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    2024

    1. LATTANZIO, Giada. A Byzantine Island? Historiographical Issues in (Art)Historical Studies on Early Medieval Sardinia (6th-11th century). In Telling Byzantine History: Current Trends and New Directions. 2024.
    2. GALETA, Jan. Architektura pro národní a obecní kapitál. Budovy záložen a spořitelen do první světové války (Architecture for national and municipal capital. Buildings of credit unions and savings banks until the First World War). In 44. ročník Plzeňského sympozia: Trh a kapitál v české kultuře 19. století. 2024.
    3. KHAKHANOVA, Margarita. Armenofobie. Umění [a] marginalizace (Armenophobia. Art [and] marginalization). In Středověc Jinax. 2024.
    4. FRANTOVÁ, Zuzana and Marie OKÁČOVÁ. AVLA DEI CLARIS RADIAT SPECIOSA METALLIS aneb Proměny obrazu emocí v pozdně antické (vizuální) kultuře. In 32. Letní škola klasických studií, Brno, 30. 6. - 3. 7. 2024.
    5. FILIPOVÁ, Alžběta. Between Reverence and Reclamation : Musealization of Medieval Church Treasures in Georgia’s National Museum. In Demusealisation! Transcultural Encounters with Religious Objects in Museums. Symposium held at the Centre for Religion and Heritage, University of Groningen. 2024.
    6. SMRČKOVÁ, Kristýna. Convivium journal (cover and layout redesign). Brepols, 2024.
    7. FOLETTI, Ivan, Tanja MICHALSKY and Klaus KRÜGER. Cult/Space/Presence of Images. A Workshop on the Art and Cultural Historical Impulses of Hans Belting. 2024.
    8. FOLETTI, Ivan. De l’objet au corps : la culture matérielle et visuelle « mobile » dans l’initiation chrétienne (IVe-VIe s.) (From object to body: "mobile" material and visual culture in Christian initiation (4th-6th centuries)). In Béatrice Caseau, Lucia Maria Orlandi. Bapteme et baptisteres entre Antiquité tardive et Moyen Age. Milano: Silvana Editoriale, 2024, p. 160-177. Bibliotheque d'histoire de l'art et de l'archéologie. ISBN 978-88-366-4999-0.
    9. FOLETTI, Ivan and Martin LEŠÁK. Du désert au Paradis: Conques et son environnement prémoderne (From desert to paradise: Conques and its premodern environment). Les cahiers de saint-michel de Cuxa. 2024, vol. 55, No 1, p. 97-104. ISSN 2804-0775.
    10. DIVIZIA, Paolo. Due testimoni parziali delle Historiae adversus paganos di Paolo Orosio secondo il volgarizzamento di Bono Giamboni (Two Fragmentary Witnesses to Orosius' Historiae asversus paganos translated by Bono Giamboni). Zeitschrift für romanische Philologie. Berlin: De Gruyter, 2024, vol. 140, No 1, p. 257-269. ISSN 0049-8661. Available from: https://dx.doi.org/10.1515/zrp-2024-0008.
    11. RENZ, Seraina. ‘Eine wachsame Kontrolle des Bewusstseins’. Performancekunst, Experiment und Gefahr (A vigilant control over consciousness. Performance Art, Experiment, Danger). In Maria Becker. Auf dem Weg zu einer Idee. Über das Experiment in der Kunst und andere Strategien des Kreativen. Basel: Schwabe, 2024.
    12. MOLTENI, Ilaria and Valeria RUSSO. Framing Past Narratives. An Epistemological Introduction. In Ilaria Molteni; Valeria Russo. Inventing Past Narratives. Venice and the Adriatic Space. Turnhout / Brno: Brepols, 2024, p. 13-46, 37 pp. Convivium Supplementum, 12. ISBN 978-80-280-0464-4.
    13. MOLTENI, Ilaria and Valeria RUSSO. Inventing Past Narratives. Venice and the Adriatic Space (13th-15th centuries). Online. Turnhout/Brno: Brepols, 2024, 180 pp. Convivium. Supplementum 12. ISBN 978-80-280-0465-1.
    14. BOROVSKÝ, Tomáš. Knihy a knihovny ve středověkých městech na Moravě (Books and Libraries in Medieval Towns in Moravia). In Přemysl Bar - Lukáš Führer - Dalibor Havel ve spolupráci s Lenkou Šmídovou Malárovou. Moc inkoustu. Středověká knižní kultura na Moravě. Brno: Masarykova univerzita, 2024, p. 149-168. s.e. ISBN 978-80-280-0520-7.
    15. JAKUBEC, Ondřej. Na biskupa Karla nelze nahlížet pouze optikou dnešní doby (Bishop Charles cannot be seen only through the lens of today's times). In Kroměřížský zpravodaj. 1st ed. Kroměříž: Město Kroměříž, 2024, p. 18. 4.
    16. FOLETTI, Ivan and Katarína KRAVČÍKOVÁ. Obraz, či koncept? Modely architektury v raném středověku (nejen) na Kavkaze (Image or concept? Models of architecture in the early Middle Ages (not only) in the Caucasus). In Tereza Horáková, Veronika Řezníčková. Od myšlenky k architektuře. Brno: B&P, 2024, p. 103-116. ISBN 978-80-280-0290-9.
    17. FOLETTI, Ivan. Russian Imperialism and the Medieval Past. York: ARC Humanities Press, 2024, 118 pp. Past Imperfect. ISBN 978-1-80270-238-5. Available from: https://dx.doi.org/10.1515/9781802702385.
    18. JAKUBEC, Ondřej. Sakrální architektura raného novověku a její interpretace pohledem církevních autorit (Sacred Architecture of the Early Modern Period and its Interpretation from the Perspective of Ecclesiastical Authorities). In Od architektury k interpretaci: (Média architektury II), 7. 6. 2024, Metodické centrum moderní architektury v Brně. 2024.
    19. DIVIZIA, Paolo. Seminario permanente di Filologia italiana e romanza - primavera 2024 (Seminario permanente di Filologia italiana e romanza - Spring 2024). 2024.
    20. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Janette RENDEKOVÁ, Jana ČERNOCKÁ, Klára DOLEŽALOVÁ and Tomáš PETRÁČEK. Středověk (jinak) trvá #33 O knize Ženy u Oltáře? s Tomášem Petráčkem (The Middle Ages (differently) last #33 About the book Women at the Altar? with Tomáš Petráček). In Podcast Středověk (jinak) trvá. Brno, 2024.
    21. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Janette RENDEKOVÁ, Jana ČERNOCKÁ, Klára DOLEŽALOVÁ and Tomáš PETRÁČEK. Středověk (jinak) trvá #34Speciální díl: Tomáš Petráček: "pro porozumění naší době je historie nejlepší cesta" (The Middle Ages (differently) last #34 Special episode: Tomáš Petráček: "history is the best way to understand our time"). In Podcast Středověk (jinak) trvá. Brno, 2024.
    22. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Janette RENDEKOVÁ, Jana ČERNOCKÁ, Klára DOLEŽALOVÁ and Šárka KRUPIČKOVÁ. Středověk (jinak) trvá #35 Šárka Krupičková: I muži nosí šperky! aneb Oblékání elit na Velké Moravě (The Middle Ages (differently) last #35 Šárka Krupičková: Even men wear jewellery! or Dressing the elites in Great Moravia). In Podcast Středověk (jinak) trvá. Brno, 2024.
    23. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Lumír POLÁČEK, Jana ČERNOCKÁ and Klára DOLEŽALOVÁ. Středověk (jinak) trvá #36 Lumír Poláček: Hradiště v Mikulčicích: město, které odvál čas (The Middle Ages (differently) last #36 Lumír Poláček: The Hillfort in Mikulčice: a town that time has wiped away). In Podcast Středověk (jinak) trvá. Brno, 2024.
    24. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Athanasios SIDERIS, Jana ČERNOCKÁ and Klára DOLEŽALOVÁ. Středověk (jinak) trvá #37 Athanasius Sideris: Kristus a Dionýsos pili ze stejného kalichu! (The Middle Ages (differently) last #37 Athanasius Sideris: Christ and Dionysos drank from the same chalice!). In Podcast Středověk (jinak) trvá. Brno, 2024.
