Detailed Information on Publication Record
2012
Poznámky k okouzlení novostí nových médií
MACEK, JakubBasic information
Original name
Poznámky k okouzlení novostí nových médií
Name (in English)
Notes on the novelty sublime and new media
Authors
MACEK, Jakub (203 Czech Republic, guarantor, belonging to the institution)
Edition
Mediální studia, 2012, 1801-9978
Other information
Language
Czech
Type of outcome
Článek v odborném periodiku
Field of Study
Literature, mass media, audio-visual activities
Country of publisher
Czech Republic
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14230/12:00060157
Organization unit
Faculty of Social Studies
Keywords (in Czech)
nová média; studia nových médií; okouzlení novostí; internet imaginaire; historie technologií
Keywords in English
new media; new media studies; novelty sublime; internet imaginaire; history of technologies
Tags
Reviewed
Změněno: 29/4/2013 13:54, doc. Mgr. Jakub Macek, Ph.D.
V originále
The paper deals with new media studies and focuses on critical debate about novelty sublime. The fascination by novelty and rhetoric of profound social change caused by emerging internet and new media significantly shaped new media studies in their early period. However, on the beginning of 21st century new media studies became quite critical to these hyped (utopian and dystopian) discourses and the debate about reasons and nature of these early “extreme” framing of social change became one of the key elements of academic normalization of new media studies.
In English
The paper deals with new media studies and focuses on critical debate about novelty sublime. The fascination by novelty and rhetoric of profound social change caused by emerging internet and new media significantly shaped new media studies in their early period. However, on the beginning of 21st century new media studies became quite critical to these hyped (utopian and dystopian) discourses and the debate about reasons and nature of these early “extreme” framing of social change became one of the key elements of academic normalization of new media studies.