Výpis publikací

RAMPLEY, Matthew. “A More Beautiful Future.” Modern Architecture, Catholicism and the State in Central Europe, 1918-1939. Online. 2025.

RAMPLEY, Matthew. ARTWORK OF THE MONTH, JULY 2023: THE NAPRAFORGÓ STREET HOUSING COLONY (1931). www.craace.com, 2023. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/WAHKX.

RAMPLEY, Matthew. Building for the Departed: Free Thinking, Secular Politics and Crematorium Design in Central Europe, 1873-1932. Online. In Maximilian Hartmuth, Richard Kurdiovsky, Julia Rüdiger and Georg Vasold, eds. THE GOVERNANCE OF STYLE. PUBLIC BUILDINGS IN CENTRAL EUROPE, CA. 1780-1920. Vienna: Boehlau, 2023, s. 373-390. ISBN 978-3-205-21754-1. Dostupné z: https://dx.doi.org/10.7767/9783205217541.

RAMPLEY, Matthew. Everyone is Peripheral, Everyone is in the Centre: the Idea of Horizontal Art History. In I Congreso Internacional sobre Cultura Visual. Periferia e interdisciplinariedad en los estudios visuales, Madrid 2023. 2023.

RAMPLEY, Matthew. Geçmiş Şeyleri Hatırlamak. 2023.

RAMPLEY, Matthew. Lidia Głuchowska and Vojtěch Lahoda (eds), Nationalism and Cosmopolitanism in the Avant-Garde and Modernism: The Impact of the First World War. Umění. Časopis Ústavu dějin umění, Praha, Ústav dějin umění AV ČR. 2023, roč. 2023, č. 2, s. 195-198. ISSN 0049-5123.

RAMPLEY, Matthew. Myths of Modernism : Austrian Art after 1918. ART HISTORY. Oxford: WILEY, 2023, roč. 46, č. 2, s. 256-281. ISSN 0141-6790. Dostupné z: https://dx.doi.org/10.1111/1467-8365.12716.

RAMPLEY, Matthew. ‘Neither Nature nor Culture: Prospects for Naturalistic Theories of Art. In Institute of Philosophy, Czech Academy of Sciences, March 2023. 2023.

RAMPLEY, Matthew. Questions for Czech architectural history. Art East Central. Brno: Masarykova univerzita, 2023, s. 183-188, 5 s. ISSN 2695-1428.

RAMPLEY, Matthew. Refinement and Excess: The Limits of Interpretation. In Real Spaces at 20 (University of Basel). 2023.

RAMPLEY, Matthew. The Art History Congress in 1873: Significance and Consequences. In 150 Years After Der Erste Kunstwissenschaftliche Congress 1873, die Wiener Weltausstellung und die Museen. 2023.

RAMPLEY, Matthew. The Vienna School of Art History 1847-1873: Concepts of Science, Concepts of Knowledge. In ART HISTORY AND ITS INSTITUTIONS IN THE AUSTRO-HUNGARIAN EMPIRE 28.09-30.09.2023 Polska Akademia Umiejętności Kraków. 2023.

RAMPLEY, Matthew, Marta FILIPOVÁ, Nóra VESZPRÉMI, Julia SECKLEHNER, Christian DROBE a Veronika HALAMOVÁ. Unfinished Empire? Visual Arts and Architecture in Post-Imperial Contexts, 1900–2022. 2023.

RAMPLEY, Matthew. 达尔文的诱惑：艺术、进化与神经科学. Beijing: People’s Publishing House, 2022. ISBN 978-7-01-024624-6.

RAMPLEY, Matthew. Architektura v regionech. Metoda, hodnocení a topografický impuls. UMENI-ART. CZECH REPUBLIC: INST ART HIST ACAD SCI CZECH REPUBLIC, 2022, roč. 2022, č. 1, s. 92-105, 13 s. ISSN 0049-5123. Dostupné z: https://dx.doi.org/10.54759/art-2022-0106.