    25. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Katarína KRAVČÍKOVÁ, Jana ČERNOCKÁ and Klára DOLEŽALOVÁ. Středověk (jinak) trvá #38 Svanetie. Středověké poklady ukryté za hradbou hor (The Middle Ages (differently) last #38 Svaneti. Medieval treasures hidden behind mountain walls). In Podcast Středověk (jinak) trvá. Brno, 2024.
    26. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ and Katarína KRAVČÍKOVÁ. Středověk (jinak) trvá #39 Pokrok nezastavíš: Jaká je dnes role humanitních a historických věd? (The Middle Ages (differently) last #39 The progress cannot be stopped: What is the role of the humanities and history today?). In Podcast Středověk (jinak) trvá. Brno, 2024.
    27. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Katarína KRAVČÍKOVÁ and Jiří KROUPA. Středověk (jinak) trvá #40 S Jiřím Kroupou. Profesorem, který vypráví pohádky (The Middle Ages (differently) last #40 With Jiří Kroupa. The professor who tells fairy tales). In Podcast Středověk (jinak) trvá. Brno, 2024.
    28. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ and Katarína KRAVČÍKOVÁ. Středověk (jinak) trvá #41 Přilba neznámého válečníka aneb Umění (a) evoluce (The Middle Ages (differently) last #41 Helmet of the Unknown Warrior or The Art (and) Evolution). In Podcast Středověk (jinak) trvá. Brno, 2024.
    29. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ and Katarína KRAVČÍKOVÁ. Středověk (jinak) trvá #42 O čem média mlčí: kulturní genocida v Náhorním Karabachu (The Middle Ages (differently) last #42 What the media is silent about: cultural genocide in Nagorno-Karabakh). In Podcast Středověk (jinak) trvá. Brno, 2024.
    30. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Katarína KRAVČÍKOVÁ and Ivo ŠTEFAN. Středověk (jinak) trvá #43 S archeologem Ivo Štefanem. Česká hra o trůny? Aneb Středověký masakr nedaleko od Prahy (The Middle Ages (differently) last #43 With archaeologist Ivo Štefan. Czech Game of Thrones? Or a Medieval Massacre Near Prague). In Podcast Středověk (jinak) trvá. Brno, 2024.
    31. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Katarína KRAVČÍKOVÁ, Jana ČERNOCKÁ and Karel NOVÁČEK. Středověk (jinak) trvá #44 S archeologem Karlem Nováčkem. Divoký Kurdistán - kolébka křesťanství? (The Middle Ages (differently) last #44 With archaeologist Karel Nováček. Wild Kurdistan - the cradle of Christianity?). In Podcast Středověk (jinak) trvá. Brno, 2024.
    32. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Katarína KRAVČÍKOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #45 Gotická cesta: středověké poklady u našich bratrů (The Middle Ages (differently) last #45The Gothic Way: Medieval Treasures from our Brothers). In Podcast Středověk (jinak) trvá. Brno, 2024.
    33. ŠVANDA, Libor, Natália GACHALLOVÁ and Tereza ŠEVČÍKOVÁ. Tomáš Jordán, protomedicus Moraviae a brněnský lékař (Thomas Iordanus, protomedicus Moraviae and Brno physician). In Jana Balegová - Erika Brodňaská. Hortus Graeco-Latinus Cassoviensis IV. Zborník príspevkov z klasickej filológie, latinskej medievalistiky neolatinistiky. Košice: Univerzita Pavla Jozefa Šafárika v Košiciach, 2024, p. 388-395. ISBN 978-80-574-0301-2. Available from: https://dx.doi.org/10.33542/HTS-0302-9-0.
    34. DIVIZIA, Paolo, Magdaléna NAHÁLKOVÁ, Zuzana GUSTIŇÁKOVÁ and Andrea LUKŠÍKOVÁ. trascrizione, edizione, traduzione di una lettera di Antonio Salieri (transcription, edition, translation of a letter by Antonio Salieri). 2024.
    35. MAREČKOVÁ, Elena, Hana REICHOVÁ, Libor ŠVANDA, Natália GACHALLOVÁ, Tereza ŠEVČÍKOVÁ, Kamila NOVOTNÁ, Jan SLÍVA and Lucie MAZALOVÁ. Úvod do lékařské terminologie. Základy latiny s přihlédnutím k řečtině (The Introduction to Medical Terminology). 4. dotisk 7., přeprac. vyd. Brno: Masarykova univerzita, 2024, 225 pp. ISBN 978-80-210-8699-9.
    36. ŠTEFAŇÁK, Jiří and Tomáš VALEŠ. 2 katalogová hesla (V.1; V.2). In Petr Arijčuk - Helena Zápalková. Maulbertsch pinxit. Zakázky Franze Antona Maulbertsche na Moravě a v Čechách. I. vydání. Olomouc: Muzeum umění Olomouc, 2024, p. 106-108. ISBN 978-80-88621-24-9.

    2023

    1. DOLEŽALOVÁ, Klára. A Battle for Roman Legacy: Teodore's Complex in Aquileia between Italian and Viennese scholarship (1858–1920) (A Battle for Roman Legacy: Teodore's Complex in Aquileia between Italian and Viennese Scholarship (1858–1920)). 2023.
    2. MORASCHI, Annalisa. A Mutual Presentation : Precocious Interests for Medieval Armenia in Nineteenth-century Italy. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture and Heritage. Turnhout: Brepols, 2023, p. 116-133. Convivium Supplementum, 11. ISBN 978-80-280-0306-7. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135379.
    3. ACHVERDJANOVÁ, Gajane, Ivan FOLETTI, Baris GOZAY, Adrien PALLADINO and Anna KELBLOVÁ. Ani navěky : Příběh zapomenutého města středověké Arménie (Ani after Ani : The story of the Forgotten city of Medieval Armenia). Brno, 2023.
    4. FOLETTI, Ivan, Margarita KHAKHANOVA, Michele BACCI, Natalia CHITISHVILI, Gohar GRIGORYAN, Thomas KAFFENBERGER, Manuela STUDER-KARLEN and Vesna ŠĆEPANOVIĆ. Approaches to Sacred Space(s) in Medieval Subcaucasian Cultures. Roma: Viella, 2023, 272 pp. Convivia 4. ISBN 979-12-5469-495-4. Available from: https://dx.doi.org/10.52056/9791254694978.
    5. KELBLOVÁ, Anna. Approaches to Sacred Space(s) in Medieval Subcaucasian Cultures, vol. II. (book design). Rome, Brno: Viella, Munipress, 2023. Convivia 4. ISBN 979-12-5469-495-4.
    6. CAMPINI, Ruben. Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage. Turnhout: Brepols, 2023, p. 152-167. Convivium Supplementum, 11. ISBN 978-80-280-0306-7. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135381.
    7. VIRDIS, Alberto, von Kodolitsch YSKERT and Eike Sebastian DEBUS. Art of Medicine : anagogico more. CARDIOVASCULAR DIAGNOSIS AND THERAPY. Hong Kong: AME Publishing Company, 2023, vol. 13, No 5, p. 914-916. ISSN 2223-3652. Available from: https://dx.doi.org/10.21037/cdt-23-26.
    8. OKÁČOVÁ, Marie. Ausonius, Poslední legrace. Úvodní studie a komentář Martin C. Putna, překlad Martin C. Putna, Karel Šiktanc (za filologické spolupráce Květy Rubešové), Martin Bažil a Rudolf Neuhöfer. Praha: Hermann & synové 2019 (Poslední Římané), 309 s. ISBN 978-80-87054-61-1. Listy filologické. Praha: Kabinet pro klasická studia při Filosofickém ústavu Akademie věd ČR, 2023, vol. 146, 1-2, p. 240-244. ISSN 0024-4457.
    9. FOLETTI, Ivan and Marie OKÁČOVÁ. AVREA CONCISIS SVRGIT PICTVRA METALLIS: An Epistemological and Methodological Approximation of Early Christian (Inter)Textual Visuality. In A Second Gaze: Intertextuality and Transient Meaning in Roman Texts and Objects (Mainz, 13-14 November 2023). 2023.
    10. PALLADINO, Adrien. Axing the Forest, Taming the Pagan: Transforming Landscape and Converting People, between Environment and Representation. In Shaped by Greed: Reflections and Impacts of Environmental Exploitation in European Visual Cultures 1200—1900. 2023.
