JOCHMANOVÁ, Andrea. Zapomenutá Dada-revue Dona Kichotka (DONA KICHOTKA, THE FORGOTTEN DADA-REVUE). In SPFFMU, řada Q - Teatrologica. 2005, č. 8. Brno: MU, 2005, p. 87-117, 30 pp. ISBN 80-210-3785-7.
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Basic information
Original name Zapomenutá Dada-revue Dona Kichotka
Name (in English) DONA KICHOTKA, THE FORGOTTEN DADA-REVUE
Authors JOCHMANOVÁ, Andrea (203 Czech Republic, guarantor, belonging to the institution).
Edition 2005, č. 8. Brno, SPFFMU, řada Q - Teatrologica, p. 87-117, 30 pp. 2005.
Publisher MU
Other information
Original language Czech
Type of outcome Proceedings paper
Field of Study Art, architecture, cultural heritage
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/05:00041105
Organization unit Faculty of Arts
ISBN 80-210-3785-7
Keywords in English czech avantgarde ; Liberated Theatre; Dada Theatre; Jiří Frejka ; Jindřich Honzl ; poetism; constructivism
Tags constructivism, czech avantgarde, Dada Theatre, Jindřich Honzl, Jiří Frejka, Liberated Theatre, poetism
Changed by Changed by: Mgr. Andrea Jochmanová, Ph.D., učo 1895. Changed: 10/2/2011 14:20.
Abstract
Revue Dona Kichotka byla uvedena na sklonku roku 1927 jako originální program divadla Dada, které založil Jiří Frejka po odchodu z Osvobozeného divadla. I tato revue (jejíž text se torzovitě dochoval) dokazuje, že program Dada aspiroval na linii společensky angažovaného satirického kabaretu v návaznosti a ve spolupráci s členy někdejší Červené sedmy.
Abstract (in English)
In the spring of 1927, after the rupture between Frejka and Honzl, Frejka and his adherents left to found a new experimental theatre in Prague, named the Dada Theatre. Their first programmes consisted of satirical avant-garde cabaret shows called The Hanging Tables (Visací stoly). In December 1927, Dona Kichotka, the first from the series of Dada-Revues, was produced. In Dona Kichotka, all Dada members as well as the members of the Red Seven cabaret theatre (Červená sedma) took part. Despite the fact that the Dada programmes did not prove as popular as the better-known and indeed legendary Vest Pocket Revue, which was put on at the Liberated Theatre at the same time, it has to be stressed that unlike Voskovec and Werichs revue, Dona Kichotka used political satire to raise issues of feminism and emancipation, it pointed to the rising statistics of abortions, the abuse of the power of the press, political shenanigans etc.
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