RAMPLEY, Matthew. ARTWORK OF THE MONTH, FEBRUARY 2022: THE HOUSE OF JAKUB DEML BY BOHUSLAV FUCHS (1921–22). In www.craace.com. www.craace.com, 2022. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/6MK2Y.

RAMPLEY, Matthew. ARTWORK OF THE MONTH, JULY 2022: HEAD BY VALLY WIESELTHIER (1928). In www.craace.com. www.craace.com, 2022. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/N9YVZ.

RAMPLEY, Matthew. BEDŘICH FEUERSTEIN, ARCHITECT: PRAGUE – PARIS – TOKYO: EXHIBITION REVIEW. www.craace.com. 2022. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/54GSD.

RAMPLEY, Matthew. Estonians, Germans and their Heritage A Review of: Kristina Jõekalda, German Monuments in the Baltic Heimat? A Historiography of Heritage in the ‘Long Nineteenth Century’ (Tallinn: Estonian Academy of Art, 2020. Art East Central. Brno: Masarykova univerzita, 2022, s. 153-158. ISSN 2695-1428.

RAMPLEY, Matthew. Linear, Entangled, Anachronic : Periodization and the Shapes of Time in Art History. Online. In Kallestrup, Shona; Kunińska, Magdalena; Mihail, Mihnea Alexandru; Adashinskaya, Anna; Minea, Cosmin. Periodization in the Art Historiographies of Central and Eastern Europe. 1. vyd. New York: Routledge, 2022, s. 14-28. ISBN 978-1-003-17841-5. Dostupné z: https://dx.doi.org/10.4324/9781003178415-3.

RAMPLEY, Matthew. On Erasures in Modern Architecture : Catholic "Modernism" and the Historiography of Church Building Between the Wars. Online. In Brandow-Faller, Megan; Morowitz, Laura. Erasures and Eradications in Modern Viennese Art, Architecture and Design. 1. vyd. New York: Routledge, 2022, s. 224-238. ISBN 978-1-003-17690-9. Dostupné z: https://dx.doi.org/10.4324/9781003176909-19.

RAMPLEY, Matthew. The Artworld and the late Habsburg Public Sphere: the Galleries of Modern Art Prague and Vienna. In Re-Reading the Habsburg Monarchy. New approaches between Empire, State, and the Global. 2022.

RAMPLEY, Matthew. Agency, affect and intention in art history: some observations. Journal of Art Historiography. Birmingham: The University of Birmingham, 2021, roč. 2021, č. 24, s. 1-21. ISSN 2042-4752.

RAMPLEY, Matthew. Alois Musil: Scholar, Theologian, Patriot, Imperialist, Adventurer. In Persian Art in Vienna. 2021.

RAMPLEY, Matthew. Artwork of the Month, May 2021: The Church of St. Anthony of Padua by Gyula Rimanóczy (1931–34). www.craace.com, 2021. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/FU94W.

RAMPLEY, Matthew. ARTWORK OF THE MONTH, SEPTEMBER 2021: THE INDUSTRIAL EXHIBITION HALL IN HIROSHIMA BY JAN LETZEL (1915). In www.craace.com. www.craace.com, 2021. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/GWY2F.

RAMPLEY, Matthew. Asian Art, Czech Museums and the Manifesto of Decolonization. In Collecting Asian Art in Prague (National Gallery Prague, June 2021. 2021.

RAMPLEY, Matthew. člen hodnoticího panelu P409. Grantová agentura ČR, 2021 - 2023.

RAMPLEY, Matthew. Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’. VISUAL RESOURCES. ENGLAND: TAYLOR & FRANCIS LTD, 2021, roč. 37, č. 1, s. 1-30. ISSN 0197-3762. Dostupné z: https://dx.doi.org/10.1080/01973762.2022.2087168.

