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@inbook{975629,
author = {Szczepanik, Petr},
address = {London – New York},
booktitle = {Cinema, Audiences and Modernity. New Perspectives on European Cinema History},
keywords = {filmová recepce; kina; popularita filmů; český film 30. let; nástup zvukového filmu},
language = {eng},
location = {London – New York},
isbn = {978-0-415-67278-8},
pages = {166–186},
publisher = {Routledge. Eds. Daniel Biltereyst – Richard Maltby – Philippe Meers},
title = {Hollywood in disguise. Practices of exhibition and reception of foreign films in Czechoslovakia in the 1930s.},
year = {2011}
}
TY - CHAP
ID - 975629
AU - Szczepanik, Petr
PY - 2011
TI - Hollywood in disguise. Practices of exhibition and reception of foreign films in Czechoslovakia in the 1930s.
VL - Neuveden
PB - Routledge. Eds. Daniel Biltereyst – Richard Maltby – Philippe Meers
CY - London – New York
SN - 9780415672788
KW - filmová recepce
KW - kina
KW - popularita filmů
KW - český film 30. let
KW - nástup zvukového filmu
N2 - This chapter focuses on the ways in which foreign sound films were distributed, shown and received in Prague between 1929 and 1939. Comparing the popularity of Czechoslovak, American and German productions on the local market, it presents a list of each year’s top-ten hits, and draws conclusions about the short- and longerterm tendencies of local cinemagoing preferences. The chapter asks why the English language and American culture were considered to be disturbing elements by local audiences. What made German films not only more popular than American ones, but also more popular than German versions of American films? Was it the German language, which was more comprehensible to the local public than English, or the archetypes of German-Austrian popular culture represented in these films? How can we explain the extreme but short-term popularity of American talkies in the first year that they were shown in Prague, and their sharp decline in popularity in the following years? What kind of American films continued to be hits after 1930?
ER -
SZCZEPANIK, Petr. Hollywood in disguise. Practices of exhibition and reception of foreign films in Czechoslovakia in the 1930s. (Hollywood in disguise. Practices of exhibition and reception of foreign films in Czechoslovakia in the 1930s). In \textit{Cinema, Audiences and Modernity. New Perspectives on European Cinema History}. London – New York: Routledge. Eds. Daniel Biltereyst – Richard Maltby – Philippe Meers, 2011, p.~166–186, 20 pp. ISBN~978-0-415-67278-8.
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