KAYLOR, Michael Matthew. 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'. In New Interpretations of Cultural Phenomena. Pardubice: University of Pardubice. p. 23-32. ISBN 80-7194-710-5. 2004.
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Basic information
Original name 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'
Name in Czech 'Little Porcelain Cup in Which Biting Acids Could Be Mixed': Wilde's Sons as the Audience for 'The Young King'
Authors KAYLOR, Michael Matthew (840 United States of America, guarantor).
Edition Pardubice, New Interpretations of Cultural Phenomena, p. 23-32, 10 pp. 2004.
Publisher University of Pardubice
Other information
Original language English
Type of outcome Proceedings paper
Field of Study Literature, mass media, audio-visual activities
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/04:00031325
Organization unit Faculty of Arts
ISBN 80-7194-710-5
Keywords (in Czech) Henry James; Oscar Wilde; fairy tales
Keywords in English Henry James; Oscar Wilde; fairy tales
Tags fairy tales, Henry James, Oscar Wilde
Changed by Changed by: doc. Michael Matthew Kaylor, PhD., učo 132640. Changed: 14/4/2010 17:39.
Abstract
By way of a close reading of Oscar Wilde's short story 'The Young King', this paper reveals the pederastic playfulness only barely disguised in his House of Pomegranates, a collection of fairy tales that Wilde dubiously claimed had not been written with children as its intended audience, though biographical evidence suggests that he had specifically chosen this genre - traditionally rather innocuous in its English variety - as a vehicle for what can be dubbed 'Paedobapistry'.
Abstract (in Czech)
By way of a close reading of Oscar Wilde's short story 'The Young King', this paper reveals the pederastic playfulness only barely disguised in his House of Pomegranates, a collection of fairy tales that Wilde dubiously claimed had not been written with children as its intended audience, though biographical evidence suggests that he had specifically chosen this genre - traditionally rather innocuous in its English variety - as a vehicle for what can be dubbed 'Paedobapistry'.
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