    11. ACHVERDJANOVÁ, Gajane and Ivan FOLETTI. Až nezůstane kámen na kameni: kulturní dědictví království středověké Arménie (Till no stone is left unturned: the cultural heritage of the kingdoms of medieval Armenia). 2023.
    12. SMRČKOVÁ, Kristýna and Gajane ACHVERDJANOVÁ. Až nezůstane kámen na kameni: kulturní dědictví království středověké Arménie (grafické zpracování a realizace panelové výstavy) (Till no stone is left unturned: the cultural heritage of the kingdoms of medieval Armenia (graphic design and implementation of panel exhibiton)). 2023.
    13. KULHÁNKOVÁ, Markéta. 'Beware of Greeks Bearing Gifts': Byzantium in Czech Historical Fiction. In M. Kulhánková - P. Marciniak. Byzantium in the Popular Imagination. The Modern Reception of the Byzantine Empire. London: I.B. Tauris, Bloombsbury Publishing, 2023, p. 193-206, 19 pp. ISBN 978-0-7556-0728-0.
    14. FOLETTI, Ivan. Beyond the Myth of Byzantium: Ritual Installations and Visual Concepts in Seventh-century Aruch, Mren, Talin, and Tsromi. In The 54th SPBS Spring Symposium of Byzantine Studies: Material Religion in Byzantium and Beyond. 2023.
    15. PALLADINO, Adrien. Byzance à Conques? An Unrealized Dream of “Neo-Byzantine” Architecture in Nineteenth-Century France. In Foletti, Ivan; Hahn, Cynthia; Racaniello, Kris N.; Voyer, Cécile; Palladino, Adrien. Contextualizing Conques : Imaginaries, Narratives and Geographies. Turnhout: Brepols, 2023, p. 20-41. Convivium Supplementum, 13. ISBN 978-80-280-0425-5. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.137359.
    16. PALLADINO, Adrien. Byzantine Echoes in “Romanesque” France: Textiles, Enamels & Modern Myths. In 12. Byzantologický den / 12th Day of Byzantine Studies Slovanský ústav AV ČR. 2023.
    17. MANAFIS, Panagiotis. Byzantine Syllogae of comments on the Gospels: the case of Codex Zacynthius. In 10th Day of Byzantine Studies. 2023.
    18. FOLETTI, Ivan and Adrien PALLADINO. Byzantium as a Political Tool (1657–1952) : Nations, Colonialism and Globalism. In Kulhánková, Markéta; Marciniak, Przemysław. Byzantium in the Popular Imagination : The Modern Reception of the Byzantine Empire. London: Bloomsbury Publishing Plc, 2023, p. 45-66. Series: New Directions in Byzantine Studies. ISBN 978-0-7556-0728-0.
    19. KULHÁNKOVÁ, Markéta and Przemysław MARCINIAK. Byzantium in the Popular Imagination. The Modern Reception of the Byzantine Empire. London: I.B. Tauris, Bloombsbury Publishing, 2023. ISBN 978-0-7556-0728-0.
    20. KELBLOVÁ, Anna. Cena rektora za významný umělecký počin. Masarykova univerzita, 2023.
    21. FOLETTI, Ivan, Ruben CAMPINI and Annalisa MORASCHI. Clash of Titans : Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History. In Molteni, Ilaria; Russo, Valeria. Inventing Past Narratives : Venice and the Adriatic Space (13th–15th Centuries). Turnhout: Brepols, 2023, p. 88-103. Convivium Supplementum, 14. ISBN 978-80-280-0464-4. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.137564.
    22. VIRDIS, Alberto. Colors in medieval art. Theories, matter, and light from Suger to Grosseteste (1100–1250). Rome: Viella, 2023, 400 pp. CONVIVIA III. ISBN 978-80-280-0329-6.
    23. VIRDIS, Alberto. Colors in medieval art. Theories, matter, and light from Suger to Grosseteste (1100–1250). Brno, Rome: koedice Masarykova univerzita / Viella, 2023, 396 pp. CONVIVIA III. ISBN 978-80-280-0329-6.
    24. SMRČKOVÁ, Kristýna. Colors in Medieval Art. Theories, Matter, and Light from Suger to Grosseteste (1100–1250) (book design). CONVIVIA III. Italy, Czech republic: Viella, Munipress, 2023. ISBN 979-12-5469-362-9.
    25. TICHÁ, Pavla, Petra LEXOVÁ and Petr JANÁČ. Community : Art History PhD Conference – Fall 2023. 2023.
    26. FOLETTI, Ivan, Adrien PALLADINO, Kris N. RACANIELLO, Cynthia HAHN and Cécile VOYER. Contextualizing Conques, an Introduction. In Foletti, Ivan; Hahn, Cynthia; Racaniello, Kris N.; Voyer, Cécile; Palladino, Adrien. Contextualizing Conques. Imaginaries, Narratives & Geographies. Turnhout: Brepols, 2023, p. 10-18. Convivium, Suppelementum, 13. ISBN 978-80-280-0425-5. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.137358.
    27. SALAYOVÁ, Andrea and Natália GACHALLOVÁ. Creative Group Exercises as an Educational Tool in Teaching Professional Language. Humanising Language Teaching. Pilgrims, 2023, vol. 25, No 1, p. 1-3. ISSN 1755-9715.
    28. FOLETTI, Ivan, Klaus KRUEGER and Tanja MICHALSKY. Cult / Space / Presence of Images: Workshop on the Art and Cultural Historical Impulses of Hans Belting. 2023.
    29. BACCI, Michele and Ivan FOLETTI. Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives. Vol. I a II. Online. 1., elektronické vyd. koedice Masarykova univerzita / Viella Libreria Editrice, 2023. CONVIVIA IV. ISBN 978-80-280-0451-4.
    30. BACCI, Michele and Ivan FOLETTI. Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives. Vol. I a II. 1st ed. koedice Masarykova univerzita / Viella Libreria Editrice, 2023. CONVIVIA IV. ISBN 978-80-280-0450-7.
    31. FOLETTI, Ivan. Decolonizing the Late Antique South Caucasus. Images, Performances and Experiences. In Bettman Lecture Series, Columbia University in the City of New York. 2023.
    32. FOLETTI, Ivan. Du désert au Paradis : Conques et son environnement prémoderne (From desert to paradise: Conques and its premodern environment). In L'Homme, l'art et la nature a' l'époque romane. 2023.
    33. MOLTENI, Ilaria. Enlèvements d’héroïnes et métaphores de la transformation : Europe et Hélène dans les cultures littéraires et figuratives du Moyen Âge (Abduction of heroines and metaphors of transformation: Europa and Helen in the late medieval literary and visual cultures). Bien Dire et Bien Aprendre. France: Université de Lille, 2023, 38 2023, 38 2023, p. 171-190, 19 pp. ISSN 0220-665X. Available from: https://dx.doi.org/10.54563/bdba.1938.
    34. DIVIZIA, Paolo, Speranza CERULLO, Attilio CICCHELLA, Alfonso D'AGOSTINO and Concetto DEL POPOLO. Fiori, fioretti, detti e sentenze. Letteratura gnomica tra tardo medioevo romanzo e rinascimento (Fiori, fioretti, detti e sentenze. Gnomic literature between late Middle Ages and Renaissance). 2023.
    35. VIRDIS, Alberto. Fragmentation as a Visual Principle : From Cloisonné to Early Stained Glass. In Foletti, Ivan; Okáčová, Marie; Palladino, Adrien. A Radical Turn? Reappropriation, Fragmentation, and Variety in the Postclassical World (3rd-8th c.). 1st ed. Turnhout: Brepols, 2023, p. 78-97. Convivium Supplementum, 10. ISBN 978-80-280-0188-9. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.133722.
    36. PALLADINO, Adrien. From Desperate Solidarity to Dispassionate Eye : Shifting French Perspectives on Early Medieval Armenian Art (ca 1894–1929). In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage. Turnhout: Brepols, 2023, p. 96-115. Convivium Supplementum, 11. ISBN 978-80-280-0306-7. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135378.
    37. FOLETTI, Ivan. From Myth to Fake: Byzantium and Art in Russia from Nicolas I to Putin. In Reading Russian Philosophy in the Age of Putin Lecture Visual Thought & The Reception of Tolstoy. 2023.
