ŠTĚTKA, Václav. Jednota či rozmanitost? Kulturní cíle evropské audiovizuální politiky a jejich aplikace v prostředí české televizní scény. Sociální studia, Brno: Fakulta sociálních studií MU, 2007, roč. 2007, č. 3, s. 61-88. ISSN 1212-365X.
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Základní údaje
Originální název Jednota či rozmanitost? Kulturní cíle evropské audiovizuální politiky a jejich aplikace v prostředí české televizní scény.
Název anglicky Unity or Diversity? Cultural objectives of the European audiovisual policy and their application within the Czech television scene.
Autoři ŠTĚTKA, Václav (203 Česká republika, garant).
Vydání Sociální studia, Brno, Fakulta sociálních studií MU, 2007, 1212-365X.
Další údaje
Originální jazyk čeština
Typ výsledku Článek v odborném periodiku
Obor Písemnictví, masmedia, audiovize
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
Kód RIV RIV/00216224:14230/07:00032765
Organizační jednotka Fakulta sociálních studií
Klíčová slova anglicky Audiovisual Media Services Directive; cultural objectives; European audiovisual policy; European identity; Television without Frontiers; Unity in Diversity
Štítky Audiovisual Media Services Directive, cultural objectives, European audiovisual policy, European identity, television without frontiers, Unity in Diversity
Příznaky Recenzováno
Změnil Změnil: PhDr. Václav Štětka, Ph.D., učo 9724. Změněno: 3. 7. 2008 14:43.
Anotace
This paper examines cultural objectives of the European audiovisual policy, represented mainly by the Television without Frontiers Directive, and the practical outcomes of this policy in the Czech television landscape. After a brief examination of the presence and character of cultural objectives in the evolvement of European broadcasting legislation, I focus on presentation and a critical review of the existing results of the program quota policy across Europe. The second part of the paper is devoted to an empirical case study of the implementation of the TWF Directive into the Czech media legislation, and particularly on the question of how the Czech TV stations comply with the quotas on European and independent works. In the final part, the process of the current revision of the Television without Frontiers Directive is shortly explored, again with the focus on the way the new Audiovisual Media Services Directive reflects dominant conceptualizations of European culture and identity.
Anotace anglicky
This paper examines cultural objectives of the European audiovisual policy, represented mainly by the Television without Frontiers Directive, and the practical outcomes of this policy in the Czech television landscape. After a brief examination of the presence and character of cultural objectives in the evolvement of European broadcasting legislation, I focus on presentation and a critical review of the existing results of the program quota policy across Europe. The second part of the paper is devoted to an empirical case study of the implementation of the TWF Directive into the Czech media legislation, and particularly on the question of how the Czech TV stations comply with the quotas on European and independent works. In the final part, the process of the current revision of the Television without Frontiers Directive is shortly explored, again with the focus on the way the new Audiovisual Media Services Directive reflects dominant conceptualizations of European culture and identity.
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