Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic.

OSOLSOBĚ, Petr. Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic. In Sborník prací filozofické fakulty brněnské university, řada hudebněvědná. Brno: Masarykova univerzita, 1993, p. 97-107, 10 pp. ISBN 80-210-0819-9.

Basic information

Original name

Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic.

Name (in English)

Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic.

Authors

OSOLSOBĚ, Petr (203 Czech Republic, guarantor)

Edition

Brno, Sborník prací filozofické fakulty brněnské university, řada hudebněvědná, p. 97-107, 10 pp. 1993

Publisher

Masarykova univerzita

---

Other information

Language

Czech

Type of outcome

Stať ve sborníku

Field of Study

60300 6.3 Philosophy, Ethics and Religion

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

RIV identification code

RIV/00216224:14210/93:00008242

Organization unit

Faculty of Arts

ISBN

80-210-0819-9

Keywords in English

Philosophical aesthetics; Kierkegaard; Mozart; Don Juan; sensuality and seduction

Tags

Don Juan, Kierkegaard, Mozart, Philosophical aesthetics, sensuality and seduction

---

Abstract

V originále

The Aesthetics of music as developed by Soeren Kierkegaard (1813-1855) in his treatises on "musical erotic" in Mozart's Don Giovanni. The two essays are chapters of Kierkegaard's Either-Or (1843). Mimesis, theory of music, analysis of the opera and of the human sensuality.

In English

The Aesthetics of music as developed by Soeren Kierkegaard (1813-1855) in his treatises on "musical erotic" in Mozart's Don Giovanni. The two essays are chapters of Kierkegaard's Either-Or (1843). Mimesis, theory of music, analysis of the opera and of the human sensuality.