FILIPOVÁ, Marta a Matthew RAMPLEY. Design muzeum mezi jeskyní a obchodním domem. artalk.cz. 2021.

FOLETTI, Ivan, Jan GALETA, Ondřej JAKUBEC, Radka NOKKALA MILTOVÁ, Šárka BAHOUNKOVÁ, Ruben CAMPINI, Annalisa MORASCHI, Jana ČERNOCKÁ, Martin DEUTSCH, Klára DOLEŽALOVÁ, Christian DROBE, Alžběta FILIPOVÁ, Marta FILIPOVÁ, Aleš FLÍDR, Karolina FOLETTI, Jakub FRANK, Zuzana FRANTOVÁ, Jana GAZDAGOVÁ, Veronika HALAMOVÁ, Michaela HOJDYSZ, Anna JAEGEROVÁ, Katarína KRAVČÍKOVÁ, Jiří KROUPA, Denisa KUJELOVÁ, Cassandre LEJOSNE, Martin LEŠÁK, Petra LEXOVÁ, Žaneta MARVANOVÁ, Martina MRÁZOVÁ, Helena MUSILOVÁ, Pavol MÚDRY, Adrien PALLADINO, Martina PETŘÍKOVÁ, Veronika PICHANIČOVÁ, Alena POMAJZLOVÁ, Matthew RAMPLEY, Eva RICHTROVÁ, Sabina ROSENBERGOVÁ, Marcela RUSINKO, Veronika ŘEZNÍČKOVÁ, Tereza ŘÍHOVÁ, Julia SECKLEHNER, Lubomír SLAVÍČEK, Pavel SUCHÁNEK, Michaela ŠEFERISOVÁ LOUDOVÁ, Martin ŠOLC, Pavla TICHÁ, Martin JAKUBČO, Tomáš VALEŠ, Lenka VRLÍKOVÁ a Petra WILLERTHOVÁ. Emoce v obraze od středověku po současnost. Seminář dějin umění k poctě Ladislava Kesnera. 1. vyd. Brno: koedice Masarykova univerzita / Books & Pipes, 2021, 128 s. ISBN 978-80-210-9824-4.

RAMPLEY, Matthew. Modernism and Cultural Politics in Inter-war Austria : The Case of Clemens Holzmeister. Architectural History. Velká Británie: Cambridge University Press, 2021, roč. 64, Zima, s. 347 - 378. ISSN 0066-622X. Dostupné z: https://dx.doi.org/10.1017/arh.2021.14.

RAMPLEY, Matthew. Modernity and REligion in Central European Art and Architecture. 2021.

RAMPLEY, Matthew. Nach Klimt kein Ende? Ambivalenz und politische Legitimation in der Kunstgeschichte der Zwischenkriegszeit. In Kurt Scharr. WAS HEISST ÖSTERREICH? Klagenfurt/Celovec,Wien, Ljublana, Berli: Weiser verlag, 2021, s. 98-136. Wieser- wissenschaft. ISBN 978-3-99029-469-7.

RAMPLEY, Matthew. Naturalistic Theories in the Humanities: Past and Present. In International Society for the History of the Humanities, Universitat Pompeu Fabra Campus in Barcelona, September 2021. 2021.

RAMPLEY, Matthew. Networks, Horizons, Centres and Hierarchies : On the Challenges of Writing on Modernism in Central Europe. Umění. Praha: Ústav dějin umění AV ČR, 2021, roč. 69, č. 2, s. 145-162. ISSN 0049-5123.

RAMPLEY, Matthew. The Gothic cathedral is more of a construction record than an expression of religious fervour” (Karel Teige). Debates about modernism and church architecture in the 1920s and 1930s. In MODERNITY AND RELIGION IN CENTRAL EUROPEAN ART AND ARCHITECTURE: ONLINE WORKSHOP. 2021.

RAMPLEY, Matthew. The Image and Neuroaesthetics. In Krešimir Purgar. The Palgrave Handbook of Image Studies. 2021.

