KAYLOR, Michael Matthew. 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'. In New Interpretations of Cultural Phenomena. Pardubice: University of Pardubice, 2004, s. 23-32. ISBN 80-7194-710-5.
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Základní údaje
Originální název 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'
Název česky 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'
Autoři KAYLOR, Michael Matthew (840 Spojené státy, garant).
Vydání Pardubice, New Interpretations of Cultural Phenomena, od s. 23-32, 10 s. 2004.
Nakladatel University of Pardubice
Další údaje
Originální jazyk angličtina
Typ výsledku Stať ve sborníku
Obor Písemnictví, masmedia, audiovize
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
Kód RIV RIV/00216224:14210/04:00031325
Organizační jednotka Filozofická fakulta
ISBN 80-7194-710-5
Klíčová slova česky Henry James; Oscar Wilde; fairy tales
Klíčová slova anglicky Henry James; Oscar Wilde; fairy tales
Štítky fairy tales, Henry James, Oscar Wilde
Změnil Změnil: doc. Michael Matthew Kaylor, PhD., učo 132640. Změněno: 14. 4. 2010 17:39.
Anotace
By way of a close reading of Oscar Wilde's short story 'The Young King', this paper reveals the pederastic playfulness only barely disguised in his House of Pomegranates, a collection of fairy tales that Wilde dubiously claimed had not been written with children as its intended audience, though biographical evidence suggests that he had specifically chosen this genre - traditionally rather innocuous in its English variety - as a vehicle for what can be dubbed 'Paedobapistry'.
Anotace česky
By way of a close reading of Oscar Wilde's short story 'The Young King', this paper reveals the pederastic playfulness only barely disguised in his House of Pomegranates, a collection of fairy tales that Wilde dubiously claimed had not been written with children as its intended audience, though biographical evidence suggests that he had specifically chosen this genre - traditionally rather innocuous in its English variety - as a vehicle for what can be dubbed 'Paedobapistry'.
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