    38. FILIPOVÁ, Alžběta. From the Transcaucasian Periphery to the Georgian Socialist Soviet Republic: Medieval Art of Georgia Through the Pages of Russian Encyclopaedias (1893–1949). In Comparing Colonial Discourses: Africa and the Caucasus in Russian Thought. 2023.
    39. KULHÁNKOVÁ, Markéta. Functions of Space in Two Lives of St. Theophano (BHG 1794 and 1795). In Spaces Make Saints. Experiencing Confinement in Byzantine Hagiography, Austrian Academy of Sciences, Vienna 15-17 November 2023. 2023.
    40. KULHÁNKOVÁ, Markéta and Panagiotis MANAFIS. Graduate Workshop in Byzantine Literature. 2023.
    41. FOLETTI, Ivan. Hans Belting: Visionary without Borders. Remembering the Author of the Bild-Anthropologie. Critical Inquiries in Medieval Culture. 2023, vol. 2013, No 1. ISSN 2788-2179.
    42. FOLETTI, Ivan and Martin LEŠÁK. Hidden Treasure and Precious Pearl : Sant'Agnese fuori le mura, its Apse Mosaic, and the Experience of Liturgy. In Scirocco, Elisabetta; Blaauw, Sible de. From words to space : Textual sources for reconstructing and understanding medieval sacred spaces. Řím: Campisano, 2023, p. 75-96. Quaderni della Bibliotheca Hertziana. ISBN 979-12-80956-20-0.
    43. FOLETTI, Ivan. Historical Research and Archive Research – Why? In Program Case Study: Reconstruction of a Destroyed City. 2023.
    44. FOLETTI, Ivan. How to write about images from the medieval world : André Grabar and his Byzantium — the case of L’Empereur dans l’art byzantin (1936). WORD & IMAGE. Abingdon-on-Thames: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2023, vol. 39, No 1, p. 99-110. ISSN 0266-6286. Available from: https://dx.doi.org/10.1080/02666286.2023.2168474.
    45. KULHÁNKOVÁ, Markéta. Character Types and Characterization in Byzantine Edifying Stories. In De Temmerman, Koen; Van Pelt, Julie; Staat, Klazina. Constructing Saints in Greek and Latin Hagiography : Heroes and Heroines in Late Antique and Medieval Narrative. Turnhout: Brepols, 2023, p. 123-139. Fabulae 2. ISBN 978-2-503-60282-0. Available from: https://dx.doi.org/10.1484/M.FABULAE-EB.5.132451.
    46. LATTANZIO, Giada. I frammenti scultorei da Nuraminis: immagine, scrittura e funzione (The sculpted fragments from Nuraminis: image, script and function). In Aula micat medio clarificata suo. Ritrovare, rintracciare, ricostruire opere e monumenti dell'Europa medievale. 2023.
    47. KULHÁNKOVÁ, Markéta. “I went aboard a ship and reached Byzantium”: The Motif of Travel in Edifying Stories. In Mihail Mitrea. Holiness on the Move: Mobility and Space in Byzantine Hagiography. New York: Routledge, 2023, p. 90-102. ISBN 978-1-032-29079-9. Available from: https://dx.doi.org/10.4324/9871003299943.
    48. CAMPINI, Ruben and Annalisa MORASCHI. Il Mito di Ravenna nell'Ottocento . Immaginare una città tardoantica tra il Congresso di Vienna e la Grande Guerra (The Myth of Ravenna in the 19th century : Imagining a late-antique city between the Vienna Congress and the Great War). 1st ed. Rome: Viella, 2023, 120 pp. Studia Artium Mediaevalium Brunensia 13. ISBN 979-12-5469-210-3.
    49. FOLETTI, Ivan. Il pellegrinaggio tra medioevo e presente. Immagini, spazi e performance (Pilgrimage between the Middle Ages and the Present. Images, spaces and performance). In Lo spazio agìto. 2023.
    50. FOLETTI, Ivan. Images of Orthodoxy or Political Compromise? Visual Representations in the Late Antique South Caucasus. In Art and Power in Medieval Societies: Censorship, Propaganda and Public Service in the Eastern Mediterranean from Late Antiquity to the Ottoman Era. 2023.
    51. FOLETTI, Ivan. Immagini, spazio e Liturgia: Ursula Nilgen e la perfomatività (non solo) a Roma (Images, Space and Liturgy: Ursula Nilgen and Perfomativity (not only) in Rome). In A Day in Honour of Ursula Nilgen – and her Foundation for Italian Medieval Studies at the Bibliotheca Hertziana. 2023.
    52. FOLETTI, Ivan. Imperiální Rusko: mocná říše nebo Potěmkinova vesnice? 1801-2023 (Imperial Russia: mighty empire or Potemkin village? 1801-2023). In Brak. Bratislava, 2023.
    53. RUSSO, Valeria and Ilaria MOLTENI. In and outside Venice - Circulation of objects, texts, languages, techniques and cultures (13th-15th centuries). 2023.
    54. FRANTOVÁ, Zuzana. Když obrazy září. In FF MU, Ústav klasických studií, kurz Klasická tradice a současnost. 2023.
    55. FOLETTI, Ivan. Kult (mrtvých) celebrit – nejen relikvie (Cult of (dead) celebrities - not only relics). In StředověC JinaX. 2023.
    56. RUSSO, Valeria. La femme présente : images, espaces et sens d’un discours amoureux (The woman is present : Images, spaces and meanings in a discourse of love). Online. In Henratd, Nadine; Raguin, Marjolaine. Représentations et voix de femmes face à la guerre sainte au Moyen Âge. Paris: Classiques Garnier, 2023, p. 135-155. Représentations et voix de femmes face à la guerre sainte au Moyen Âge. ISBN 978-2-406-14606-3. Available from: https://dx.doi.org/10.48611/isbn.978-2-406-14608-7.p.0135.
    57. PALLADINO, Adrien and Ivan FOLETTI. La réinvention de Conques "romane" : patrimoine national ou exaltation de la vraie foi? (The reinvention of "Romanesque" Conques : national heritage or exaltation of true faith?). In Jurković, Miljenko; Scirocco, Elisabetta; Timbert, Arnaud. Repenser l'histoire de l'art médiéval en 2023 : Recueil d'études offertes à Xavier Barral i Altet. Turnhout: Brepols, 2023, p. 849-860. 1st edition. ISBN 978-953-8250-18-7. Available from: https://dx.doi.org/10.1484/M.DEM-EB.5.134990.
    58. PALLADINO, Adrien and Ivan FOLETTI. Late Antiquity and Armenia : From Marginalized Region to Creative Force. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage. Turnhout: Brepols, 2023, p. 11-22. Convivium Suppelementum, 11. ISBN 978-80-280-0306-7. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135373.
    59. RUSSO, Valeria. Le continuum historique des espaces grecs : les représentations géographiques dans la Fleur des histoires de Jean Mansel (version courte) (The historical continuum of Greek spaces : geographical representations in Jean Mansel's Fleur des histoires (short version)). Online. In C. Gaullier-Bougassas. Représenter et nommer la Grèce et l’espace grec, du XIVe au XVIe siècle. Turnhout: Brepols, 2023, p. 143-166. Représenter et nommer la Grèce et l’espace grec, du XIVe au XVIe siècle. ISBN 978-2-503-60200-4.
    60. DIVIZIA, Paolo. Lezioni Erasmus+ per i dottorandi dell'Università di Ferrara (Erasmus+ doctoral lectures at the University of Ferrara). 2023.
    61. DIVIZIA, Paolo. Lezioni Erasmus+ per i dottorandi dell'Università di Napoli "Federico II" (Erasmus+ doctoral lectures at the University of Neaples "Federico II"). 2023.
    62. DIVIZIA, Paolo. Lezioni Erasmus+ per i dottorandi dell'Università di Trento (Erasmus+ doctoral lectures at the University of Trento). 2023.
    63. MOLTENI, Ilaria. Libri troiani e invenzioni mitografiche nel Trecento veneziano (Trojan Books and mythical Inventions in 14th-century Venice). Troianalexandrina. Brepols, 2023, vol. 22, No 22, p. 1-15, 16 pp. ISSN 1577-5003.
    64. KULHÁNKOVÁ, Markéta. Liminal and Heterotopic Functions of The Desert in Byzantine Literature. In Liminal Spaces in Byzantium and Beyond. Perceptions, performativity, placemaking. Swedish Institute in Athens, April 2023. 2023.