RAMPLEY, Matthew. The Image of Neuroaesthetics. In Krešimir Purgar. The Palgrave Handbook of Image Studies. Cham: Palgrave Macmillan, 2021, s. 719-733. ISBN 978-3-030-71829-9.

RAMPLEY, Matthew. The Key to Red Vienna: Book review. www.craace.com. 2021. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/9RV53.

RAMPLEY, Matthew, Nóra VESZPRÉMI a Markyan PROKOPOVYCH. The Museum Age in Austria-Hungary : Art and Empire in the Long Nineteenth Century. Pennsylvania: The Pennsylvania State University Press, 2021, 304 s. na. ISBN 978-0-271-08710-8.

RAMPLEY, Matthew. The Prospects for Darwinian Art Theory and History. In Beauty, Sexuality, Selection (Clark Art Institute, MA. 2021.

RAMPLEY, Matthew. Understanding Greek Art History. Art East Central. Brno: Masarykova univerzita, 2021, roč. 1, č. 1, s. 127-133. ISSN 2695-1428. Dostupné z: https://dx.doi.org/10.5817/AEC2021-1-6.

RAMPLEY, Matthew. A Moment of Crisis: Julius Schlosser, the History of Art as Style and the History of Art as Language. Wiener Jahrbuch für Kunstgeschichte. 2020, roč. 66.

RAMPLEY, Matthew. Another Modernism? Clemens Holzmeister, Josef Frank, and the Architecture of Interwar Vienna’. In Veronika Rollová and Cyril Říha. Umění a evoluce / Art and Evolution. Praha: UMPRUM, 2020, s. 242-250. ISBN 978-80-88308-14-0.

RAMPLEY, Matthew. Another Modernism? Clemens Holzmeister, Josef Frank and the Architecture of Interwar Vienna. In Art and Evolution: Festschrift for Jindřich Vybíral. 2020.

RAMPLEY, Matthew. Anthropology and the Origins of Art History. de-, dis-, ex-. 2020, roč. 4, s. 138-163.

RAMPLEY, Matthew. Artwork of the Month, January 2020: The Nymburk Crematorium by Bedřich Feuerstein and Bohumil Slama (1922-24). In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/3MGYJ.

RAMPLEY, Matthew. Artwork of the Month, June 2020: A Walk Through the Metropolis by Erika Giovanna Klien (1923). In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/ZBJHE.

RAMPLEY, Matthew. Artwork of the Month, November 2020: The Neolog Synagogue in Žilina by Peter Behrens (1928–31). In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/FU2CH.

RAMPLEY, Matthew. Crematoria: Symbols of Modernism and Modernity. In The Aesthetics of Public Service (University of Vienna, February 2020). 2020.

RAMPLEY, Matthew. Gab es Kunst nach Klimt? Fragen der Kunstgeschichte der Zwischenkriegszeit in Österreich. In Visiting Professor Programme, University of Innsbruck. 2020.

RAMPLEY, Matthew, Markian PROKOPOVYCH a Nóra VESZPRÉMI. Liberalism, Nationalism and Design Reform in the Habsburg Empire : Museums of Design, Industry and the Applied Arts. New York: Routledge, 2020, 208 s. Routledge Research in Art Museums and Exhibitions. ISBN 978-0-367-43489-2.

RAMPLEY, Matthew. Max Dvořák and the Vienna School of Art History. In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/E25GN.

RAMPLEY, Matthew. Metaphors of Progress: Hygiene and Purity in Czechoslovak Architecture. In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/SWHR7.

RAMPLEY, Matthew. On Photographing Modern Architecture: The Studio of Rudolf Sandalo. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/KR4CW.

RAMPLEY, Matthew. Questions of Value: Brain Science, Aesthetics, and Art in the Neurohumanities. In Juliana Dresvina. Cognitive Sciences and Medieval Studies. Cardiff: University of Wales Press, 2020.

