Krajina v literatuře a ve filmu: k proměnám narativního prostoru

BUBENÍČEK, Petr. Krajina v literatuře a ve filmu: k proměnám narativního prostoru (Landscape in Literature and Film: Narrative Space's Transformations). Musicologica Brunensia. Brno: Masarykova univerzita, 2011, 46/2011, 1-2, p. 35-46, 11 pp. ISSN 1212-0391.

Basic information

• Original name: Krajina v literatuře a ve filmu: k proměnám narativního prostoru
• Name in Czech: Krajina v literatuře a ve filmu: k proměnám narativního prostoru
• Name (in English): Landscape in Literature and Film: Narrative Space's Transformations
• Authors: BUBENÍČEK, Petr (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Musicologica Brunensia, Brno, Masarykova univerzita, 2011, 1212-0391.

Other information

• Original language: Czech
• Type of outcome: Article in a journal
• Field of Study: Literature, mass media, audio-visual activities
• Country of publisher: Czech Republic
• Confidentiality degree: is not subject to a state or trade secret
• RIV identification code: RIV/00216224:14210/11:00054486
• Organization unit: Faculty of Arts
• Keywords (in Czech): literatura film vyprávění krajina
• Keywords in English: literature film narration landscape

Abstract

Studie se zabývá kulturně-sociálním rozměrem proměnlivého fenoménu krajiny. Obzvláště kulturní geografové pohlédli na krajinu v širší interdisciplinární perspektivě, což umožnilo mimo jiné lépe uchopit lidské prožívání scenérií vně domova. V literatuře i ve filmu se krajina odhaluje s rozdílnou intenzitou v různých podobách. Není pouhým místem děje, ale nabývá svoji autonomii.

Abstract (in English)

The study deals with representation of landscape in literature and film. First, an analysis of the cultural and social dimensions of the variable phenomenon of landscape is provided. In particular, cultural geographers have looked at landscape in a broader interdisciplinary perspective, allowing a better grasp of the human experience of the scenery outside their homes. Landscape in literature and film appears with different intensity and in various forms. It is not just a place for events of a story to happen; landscape acquires its autonomy in a fictional verbal or audiovisual world. The essential link between literary and film poetics here is experiencing landscape by a wandering subject. This comparison of a literary text and its adaptation also points to new directions for adaptation studies.