    65. FRANTOVÁ, Zuzana. Longing for Repetition : Recurring Images of Christ on French Pilgrimage Routes. In Jurković, Miljenko; Scirocco, Elisabetta; Timbert, Arnaud. Repenser l’histoire de l’art médiéval en 2023 : Recueil d’études offertes à Xavier Barral i Altet. Turnhout: Brepols, 2023, p. 503-514. Dissertationes et Monographiae, vol. 19. ISBN 978-953-8250-18-7.
    66. FILIPOVÁ, Alžběta. Medieval Art in Georgia through the Soviet Lens: from Colonialist Marginalization to Nationalist Acclamation. In Research Seminar Series: “Shifting Images and Ideas of Europe’s East: An Art Historical Approach from the Margins”, Bibliotheca Hertziana, Max Planck Institut for Kunstgeschichte. 2023.
    67. FOLETTI, Ivan, Michele BACCI, Manuela STUDER-KARLEN, Natalia CHITISHVILI, Irina ELIZBARASHVILI, Irene GIVIASHVILI, Salome MELADZE, Nina CHICHINADZE, Marine KENIA, Ekaterine GEDEVANISHVILI, Antony EASTMOND, Nana BURCHULADZE, Nutsa BATIASHVILI and Nikoloz ALEKSIDZE. Medieval Svaneti : Objects, Images, and Bodies in Dialogue with Built and Natural Spaces. Turnhout: Brepols, 2023, 232 pp. Convivium Suppelementum, 12. ISBN 978-80-280-0382-1. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.136524.
    68. CAMPINI, Ruben. Met at the MET : A Christian Ivory Pyxis Rediscovered in New York. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. Turnhout: Brepols, 2023, vol. 10, No 2, p. 100-106. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.137633.
    69. FOLETTI, Ivan. Moc obrazů? (Power of Images/to many Images). In Předmáška na ZŠ Vodičkova. Praha: ZŠ Vodičkova, 2023.
    70. RUSSO, Valeria. Mères coupables, mères pardonnées : À propos de la réception médiévale de Jocaste (Guilty mothers, forgiven mothers. :On the medieval reception of Jocasta). Bien Dire et Bien Aprandre. 2023, vol. 38, No 1, p. 157-170. ISSN 0220-665X. Available from: https://dx.doi.org/10.54563/bdba.1938.
    71. PALLADINO, Adrien, Michele FOLETTI, Anna KELBLOVÁ and Kristýna SMRČKOVÁ. Návrat : Dimitrij Svjatopolk Mirskij, historik literatury a ruský emigrant (Return : Dimitrij Svjatopolk Mirskij. Historian and Russian Emigrant). Brno: Centrum raně středověkých studií, SDU FF, 2023.
    72. FOLETTI, Ivan and Sabina ROSENBERGOVÁ. Neither Unique nor Exceptional: the Christ of Santa Maria in Pallara, Historiographical Myths, and Global perspectives. In Roma X secolo. 2023.
    73. ACHVERDJANOVÁ, Gajane and Marie HVOZDECKÁ. O knize Smrtí smrt překonat : prof. Tomáš Petráček (On the book To overcome death by dying : Prof. Tomáš Petráček). Brno, 2023.
    74. ACHVERDJANOVÁ, Gajane and Marie HVOZDECKÁ. O knize Ženy u oltáře : farářka Sandra Silná (On the book Women at the Altar : pastor Sandra Silná). Brno, 2023.
    75. MANAFIS, Panagiotis. Paratextual Elements in Catenae as Source of Knowledge. In Peripheral Vision. Marginal Themes, Motifs, Locations in Byzantine Literature and Art. 2023.
    76. FOLETTI, Ivan. Past and Present Emotions: Medieval Pilgrimage and the Bodily Activation. In ITINERARIA ESPERIENZE DI VIAGGIO NELLA CULTURA MEDIEVALE. 2023.
    77. MANAFIS, Panagiotis, Markéta KULHÁNKOVÁ and Ivan FOLETTI. Peripheral Vision. Marginal Themes, Motifs, Locations in Byzantine Literature and Art. 2023.
    78. FOLETTI, Ivan. Potenciál Migrace. Včera i dnes (Potential Migration. Yesterday and today). In BRaK. 2023.
    79. ČERNOCKÁ, Jana. Prezentace knihy: Smrtí smrt překonat. Relikvie a jejich moc ve středověku (Presentation of the Book: To Overcome Dying by Death. Relics and Their Power in the Middle Ages). Brno: Festival Knihy v Brně, 2023.
    80. FOLETTI, Ivan, Marie HVOZDECKÁ, Zuzana URBANOVÁ, Jana ČERNOCKÁ, Margarita KHAKHANOVA, Anna KELBLOVÁ, Kristýna SMRČKOVÁ and Gajane ACHVERDJANOVÁ. Promítání dokumentárního filmu Ani navěky. Příběh zapomenutého města středověké Arménie (The screening of the documentary movie Ani after Ani. The Story of the Forgotten City of Medieval Armenia). Brno, 2023.
    81. FOLETTI, Ivan. Představení knihy: Ruský imperialismus (Introducing the book Russian Imperialism). In Festival Knihex Praha. Praha: Festival Knihex, 2023.
    82. FOLETTI, Ivan and Pavel RAKITIN. Re-Inventing Late Antique and Early Medieval Armenia in WW2-Soviet Union. In Palladino, Adrien; Campini, Ruben; Moraschi, Annalisa; Foletti, Ivan. Re-Thinking Late Antique Armenia : Historiography, Material Culture, and Heritage. Turnhout: Brepols, 2023, p. 168-183. Convivium Supplementum, 11. ISBN 978-80-280-0307-4. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.135382.
    83. PALLADINO, Adrien. Relictual Relics. Reflections on Nature, Placedness, and Ecologies of Holy Sites in Late Antiquity (4th–8th c.). In From Name to Space, and to Myth: Toponyms, Topographies, Representations, and How Places Become Mythical in the Pre-Modern Mediterranean Space and Beyond (7th–14th c.). 2023.
    84. PALLADINO, Adrien, Ruben CAMPINI, Annalisa MORASCHI and Ivan FOLETTI. Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage. Convivium Supplementum 11. Brno/Turnhout: Brepols, 2023, 197 pp.
    85. RUSSO, Valeria. Retrouver la Grèce dans le temps et dans l’espace : la Mer des histoires face à la création d’une géographie antique (Finding Greece in time and space : the Mer des histoires and the creation of an ancient geography). Online. In C. Gaullier-Bougassas. Représenter et nommer la Grèce et l’espace grec, du XIVe au XVIe siècle. Turnhout: Brepols, 2023, p. 167-187. Représenter et nommer la Grèce et l’espace grec, du XIVe au XVIe siècle. ISBN 978-2-503-60200-4.
    86. PALLADINO, Adrien. Review of: Josef Cibulka. Kněz, pedagog a historik umění ve 20. století, Michal Sklenář, Kristina Uhlíková, Vít Vlnas eds, Prague, Ústav pro studium totalitních režimů – Ústav dějin umění AV ČR, v.v.i. / Katolická teologická fakulta Univerzity Karlovy, 2020. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. CZECH REPUBLIC: MASARYKOVA UNIV, 2023, X/2, p. 126-132. ISSN 2336-3452.
    87. FOLETTI, Ivan, Mária MASARYKOVÁ, Nikola LANDERS and Dan David RAFAEL. Rusko mocné i bezmocné, výstava fotografií Dany Kyndrové (Russia Powerful and Powerless, exhibition of photographs by Dana Kyndrová). 2023.
    88. FOLETTI, Ivan. Ruský imperialismus. Umění, věda a náboženství ve službách režimů (1801–⁠2023) (Russian imperialism. Art, Science and Religion in the Service of Regimes (1801-2023)). 1st ed. Brno: koedice Masarykova univerzita / Energeia, o.p.s., 2023, 158 pp. Parva Convivia 12. ISBN 978-80-280-0308-1.
    89. BOČEK, Pavel and Ivan FOLETTI. Ruský imperialismus v umění a náboženství (Russian Imperialism in Art and Religion). In StředověC JinaX v Kontextech. 2023.
    90. FOLETTI, Ivan and Michaela KOVÁŘOVÁ. Sacralizing Armenian Landscape: Nature, Culture and War in the Writings of Step’annos Orbelian. In Shaped by Greed. Reflections and Impacts of Environmental Exploitationin European Visual Cultures 1200—1900. 2023.