RAMPLEY, Matthew. The Organization of the High Arts. In Pieter Judson and Mark Cornwall. The Cambridge History of the Habsburg Monarchy: 1780-1918. Cambridge: Cambridge University Press, 2020.

RAMPLEY, Matthew. Umění, avantgarda a střední Evropa. Art & Antiques : váš průvodce světem umění. Ambit Media a.s., 2020, roč. 2020, č. 3, s. 88-89. ISSN 1213-8398.

RAMPLEY, Matthew. Years of Disarray 1908-1928: Avant-Gardes in Central Europe: Catalogue review. In www.craace.com. www.craace.com, 2020. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/F7S2P.

RAMPLEY, Matthew. Across the Leitha : Rudolf Eitelberger and the Liberal View of Culture in Austria-Hungary. In Kernbauer, Eva; Pokorny-Nagel, Kathrin; Rosenberg, Raphael; Rüdiger, Julia; Werkner, Patrick; Jenni, Tanja. Rudolf Eitelberger von Edelberg : Netzwerker der Kunstwelt. Wien: Böhlau Verlag, 2019, s. 363-392. ISBN 978-3-205-20925-6. Dostupné z: https://dx.doi.org/10.7767/9783205209256.363.

RAMPLEY, Matthew. Artwork of the Month, August 2019: Prague Cathedral by Josef Sudek (1926–27). In www.craace.com. www.craace.com, 2019. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/YB25R.

RAMPLEY, Matthew. Book review: Meštrović in Prague. www.craace.com. 2019. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/VB5NC.

RAMPLEY, Matthew. But they had the right intentions. In Toxic Art Histories; Humboldt University, Berlin. 2019.

RAMPLEY, Matthew. Exhibition review: Enchanted by Africa? www.craace.com. 2019. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/W2FMY.

RAMPLEY, Matthew. Exhibition review: The First Czechoslovak Republic. www.craace.com. 2019.

RAMPLEY, Matthew. Iconologies Prehistoric and Modern: On Naturalistic Theories of the Image. In Iconologies: Global Unity and / or Local Diversities in Art History (Jagiellonian University, Cracow. 2019.

RAMPLEY, Matthew. In the Shadow of the Habsburg Empire : Art and Architecture in Interwar Central Europe. 2019.

RAMPLEY, Matthew. Late Habsburg Vienna. In Bath Royal Literary and Scientific Institution, October 2019). 2019.

RAMPLEY, Matthew. Questions of Periodisation in the Art Historiographies of Central and Eastern Europe. In New Europe College Institute of Advanced Studies, Bucharest, November 2019. 2019.

RAMPLEY, Matthew. Reactionary Modernisms: Architecture after the Fall of Austria-Hungary. In University of Durham Centre for Visuals Arts and Criticism. 2019.

RAMPLEY, Matthew. Reclaiming aura: exhibitions of religious art in interwar Austria. In In the Shadow of the Habsburg Empire? Art and Architecture in Interwar Central Europe. 2019.

RAMPLEY, Matthew. Temples of Modernity? Avant-Garde Church Architecture between the Wars. In Vaidas Petrulis. Modernism for the Future: An International Conference. Kaunas: kaunas22.eu, 2019, s. 32-41.

RAMPLEY, Matthew. The End of Empires: Austria-Hungary and its Legacies in the Visual Arts. In Association of Greek Art Historians, Benaki Museum; May 2019. 2019.

RAMPLEY, Matthew. Theories of agency in art. Journal of Art Historiography. University of Birmingham, 2019, roč. 20, June 2019, 6 s. ISSN 2042-4752.

RAMPLEY, Matthew. Uzhhorod Modernism. In www.craace.com. www.craace.com, 2019. Dostupné z: https://dx.doi.org/10.17605/OSF.IO/A6G3W.

