POSPÍŠIL, Tomáš. Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4 (Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg). In Theory and Practice in English Studies. Brno: Masarykova univerzita, 2005, p. 217-223. ISBN 80-210-3836-5. |
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@inproceedings{583761, author = {Pospíšil, Tomáš}, address = {Brno}, booktitle = {Theory and Practice in English Studies}, keywords = {David Cronenberg; Canadian Cinema;}, language = {eng}, location = {Brno}, isbn = {80-210-3836-5}, pages = {217-223}, publisher = {Masarykova univerzita}, title = {Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4}, year = {2005} }
TY - JOUR ID - 583761 AU - Pospíšil, Tomáš PY - 2005 TI - Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4 PB - Masarykova univerzita CY - Brno SN - 8021038365 KW - David Cronenberg KW - Canadian Cinema; N2 - Looking at Cronenberg's films Videodrome, Naked Lunch, eXistenZ and Spider the author highlights uncertainty as the key element various Croneneberg's works share. The essay attempts an answer to the question why Cronenberg has become a cult figure for many academics in the field of cultural studies. ER -
POSPÍŠIL, Tomáš. Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4 (Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg). In \textit{Theory and Practice in English Studies}. Brno: Masarykova univerzita, 2005, p.~217-223. ISBN~80-210-3836-5.
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