    91. FOLETTI, Ivan. Searching for Margins, an introduction. In Peripheral Vision. Marginal Themes, Motifs, Locations, in Byzantine Literature and Art. 2023.
    92. CAMPINI, Ruben. ‛Secondary’ Figurative Elements as Hints for Function? The case of the St Menas ivory pyxis. In Peripheral Vision. Marginal Themes, Motifs, Locations in Byzantine Literature and Art. 2023.
    93. FOLETTI, Ivan and Adrien PALLADINO. Seeing the Sky or Experiencing the Waters? Initiatory Rituals and Liminal Places in Late Antiquity. In Lidov, Alexei. Hierotopy of Air and Heavens in CultuRe of the Christian World. Moskva: Indrik, 2023, p. 130-156. Hierotopy. ISBN 978-5-91674-716-4.
    94. DIVIZIA, Paolo. Seminario permanente di Filologia italiana e romanza - autunno 2023 (Permanent Seminar on textual studies (Italian and Romance areas) - Autumn 2023). 2023.
    95. DIVIZIA, Paolo. Seminario permanente di Filologia italiana e romanza - primavera 2023 (Permanent Seminar on textual studies (Italian and Romance areas) - Spring 2023). 2023.
    96. DIVIZIA, Paolo, Egle MOCCIARO, Christophe Gérard L. CUSIMANO and Alena POLICKÁ. Settimana di studi sulla filologia e linguistica romanza per la Magistrale e il Dottorato - "Strumenti e metodi per la ricerca filologica e linguistica" 2023 (Master's and Doctoral Studies Week on Romance linguistics and philology - "Methods and tools for philological and linguistic research" 2023). 2023.
    97. FILIPOVÁ, Alžběta. Skeletons, Stones, and Stories: Unearthing Georgia's European Identity. In Antropologický seminář Přírodovědecké fakulty MUNI. 2023.
    98. FOLETTI, Ivan, Jana ČERNOCKÁ, Katarína ŠIMOVÁ and Adrien PALLADINO. Smrtí smrt překonat : Relikvie a jejich moc ve středověku (To overcome death by death : Relics and their power in the Middle Ages). Brno: Munipress, 2023, 211 pp. Parva Convivia, 3. ISBN 978-80-280-0402-6.
    99. ČERNOCKÁ, Jana, Ivan FOLETTI, Adrien PALLADINO and Katarína ŠIMOVÁ. Smrtí smrt překonat. Relikvie a jejich moc ve středověku (To Overcome Dying by Death. Relics and Their Power in the Middle Ages). Brno. 1.: Masarykova univerzita, 2023, 211 pp. PARVA Convivia2 3. ISBN 978-80-280-0402-6. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0402-2023.
    100. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Markéta KULHÁNKOVÁ. Středověk (jinak) trvá #14 Byzantská literatura: zábava pro vyvolené, nebo středověké PR? (The Middle Ages (differently) last #14 Byzantine literature: entertainment for the chosen few or medieval PR?). In Podcast Středověk (jinak) trvá. Brno, 2023.
    101. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá 15# Archeogenetika. O potenciálu i riziku vědeckého pokroku (The Middle Ages (differently) last 15# Archaeogenetics. About the potential and risk of scientific progress). In Podcast Středověk (jinak) trvá. Brno, 2023.
    102. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Jana VALTROVÁ. Středověk (jinak) trvá #16 Kříž, nebo půlměsíc? Křesťanské misie v Mongolské říši v soupeření s islámem (The Middle Ages (differently) last #16 Cross or crescent? Christian Missions in the Mongol Empire in Competition with Islam). In Podcast Středověk (jinak) trvá. Brno, 2023.
    103. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #17 Až nezůstane kámen na kameni. Ničení arménského kulturního dědictví (The Middle Ages (differently) last #17 Until no stone is left. Destruction of Armenian cultural heritage). In Podcast Středověk (jinak) trvá. Brno, 2023.
    104. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Věra KLONTZA. Středověk (jinak) trvá #18 Výkop do neznáma. Byzantská Kréta v období arabské expanze (The Middle Ages (differently) last #18 Digging into the unknown. Byzantine Crete during the Arab expansion). In Podcast Středověk (jinak) trvá. Brno, 2023.
    105. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #19 Středověký „landscape design“. Brány do nebes uprostřed divoké krajiny (The Middle Ages (differently) last #19 Medieval "landscape design". Gates to heaven in the middle of a wild landscape). In Podcast Středověk (jinak) trvá. Brno, 2023.
    106. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #20 Speciální díl podcastu živě: Zápisky z cest po Kavkazu (The Middle Ages (differently) last #20 Special live podcast episode: travel notes from the Caucasus). In Podcast Středověk (jinak) trvá. Brno, 2023.
    107. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Peter MILO. Středověk (jinak) trvá #21 Z paměti země. Skrytá bohatství bulharské Plisky (feat. Peter Milo) (The Middle Ages (differently) last #21 From the memory of the country. Hidden riches of Bulgarian Pliska (feat. Peter Milo)). In Podcast Středověk (jinak) trvá. Brno, 2023.
    108. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #22 Mezi Římem a Konstantinopolí: Česká pohádka o Cyrilu a Metodějovi v celoevropském kontextu (The Middle Ages (differently) last #22 Between Rome and Constantinople: the Czech fairy tale of Cyril and Methodius in European context). In Podcast Středověk (jinak) trvá. Brno, 2023.
    109. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #23 Síla multikulturalismu: Středověká sicílie jako místo setkávání národů (The Middle Ages (differently) last #23 The power of multiculturalism: medieval Sicily as a meeting place of peoples). In Podcast Středověk (jinak) trvá. Brno, 2023.
    110. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #24 Runy nebo hlaholice? Kravské žebro z roku 600 s tajemným nápisem mění dějiny Slovanů! (Středověk (jinak) trvá #24 Runes or Glagolitic? A cow rib from 600 AD with a mysterious inscription changes the history of the Slavs!). In Podcast Středověk (jinak) trvá. Brno, 2023.
    111. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Jan GALETA. Středověk (jinak) trvá #25 Živě ze Znojma. Město dobrého vína (The Middle Ages (differently) last #25 Live stream from Znojmo. The city of good wine). In Podcast Středověk (jinak) trvá. Brno, 2023.
    112. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #26 Mont Saint Michel nebo Disneyland? (The Middle Ages (differently) last #26 Mont Saint Michel or Disneyland?). In Podcast Středověk (jinak) trvá. Brno, 2023.
    113. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Jiří NĚMEC. Středověk (jinak) trvá #27 Věda nebo propaganda? Humanitní vědy jako nástroj rasistické rétoriky feat. historik Jiří Němec (The Middle Ages (differently) last #27 Science or propaganda? Humanities as a tool of racist rhetoric feat. historian Jiří Němec). In Podcast Středověk (jinak) trvá. Brno, 2023.
    114. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #28 Z Paříže vol. 1: Zrození gotiky? Opatství Saint Denis a divoké devadesátky (The Middle Ages (differently) last #28 From Paris vol. 1: The Birth of Gothic? Saint Denis Abbey and the Wild Nineties). In Podcast Středověk (jinak) trvá. Brno, 2023.
    115. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #29 Z Paříže vol. 2: Komu patří umění? Migrace, kolonialismus a sdílené dědictví (The Middle Ages (differently) last #29 From Paris vol. 2: Who owns the art? Migration, Colonialism and Shared Heritage). In Podcast Středověk (jinak) trvá. Brno, 2023.
    116. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #30 Český granát do každé rodiny! aneb Výroba šperků ve středověku (The Middle Ages (differently) last #30 Czech garnet for every family! or Jewellery making in the Middle Ages). In Podcast Středověk (jinak) trvá. Brno, 2023.
    117. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Jana ČERNOCKÁ and Klára DOLEŽALOVÁ. Středověk (jinak) trvá #31 Záhada zlaté mozaiky polského knížete (The Middle Ages (differently) last #31 The Mystery of the Golden Mosaic of the Polish Prince). In Podcast Středověk (jinak) trvá. Brno, 2023.
