OSOLSOBĚ, Petr. Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic. In Sborník prací filozofické fakulty brněnské university, řada hudebněvědná. Brno: Masarykova univerzita, 1993, p. 97-107, 10 pp. ISBN 80-210-0819-9.
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Basic information
Original name Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic.
Name (in English) Kierkegaard's Aesthetics of Music: A Concept of the Musical Erotic.
Authors OSOLSOBĚ, Petr (203 Czech Republic, guarantor).
Edition Brno, Sborník prací filozofické fakulty brněnské university, řada hudebněvědná, p. 97-107, 10 pp. 1993.
Publisher Masarykova univerzita
Other information
Original language Czech
Type of outcome Proceedings paper
Field of Study 60300 6.3 Philosophy, Ethics and Religion
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/93:00008242
Organization unit Faculty of Arts
ISBN 80-210-0819-9
Keywords in English Philosophical aesthetics; Kierkegaard; Mozart; Don Juan; sensuality and seduction
Tags Don Juan, Kierkegaard, Mozart, Philosophical aesthetics, sensuality and seduction
Changed by Changed by: prof. PhDr. Petr Osolsobě, Ph.D., učo 2218. Changed: 22/6/2009 22:31.
Abstract
The Aesthetics of music as developed by Soeren Kierkegaard (1813-1855) in his treatises on "musical erotic" in Mozart's Don Giovanni. The two essays are chapters of Kierkegaard's Either-Or (1843). Mimesis, theory of music, analysis of the opera and of the human sensuality.
Abstract (in English)
The Aesthetics of music as developed by Soeren Kierkegaard (1813-1855) in his treatises on "musical erotic" in Mozart's Don Giovanni. The two essays are chapters of Kierkegaard's Either-Or (1843). Mimesis, theory of music, analysis of the opera and of the human sensuality.
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