FRANKOVÁ, Milada. The Postmodern Bravura of A.S. Byatt. The Atlantic Critical Review. New Delhi, 2005, Vol 3, No 1, p. 108-119. ISSN 0972-6373.
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Basic information
Original name The Postmodern Bravura of A.S. Byatt
Name in Czech Postmoderní bravura A. S. Byattové
Authors FRANKOVÁ, Milada (203 Czech Republic, guarantor).
Edition The Atlantic Critical Review, New Delhi, 2005, 0972-6373.
Other information
Original language English
Type of outcome Article in a journal
Field of Study Literature, mass media, audio-visual activities
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14330/05:00013369
Organization unit Faculty of Informatics
Keywords in English A.S. Byatt; contemporary novel; postmodern writing; critical theory
Tags A.S. Byatt, contemporary novel, critical theory, postmodern writing
Changed by Changed by: RNDr. JUDr. Vladimír Šmíd, CSc., učo 1084. Changed: 2/6/2005 07:38.
Abstract
Described as one of the most interesting British novels of the 1970s, A.S. Byatts The Virgin in the Garden (1978), the first volume of her then planned tetralogy, has been since followed by another three volumes Still Life (1985), Babel Tower (1996) and A Whistling Woman (2002). The four novels constitute a realistic family saga told against the backdrop of the British 1950s and 60s, richly interwoven with multilayered literary experiment and polemics with postmodern trends and concepts. In much the same way, combining a thrilling realistic narrative with an interplay of analogies, pastiche and a merging of genres, Byatt throws a Victorian glove into the ring of debate with the practitioners of modern critical theories in her novel Possession (1990). But it is always postmodern weapons that, with eloquent bravura, the author deploys in her polemical battle. With her defence of the power of words and the multiplicity of meanings and readings Byatt speaks up for the writer and his/her work and against the limitations of theories which reduce books by creative, one-sided interpretations. In Byatts fiction it is the imposing scope of her novels, their stylistic and genre variety and the wealth of themes that appear to be the authors intention as well as success. The best way to grasp them is to take up the intellectual challenge that Byatts polemical game of tradition and postmodernity offers.
Abstract (in Czech)
Román A.S. Byattové Panna v zahradě (1978)byl označen za jeden z nejzajímavějších britských románů 70. let. Byl to první díl tehdy plánované tetralogie po němž následovaly další tří díly, Zátiší (1985), Babylónská věž (1996) a Když žena píská (2002). Tetralogie představuje realistickou rodinnou ságu vyprávěnou na pozadí britských 50. a 60. let, kterou se bohatě prolíná mnohovrstevnatý literární experiment a polemika s postmoderními trendy a koncepty. Podobným způsobem kombinuje napínavé realistické vyprávění s hrou analogií, pastiše a prolínání žánrů také román Posedlost (1990), v němž Byattová také výrazně polemizuje s moderními literárními a kulturními teoretiky. Jsou to ovšem vždy postmoderní zbraně, kterými autorka ve své polemické bitvě bravurně vládne. Především jimi brání spisovatele a jich díla, která teorie mají tendenci redukovat jednostrannými kreativními interpretacemi.
Links
IAA9164301, research and development projectName: Encyklopedie srovnávací literárněvědné terminologie
Investor: Academy of Sciences of the Czech Republic, Encyclopedia of Comparative Literatury Terminology and Methodology
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