RAMPLEY, Matthew. Evolution, Aesthetics the New Darwinism in World Art Studies. In Pauline Bachmann, Melanie Klein, Tomoko Mamine and Georg Vasold. Questioning Narratives, Negotiating Frameworks: Art/Histories in Transcultural Dynamics. Wilhelm Fink, 2017, s. 93-117.

RAMPLEY, Matthew. German Industriousness, German Spirit, German Energy and German Persistence:” the Moravian Design Museum and Cultural Politics in the Habsburg Empire. West 86th The Journal of Decorative Arts, Design History and Material Culture. 2017, s. 201-229.

RAMPLEY, Matthew. The Seductions of Darwin: Art, Evolution and Neuroscience. Penn State University Press, 2017. ISBN 978-0-271-07742-0.

RAMPLEY, Matthew. Fish, Volcanoes and the Art of Brains. Journal of Art Historiography. 2016, č. 15.

RAMPLEY, Matthew. From Potemkin City to the Estrangement of Vision: Baroque Modernity in Austria, before and after 1918. Austrian History Yearbook. 2016, č. 47, s. 167-187.

RAMPLEY, Matthew. Art History in Central Europe: the Vienna School and Beyond. 8. vyd. The Journal of Art Historiography, 2013.

RAMPLEY, Matthew. Journal of Art Historiography Number 8 June 2013 The Strzygowski school of Cluj. An episode ininterwar Romanian cultural politics. Journal of Art Historiography. Birmingham: University of Birmingham, 2013, roč. 2013, č. 8. ISSN 2042-4752.

RAMPLEY, Matthew. Social Theory and the Autonomy of Art: the Case of Niklas Luhmann. In Owen Hulatt. Aesthetic and Artistic Autonomy. New York: Continuum, 2013, s. 217-240.

RAMPLEY, Matthew. The Vienna School of Art History: Empire and the Politics of Scholarship, 1847-1918. Penn State University Press, 2013, 336 s. ISBN 978-0-271-06158-0.

RAMPLEY, Matthew. Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks. In Matthew Rampley. Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks. Leiden: Brill, 2012, s. 1-16,119-134,231-249, 421-438. ISBN 978-90-04-21877-2.

RAMPLEY, Matthew. Art History, Racism and Nationalism. Coriolan Petranu and Art in Transylvania. In Jerzy Malinowski. History of Art History in Central, Eastern and South-Eastern Europe. Torun: Tako, 2012, s. 57-62.

RAMPLEY, Matthew. Contested Histories: Heritage and / as the Construction of the Past. In Matthew Rampley. Heritage, Ideology and Identity in Central and Eastern Europe. Contested Pasts, Contested Presents. London: Boydell & Brewer, 2012, s. 1-20. ISBN 978-1-84383-706-0.

RAMPLEY, Matthew. Heritage, Ideology and Identity in Central and Eastern Europe. Contested Pasts, Contested Presents. London: Boydell & Brewer, 2012. ISBN 978-1-84383-706-0.

RAMPLEY, Matthew. Museology in Central Europe. In Centropa. A Journal of Central European Architecture and Related Arts. 12/2. Centropa. A Journal of Central European Architecture and Related Arts, 2012.

RAMPLEY, Matthew. Archiva Pamiȩci: Pasaże Waltera Benjamina I Atlas Mnemosyne Aby’ego Warburga. Konteksty. 2011, roč. 65, s. 174-183.

RAMPLEY, Matthew. L’histoire de l’art et la crise des sciences humaines: Josef Strzygowski et Hans Sedlmayr. Austriaca. 2011, roč. 72, s. 189-212.

RAMPLEY, Matthew. Peasants in Vienna. Ethnographic Display and the 1873 World’s Fair. Austrian History Yearbook. 2011, roč. 42, s. 110-132.

RAMPLEY, Matthew. The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847-1885,. Art History. 2011, roč. 34, č. 1.

