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@inproceedings{828469,
author = {Okáčová, Marie},
address = {Brno},
booktitle = {Radová Irena (ed.). Laetae segetes iterum},
keywords = {ancient cento; intertextuality},
language = {eng},
location = {Brno},
isbn = {978-80-210-4775-4},
pages = {225-236},
publisher = {Masarykova univerzita},
title = {Centones: Recycled Art or the Embodiment of Absolute Intertextuality?},
year = {2008}
}
TY - JOUR
ID - 828469
AU - Okáčová, Marie
PY - 2008
TI - Centones: Recycled Art or the Embodiment of Absolute Intertextuality?
PB - Masarykova univerzita
CY - Brno
SN - 9788021047754
KW - ancient cento
KW - intertextuality
N2 - The paper discusses the controversy over literary legitimacy of the late antique centos, i.e. patchwork poems composed of quotations from Homer or Virgil. A succinct historical overview of the cento poetry is followed by a commentary on the cento poetics articulated by Ausonius in his prefatory letter to the Cento Nuptialis. Further, the author presents some of the characteristic examples of cento criticism. The modes of production of the cento texts are consequently examined from the perspective of modern reception theories, the poststructuralist concept of intertextuality, and, last but not least, the Saussurean differential theory of language. The author comes to the conclusion that the cento is actually a highly innovative and perfectly legitimate literary form.
ER -
OKÁČOVÁ, Marie. Centones: Recycled Art or the Embodiment of Absolute Intertextuality? In \textit{Radová Irena (ed.). Laetae segetes iterum}. Brno: Masarykova univerzita. s.~225-236. ISBN~978-80-210-4775-4. 2008.
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