    118. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Jana ČERNOCKÁ and Klára DOLEŽALOVÁ. Středověk (jinak) trvá #32 Horor nebo komedie? Klášter v Piemontu a strašidelná výzdoba středověkých kostelů (The Middle Ages (differently) last #32 Horror or comedy? A monastery in Piedmont and the spooky decoration of medieval churches). In Podcast Středověk (jinak) trvá. Brno, 2023.
    119. PALLADINO, Adrien. Subverting Objects, Values, and Ideas: Material Transformations of the Cult of Saint across Late Antique Afro-Eurasia. In Lecture Series RomanIslam: Empowering the Sacred Spaces. 2023.
    120. MORASCHI, Annalisa. Surb Astvatsatsin in Yeghipatrush: the architectural and decorative elements. In Workshop on Armenian Medieval Sculpture. 2023.
    121. PALLADINO, Adrien. Table ronde avec Philippe Charlier, Adrien Palladino et Brice Gruet: Les reliques, trait d’union entre les vivants et les morts? (Round table with Philippe Charlier, Adrien Palladino, and Brice Gruet: Relics, a link between the living and the dead?). In Les vivants et les morts. 26e Rendez-Vous de l'Histoire. Blois. 2023.
    122. OKÁČOVÁ, Marie. Text, Image, and Music : Performative Aspects of Optatian´s Visual Poetry. Hermes. Zeitschrift für Klassische Philologie. Stuttgart: Franz Steiner Verlag, 2023, vol. 151, No 4, p. 449-466. ISSN 0018-0777. Available from: https://dx.doi.org/10.25162/Hermes-2023-0036.
    123. MORASCHI, Annalisa. The cross on the gorge: a sacralization of the landscape in thirteenth-century Armenia? In Spaces, Landscapes and Social Lives of the Cross in Medieval Armenia and Georgia. 2023.
    124. MORASCHI, Annalisa. The Epitome of Perfection. How a 13th-century liege family came to build the “perfect establishment”. In From Name to Space, and to Myth Toponyms, Topographies, Representations, and How Places Become Mythical in the Pre-Modern Mediterranean Space and Beyond (7th–14th centuries). 2023.
    125. LATTANZIO, Giada. The fragmented ciboria from Sant’Antioco and Nuraminis: two examples of bilingualism in Medieval Sardinia? In Peripheral Vision. Marginal themes, motifs, locations in Byzantine literature and art. 2023.
    126. FOLETTI, Ivan, Adrien PALLADINO, Ruben CAMPINI, Klára DOLEŽALOVÁ and Annalisa MORASCHI. The Othering Gaze : Imperialism, Colonialism, and Orientalism in Studies on Medieval Art in the Southern Caucasus (1801–1991). Roma: Viella, 2023, 241 pp. Convivia 4. ISBN 979-12-5469-494-7. Available from: https://dx.doi.org/10.52056/9791254694961.
    127. KELBLOVÁ, Anna. The Othering Gaze: Imperialism, Colonialism, and Orientalism in Studies on Medieval Art in the Southern Caucasus (1801–1991), vol. I. (book design). Rome, Brno: Viella, Munipress, 2023. Convivia 4. ISBN 979-12-5469-494-7.
    128. BELTING, Hans and Ivan FOLETTI. The presence of images. Hans Belting interviewed by Ivan Foletti. 1st ed. Brno, Rome: koedice Masarykova univerzita / Viella, 2023. PARVA Convivia 13. ISBN 978-80-280-0375-3.
    129. KELBLOVÁ, Anna. The Presence of Images. Hans Belting Interviewed by Ivan Foletti (book design). Rome, Brno: Viella, Munipress, 2023. PARVA Convivia, 13. ISBN 979-12-5469-396-4.
    130. MANAFIS, Panagiotis. The Study of byzantine Literature in Central Europe. In Graduate Workshp in Byzantine Literature. 2023.
    131. FRANTOVÁ, Zuzana. The Throne of Wisdom of Beaulieu : The Silver Embodiment of the Triumphant Church. In Foletti, Ivan; Hahn, Cynthia; Racaniello, Kris N.; Voyer, Cécile; Palladino, Adrien. Contextualizing Conques : Imaginaries, Narratives and Geographies. Belgium, Czech Republic: Brepols, 2023, p. 152-171. Convivium Supplementum, 3. ISBN 978-80-280-0425-5. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.137366.
    132. KULHÁNKOVÁ, Markéta. Theodore Papakostas, O starém Řecku ve výtahu (překlad, orig. Choraei oli i archaiotita sto asanser?). Praha: Beta, 2023. ISBN 978-80-7593-516-8.
    133. KULHÁNKOVÁ, Markéta. To taxidi tis Andos: Ena vyzantino storyworld gia efivous (Ando's Journey: A Byzantine Storyworld for Young Adults). In 7th European Congress of Modern Gree Studies, Vienna 11-14 September 2023. 2023.
    134. ŠVANDA, Libor, Natália GACHALLOVÁ and Tereza ŠEVČÍKOVÁ. Tomáš Jordán, protomedicus Moraviae a brněnský lékař (Thomas Iordanus, protomedicus Moraviae and Brno physician). In Hortus Graeco-Latinus Cassoviensis. 2023.
    135. DIVIZIA, Paolo. Un nuovo volgarizzamento dei Disticha Catonis (Paris, Bibliothèque nationale de France, it. 557) (An hitherto unknown Italian vernacular translation of the Disticha Catonis (Paris, Bibliothèque nationale de France, it. 557)). Giornale Storico della Letteratura Italiana. Torino: Loescher, 2023, Neuveden, No 672, p. 551-571. ISSN 0017-0496.
    136. MAREČKOVÁ, Elena, Hana REICHOVÁ, Libor ŠVANDA, Natália GACHALLOVÁ, Tereza ŠEVČÍKOVÁ, Kamila NOVOTNÁ, Jan SLÍVA and Lucie MAZALOVÁ. Úvod do lékařské terminologie. Základy latiny s přihlédnutím k řečtině (The Introduction to Medical Terminology). 3. dotisk 7., přeprac. vyd. Brno: Masarykova univerzita, 2023, 225 pp. ISBN 978-80-210-8699-9.
    137. FOLETTI, Ivan. Ve stínu genocidy a na křižovatce mezi kulturami: Mren (In the Shadow of Genocide and at the Crossroads of Cultures: Mren). In Až nezůstane kámen na kameni: kulturní dědictví království středověké Arménie. 2023.
    138. DIVIZIA, Paolo. Versiones catalanas, castellanas y francesas del «Fiore di virtù» (Catalan, Castiglian and French Versions of the Fiore di Virtù). Universidad de Oviedo - Dep.to de Filología Clásica y Románica. 2023.
    139. FOLETTI, Ivan and Gajane ACHVERDJANOVÁ. Výukový program, "Potenciál Migrace" a diskuse (Educational programme, "The Potential of Migration" and discussion). Brno, 2023.
    140. KRAVČÍKOVÁ, Katarína, Ivan FOLETTI, Michele BACCI and Šćepanović VESNA. Zaříkávači kamene / Les Magiciens de la Pierre (Wonders in Stone). Brno: MUNIPRESS, 2023. Zaříkávači kamene / Les Magiciens de la Pierre. ISBN 978-80-280-0452-1.
    141. KRAVČÍKOVÁ, Katarína, Ivan FOLETTI, Michele BACCI and Šćepanović VESNA. Zaříkávači kamene / Les Magiciens de la Pierre (Wonders in Stone). 1st ed. Brno: Masarykova univerzita, 2023. Zaříkávači kamene / Les Magiciens de la Pierre. ISBN 978-80-280-0452-1.
    142. SMRČKOVÁ, Kristýna and Katarína KRAVČÍKOVÁ. Zaříkávači kamene / Les Magiciens de la Pierre (book design) (Wonders in stone / Les Magiciens de la Pierre (book design)). Czech Republic: Munipress, 2023. ISBN 978-80-280-0452-1.
    143. FOLETTI, Ivan and Jan KLÍPA. Znojmo: Kam jsme se dostali a kudy dál? (Znojmo: Where have we got to and where to go from here?). In Středověk v pohybu. 2023.
    144. FOLETTI, Ivan. Ženy u oltáře? Matka Boží a gender v raném křesťanství (Women at the altar? The Mother of God and Gender in Early Christianity). Brno: Munipress, 2023, 155 pp. Parva Convivia 14. ISBN 978-80-280-0398-2.