RAMPLEY, Matthew. Warburg, Judaism and the Politics of Identity. ’ Oxford Art Journal. 2011, roč. 33, č. 3, s. 317-335.

RAMPLEY, Matthew. Zur Vischer-Rezeption bei Warburg. In B. Potthast and A. Reck. Friedrich Theodor Vischer. Leben – Werk – Wirkung. Heidelberg: Carl Winter Verlag, 2011, s. 299-320.

RAMPLEY, Matthew. Design Reform in the Habsburg Empire. Technology, Aesthetics, Ideology. Journal of Design History. 2010, roč. 23, č. 3, s. 247-263.

RAMPLEY, Matthew. For the Love of the Fatherland. Patriotic Art History and the Kronprinzenwerk in Austria-Hungary. Centropa. 2010, roč. 9, č. 3, s. 160-175.

RAMPLEY, Matthew. Art as a Social System. The Sociological Aesthetics of Niklas Luhmann. Telos. 2009, roč. 148, s. 1-30.

RAMPLEY, Matthew. Art History and the Politics of Empire. Rethinking the Vienna School. Art Bulletin. 2009, roč. 91, č. 4, s. 447-463.

RAMPLEY, Matthew. The Absorption of the Expressive Values of the Past. Art in Translation. 2009, roč. 1, č. 2, s. 273-283.

RAMPLEY, Matthew. Dalmatia is Italian! The Politics of Art History in Austria-Hungary and South-Eastern Europe, 1862-1930,. Etudes Balkaniques. 2008, roč. 44, č. 4, s. 130-147.

RAMPLEY, Matthew. The Poetics of the Image: Art History and the Rhetoric of Interpretation. Marburger Jahrbuch der Kunstgeschichte. 2008, roč. 35, s. 7-31.

RAMPLEY, Matthew. La Caduta e la Rinascita dell’Estetica dagli Anni Ottanta al Presente. Nuova Secondaria. 2007, XXIV, č. 5, s. 36-41.

FILIPOVÁ, Marta a Matthew RAMPLEY. Možnosti vizuálních studií : obrazy, texty, interpretace. 1. vyd. Brno: Masarykova univerzita, Filozofická fakulta, Seminář dějin umění, 2007, 254 s. ISBN 978-80-87029-26-8.

FILIPOVÁ, Marta a Matthew RAMPLEY. Možnosti vizuálních studií : obrazy, texty, interpretace. 1. vyd. Brno: Masarykova univerzita, Filozofická fakulta, Seminář dějin umění, 2007, 254 s. ISBN 978-80-87029-26-8.

RAMPLEY, Matthew. From Big Art Challenge to A Spiritual Vision: What “Global Art History” Might Really Mean. In James Elkins. Is Art History Global? Routledge, 2006, s. 188-202.

RAMPLEY, Matthew. Art History and Cultural Difference: Alfred Gell’s Anthropology of Art. Art History. 2005, roč. 28, č. 4, s. 524-551.

RAMPLEY, Matthew. Art History without Aesthetics. Overcoming the Legacy of Kant. In James Elkins. Art History versus Aesthetics. Routledge, 2005, s. 161-166.

RAMPLEY, Matthew. De l’art considéré comme système social: observations sur la sociologie de l’art de Niklas Luhmann. LITTÉRATURE, ARTS, SCIENCES. 2005, č. 6, s. 159-185.

RAMPLEY, Matthew. Exploring Visual Culture. Edinburgh: Edinburgh University Press, 2005, s. 5-17, 133-148, 149-162, 179-98. ISBN 0-7486-1845-7.

RAMPLEY, Matthew. Exploring Visual Culture. Edinburgh: Edinburgh University Press, 2005. ISBN 0-7486-1845-7.

RAMPLEY, Matthew. La amenaza fantasma: ¿la Cultura visual como fin de la Historia del arte? In José Luis Brea. Estudios visuales La epistemología de la visualidad en la era de la globalización. AKAL, 2005, s. 39-58.

