410 Korejská republika, domácí)

Vydání

XVII. Fachtagung der Indogermanischen Gesellschaft - "The Speakers of Indo-European and their World – 150 years of Indo-European studies in Basel", Universität Basel, 9.-12. 12. 2024. 2024

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60401 Arts, Art history

Stát vydavatele

Švýcarsko

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/24:00139593

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Kucha; music; Indo-European; Uighur; court music; musical instruments; terminology; transmission; Buddhism; Inner Asia; Korea; Japan; Vietnam.

Štítky

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 28. 3. 2025 21:24, Mgr. Ondřej Srba, Ph.D.

Anotace

V originále

Ancient Kucha was as an important Buddhist cultural center inhabited by speakers of Tocharian B, by various diplomats, Indian and Iranian traders and monks. Since its location on northern caravan trade route, Kucha oasis was supporting travels of religious persons, cultural diffusion and also spread of musical instruments. Distinct terminology in Tocharian and Khotan Saka attest more local traditions of music in Xinjiang, but oasis states were in complex diplomatic interactions with related exchanges in culture, trade and migrations. During the first millennium AD and in later centuries, the Indo-European populations were gradually mixed with and replaced by Turkic-speaking people. In this process the famous Kuchean music and other local traditions were integrated into local varieties of Uighur ethnic culture further influencing for example Chinese and Korean music and also Mongolian musical terminology. The purpose of this paper is to analyze interdisciplinary data focused on the spread of music styles, attest musical instruments in archaeological sources, on wall paintings and in musical terminology in Indo-European and other related languages and East Asian cultures like Uighur, Mongolian, Chinese, and Korean. The paper will also study the influence of Buddhist and other religions on the formation of Central Asian music and innovations in neighboring cultures. The paper intends to provide attestations even from manuscripts, travelogues and from later analogies in modern material culture. The paper builds on previous projects, and regular visits of Xinjiang with focus on languages and archaeology on one side (Schwarz) and on arts and traditional ethnic music on the other side (Hong).

Návaznosti

GA23-06953S, projekt VaV
Název: Evoluční interference náboženství a vlády ve Vnitřní Asii: srovnání vzájemných impaktů s tributárními zeměmi: Mongolskem, Koreou a Vietnamem
Investor: Grantová agentura ČR, Evoluční interference náboženství a vlády ve Vnitřní Asii: srovnání vzájemných impaktů s tributárními zeměmi: Mongolskem, Koreou a Vietnamem