"Asian" theatre sign: its potential and its limits for the Czech structural thought

HAVLÍČKOVÁ KYSOVÁ, Šárka. "Asian" theatre sign: its potential and its limits for the Czech structural thought. In Prague Semiotic Stage Revisited. 2011.

Basic information

• Original name: "Asian" theatre sign: its potential and its limits for the Czech structural thought
• Name in Czech: "Asijský" divadelní znak: možnosti a omezení jeho užití pro český divadelní strukturalismus
• Authors: HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Prague Semiotic Stage Revisited, 2011.

Other information

• Original language: English
• Type of outcome: Requested lectures
• Field of Study: Art, architecture, cultural heritage
• Country of publisher: Czech Republic
• Confidentiality degree: is not subject to a state or trade secret
• RIV identification code: RIV/00216224:14210/11:00050084
• Organization unit: Faculty of Arts
• Keywords (in Czech): strukturalismus; divadlo; znak; znakovost; Karel Brušák; Jiří Veltruský; Jindřich Honzl; Dana Kalvodová
• Keywords in English: structuralism; drama; theatre; sign; semiocity; Karel Brušák; Jiří Veltruský; Jindřich Honzl; Dana Kalvodová
• Tags: International impact

Abstract

The article provides information regarding the texts on Asian theatre written by Czech theoreticians, pointing out their relevance and value for Czech theoretical discourse. Especially two studies on Chinese theatre by Karel Brušák and the structural approach are perceived as exemplary.

Abstract (in Czech)

Příspěvek se věnuje teoretickým textů, které v českém prostředí reflektovaly asijské divadelní kultury. Pozornost je věnována především dvěma pracím Karla Brušáka o čínském divadle, jež reprezentují strukturalistický přístup k problematice.

Links

• GAP409/11/1082, research and development project: Name: Český divadelní strukturalismus: souvislosti a potenciál

Investor: Czech Science Foundation, Czech Structuralist Thought on Theatre: Context and Potency