RAMPLEY, Matthew. La Cultura Visual en la era postcolonial: el desafio de la antropologie. Estudios Visuales. 2005, roč. 3, s. 182-212.

RAMPLEY, Matthew. The Ethnographic Sublime. RES: Anthropology and Aesthetics. 2005, roč. 47, s. 251-263.

RAMPLEY, Matthew. Visual Culture: A Postcolonial Concept. Leitmotiv. 2005, roč. 5, s. 39-50.

RAMPLEY, Matthew. Visual Studies: the End of Art History? Ars. 2005, roč. 38, č. 1, s. 53-66.

RAMPLEY, Matthew. Max Dvořák: Art History and the Crisis of Modernity. Art History. 2003, roč. 26, č. 3, s. 220-243.

RAMPLEY, Matthew. Zwischen Nomologischer und Hermeneutischer Kunstwissenschaft: Alois Riegl und das Kunstwollen als Problem. Kritische Berichte. 2003, roč. 31, č. 4, s. 5-19.

RAMPLEY, Matthew. Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks. Leiden: Brill, 2001. ISBN 978-90-04-21877-2.

RAMPLEY, Matthew. Iconology of the Interval. Aby Warburg’s Legacy. Word and Image. 2001, roč. 17, č. 4, s. 303-324.

RAMPLEY, Matthew. Allegory and Mimesis. On Aby Warburg and Walter Benjamin. In Richard Woodfield. Art History as Cultural History. Warburg’s Project. Gordon + Breach, 2000, s. 121-149.

RAMPLEY, Matthew. In Search of Cultural History. Anselm Kiefer and the Ambivalence of Modernism. Oxford Art Journal. 2000, roč. 23, č. 1, s. 73-96.

RAMPLEY, Matthew. Introduction. In trans. C. Edwards. Edgar Wind, Experiment and Metaphysics. Oxford: European Centre for Research in the Humanities, 2000.

RAMPLEY, Matthew. Nietzsche, Aesthetics and Modernity. Cambridge University Press, 2000, 298 s. ISBN 0-521-65155-7.

RAMPLEY, Matthew. Subjectivity and Modernism. Riegl and the Rediscovery of the Baroque. In Richard Woodfield. Framing Formalism. Riegl’s Work. Gordon + Breach, 2000, s. 265-290.

RAMPLEY, Matthew. The Remembrance of Things Past. Aby M. Warburg and Walter Benjamin. Wiesbaden: Harrassowitz Verlag, 2000. ISBN 3-447-04299-0.

RAMPLEY, Matthew. Archives of Memory. Walter Benjamin’s Arcades Project and Aby Warburg’s Mnemosyne Atlas. de-, dis-, ex-. 1999, roč. 3, s. 94-117.

RAMPLEY, Matthew. Creativity. British Journal of Aesthetics. 1998, roč. 38, č. 2, s. 125-135.

RAMPLEY, Matthew. From Symbol to Allegory. Aby Warburg’s Theory of Art. Art Bulletin. 1997, roč. 79, č. 1, s. 41-55.

RAMPLEY, Matthew. Identity and Difference. Jackson Pollock and the Ideology of the Drip. Oxford Art Journal. 1996, roč. 19, č. 2, s. 83-94.

RAMPLEY, Matthew. Spectatorship and the Historicity of Art. Re-reading Riegl’s “Historical Grammar of the Fine Arts. Word and Image. 1996, roč. 12/2019, č. 2, s. 209-217.

RAMPLEY, Matthew. Meaning and Language in Early Heidegger: From Duns Scotus to Being and Time. Journal of the British Society for Phenomenology. 1994, roč. 12, č. 2, s. 209-228.

RAMPLEY, Matthew. Physiology as Art: Nietzsche on Form. British Journal of Aesthetics. 1993, roč. 33, č. 3, s. 271-282.