Detailed Information on Publication Record
2009
Verbal and Visual Representation of 'US' and 'THEM': British Front-Page News on the Iraq War
CHOVANEC, JanBasic information
Original name
Verbal and Visual Representation of 'US' and 'THEM': British Front-Page News on the Iraq War
Name in Czech
Verbální a vizuální reprezentace "My" a "Oni": Válečný konflikt na titulních stranách britského tisku
Authors
CHOVANEC, Jan (203 Czech Republic, guarantor, belonging to the institution)
Edition
2nd International Conference on Political Linguistics (PL2009) (Lodz), 2009
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60200 6.2 Languages and Literature
Country of publisher
Poland
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/09:00056348
Organization unit
Faculty of Arts
Keywords (in Czech)
kritická analýza diskurzu; multimodalita; bulvární tisk; titulní strana; metafora; inkompatibilita; diskurzní strategie
Keywords in English
critical analysis of discourse; multimodality; tabloid press; front page; metaphor; incompatibility; discourse strategy
Tags
International impact, Reviewed
Změněno: 11/4/2012 17:11, prof. Mgr. Jan Chovanec, Ph.D.
Abstract
V originále
Using a set of front pages of British newspapers from the period of the current war in Iraq, the presentation offers a multi-modal analysis of the way visual images and verbal text are used in the media to categorize individuals. It is noted how the interplay between the images on the front pages and the verbalizations of the events in headlines explicitly and implicitly constructs two opposed groups, i.e., "us" and "them". The pictorial and verbal categorization of the two groups draws on a broad range of constrasts such as "human" vs "animal", "presence of civilization" vs "absence of civilization", "pleasure" vs "pain", etc. The mutual incompatibility of such categories underlies the perceived incompatibility of the two groups. It is also shown that, although such contrasts are typically subject to affective polarization, i.e., the depiction of the in-group and the out-group in terms of positive self-presentation and negative other-presentation, the contrasts can also be used subversively by the media, e.g., to question the positive values and the self-image that a group typically holds about itself.