HAVLÍČKOVÁ KYSOVÁ, Šárka. Divadlo nezávislé Indie: Anglicky psaná indická dramatika (Theatre of Independent India: Indian Drama Written in English). Theatralia. Brno: Masarykova univerzita, 2009, 1., 1-2, p. 79 - 94. ISSN 1803-845X.
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Basic information
Original name Divadlo nezávislé Indie: Anglicky psaná indická dramatika
Name in Czech Divadlo nezávislé Indie: Anglicky psaná indická dramatika
Name (in English) Theatre of Independent India: Indian Drama Written in English
Authors HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
Edition Theatralia, Brno, Masarykova univerzita, 2009, 1803-845X.
Other information
Original language Czech
Type of outcome Article in a journal
Field of Study Art, architecture, cultural heritage
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/09:00038201
Organization unit Faculty of Arts
Keywords (in Czech) současná indická dramatika; současné indické divadlo; nezávislá Indie; Girish Karnad; Mahesh Dattani; rasa; bháva
Keywords in English Contemporary Indian Drama; Contemporary Indian Drama; Independent India; Girish Karnad; Mahesh Dattani; rasa; bhava
Changed by Changed by: doc. Mgr. Šárka Havlíčková Kysová, Ph.D., učo 66521. Changed: 25/4/2012 10:32.
Abstract
Studie se zabývá současnou anglicky psanou dramatikou, jejímiž autory jsou Indové. Zvláštní pozornost je věnována vývoji dramatiky psané v anglickém jazyce na území Indie po roce 1947, kdy se Indie stala nezávislou republikou. Po představení hlavních trendů v této oblasti se autorka zabývá tvorbou dvou konkrétních dramatiků, Girishe Karnada a Maheshe Dattaniho. Cílem studie je především poskytnout čtenáři základní přehled o této problematice.
Abstract (in English)
The study focuses on the situation of drama written in English language whose authors are Indians. Particular attention is paid to the development of drama in the English language in India after 1947, e.g. in the period after gaining the independence, up to the present. Having outlined the main trends, the author deals with work of two dramatists, whose pieces enjoy a considerable public reception on stages in India as well as internationally. They are Girish Karnad and Mahesh Dattani. The aim of the study is, above all, to offer a basic survey of the issue that has been recently attracting attention of Western theatre studies.
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