    145. FOLETTI, Ivan. Ženy u oltáře? Matka Boží a gender v raném křesťanství (Women at the altar? The Mother of God and Gender in Early Christianity). Brno: Munipress, 2023, 155 pp. Parva Convivia 14. ISBN 978-80-280-0398-2.
    146. SMRČKOVÁ, Kristýna. Ženy u oltáře? Matka Boží a gender v raném křesťanství (book design) (Women at the Altar? The Mother of God and Gender in Early Christianity (book design)). Parva Convivia. Czech Republic: Munipress, 2023. ISBN 978-80-280-0398-2.
    147. VIRDIS, Alberto. 2. A Kind of Blue : Abbot Suger and the Materia Saphirorum. In Colors in Medieval Art : Theories, Matter and Light from Suger to Grosseteste (1100-1250). Rome: Viella, 2023, p. 100-216. 1, 1. ISBN 979-12-5469-362-9.

    2022

    1. MANAFIS, Panagiotis. Βυζαντινά χειρόγραφα με σειρές εξηγητικών σχολίων στην Καινή Διαθήκη (Byzantine manuscripts with series of explanatory comments on the New Testament). In Drakoulis, Dimitris P.; Androulis, Paschalis. Ekfrasis : Afieroma ston katihgiti Vasili Katsaro. Thessaloniki: Ekdotikos Oikos K.&M. Stamulē, 2022, p. 117-124. ISBN 978-960-656-136-8.
    2. FOLETTI, Ivan, Marie OKÁČOVÁ and Adrien PALLADINO. A Radical Turn? "Late Antique" Anxiety, Rupture, and Creative Continuity. Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Meditteranean. 2022, vol. 2022, Supplementum 10, p. 10-21. ISSN 2336-3452.
    3. FOLETTI, Ivan, Marie OKÁČOVÁ and Adrien PALLADINO. A Radical Turn? Reappropriation, Fragmentation, and Variety in the Postclassical World (3rd-8th Centuries). Convivium supplementum. Turnhout: Brepols, 2022, 157 pp. ISBN 978-80-280-0188-9.
    4. FOLETTI, Ivan. Activating Body and Mind: Results from the Field. In Conques Summes School. 2022.
    5. PALLADINO, Adrien. Aftershocks and Aftermaths: Natural Disasters as Vectors of Socio-Cultural Change in Late Antiquity and the Middle Ages. In Workshop on the Reconstruction of Destroyed Cities: History, Mapping, and Documentation, ComPaRe project, Hans Belting Library, Brno, October 3–4, 2022. 2022.
    6. FOLETTI, Ivan. Amasser l’or a' Conques : la « nouvelle » Sainte Foy et son trousseau (Collecting gold in Conques: the "new" Sainte Foy and her trousseau). In Conques en Rouergue : constructions mémorielles. 2022.
    7. FOLETTI, Ivan and Marie OKÁČOVÁ. An Age of Fragmentation. Evidence from Late Antique Literary, Visual, and Material Cultures. Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Meditteranean. 2022, vol. 2022, Supplementum 10, p. 24-47. ISSN 2336-3452.
    8. DE CARO, Antonio. Angelo Zottoli, a Jesuit Missionary in China (1848 to 1902) : His Life and Ideas. Edition 1. Singapore: Palgrave Macmillan, 2022, 200 pp. Volume 1. ISBN 978-981-16-5296-7. Available from: https://dx.doi.org/10.1007/978-981-16-5297-4.
    9. FOLETTI, Ivan. Ani and Its Hinterland: Human, Natural, and Political Catastrophes. In Reconstruction of Destroyed Cities: History, Mapping, and Documentation. 2022.
    10. KULHÁNKOVÁ, Markéta. Antonis Georgiou, Album příběhů (překlad, orig. Ena alpoum istories) (Antonis Georgiou, An Album of stories (translation, orig. Ena alpoum istories)). Praha: Bourdon, 2022. ISBN 978-80-7611-061-8.
    11. DIVIZIA, Paolo. Aristotele e le «Sententie di Tullio», Seneca e altri filosofi nel ms. I.VI.22 della Biblioteca Comunale degli Intronati di Siena (Aristotle and the «Sententie di Tullio», Seneca and other philosophers in MS I.VI.22 at the Biblioteca Comunale degli Intronati in Siena). Codex Studies. Firenze: SISMEL - Edizioni del Galluzzo, 2022, neuveden, No 6, p. 53-92. ISSN 2612-0623.
    12. DIVIZIA, Paolo. Ars dictaminis in volgare: fonti e raccolte (Ars dictaminis in vernacular: sources and collections). In La trama del texto. Fuentes literarias y cultura escrita en la Edad Media y el Renacimiento. 2022.
    13. CAMPINI, Ruben. Art from the Borders? Locating Early Christian Ivory Pyxides. In Re-constructing Late Antique Armenia (2nd–8th centuries CE): Historiography, Material Culture, and Immaterial Heritage. 2022.
    14. LEŠÁK, Martin and Margarita KHAKHANOVA. Ateni Sioni. In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 369-379. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    15. FOLETTI, Ivan and Cécile VOYER. Aux portes de la Jérusalem celeste. Le tympan sculpté de Conques (At the Gates of the Celestial Jerusalem. The Sculpted Tympanum of Conques). 1st ed. Brno: Masarykova univerzita, 2022, 48 pp. ISBN 978-80-280-0033-2.
    16. SMRČKOVÁ, Kristýna and Petr VRONSKÝ. Aux portes de la Jérusalem celeste. Le tympan sculpté de Conques (typeset and design) (At the Gates of the Celestial Jerusalem. The Sculpted Tympanum of Conques (typeset and design)). Czech Republic: Munipress, 2022. ISBN 978-80-280-0033-2.
    17. FOLETTI, Ivan. Baptisterium San Giovanni v Neapoli: mozaiky, rituály a lidská těla (Baptistery of San Giovanni in Naples: mosaics, rituals and human bodies). In Horáková, Tereza; Řezníčková, Veronika. Zadání, umělecká úloha a funkce v architektuře a ve výtvarném umění. Brno: Books & Pipes, 2022, p. 197-211. ISBN 978-80-7485-266-4.
    18. FOLETTI, Ivan. Baptisterium San Giovanni v Neapoli: mozaiky, rituály a lidská těla (Baptistery of San Giovanni in Naples: mosaics, rituals and human bodies). In ZADÁNÍ, UMĚLECKÁ ÚLOHA A FUNKCE V ARCHITEKTUŘE A VE VÝTVARNÉM UMĚNÍ. 2022.
    19. SMRČKOVÁ, Kristýna and Gajane ACHVERDJANOVÁ. Barvy víry. Počátky evropské sklomalby (grafické zpracování a realizace panelové výstavy) (Colours of Faith: the beginnings of European glass painting (graphic design and implementation of panel exhibition)). 2022.
    20. FOLETTI, Ivan and Adrien PALLADINO. Beyond the Nation and the Empire. Historiography and Visual culture in the Kievan Rus’ (988–1180)? In 'The Unbreakable Wall'. Saint Sophia in Kyiv, between War and Politics. 2022.
    21. KULHÁNKOVÁ, Markéta. Byzantine Literature between Orality and Textuality. In 24th International Congress of Byzantine Studies, Venice and Padova. 2022.
    22. LEŠÁK, Martin. Cena za excelentní výsledky v doktorském studiu na MU (The award for excellence in doctoral programme at Masaryk University). 2022.
    23. PALLADINO, Adrien. Closed Doors to Open Minds : Refugee Policies, Crossing Frontiers, and Émigré Art History. Critical Inquiries in Medieval Culture. 2022, vol. 2022, No 12, p. 1-19. ISSN 2788-2179.
    24. PALLADINO, Adrien. Co nejblíže posvátnu: poklady na zemi, poklady v nebi (Close to the Sacred: Treasures on Earth, Treasures in Heaven). In Ivan Foletti, Martin F. Lešák. Poutní umění ve středověku jako tělesný zážitek. Krajina, poutník a poklad. Brno: B&P, 2022, p. 163-187. Parva Convivia2 2. ISBN 978-80-7485-258-9.
    25. FOLETTI, Ivan. Conques au XIXe siècle (Conques in the 19th century). In Conques en Rouergue : constructions mémorielles. 2022.
    26. FOLETTI, Ivan, Philippe CORDEZ, Cécile VOYER and Éric SPARHUBERT. Conques en Rouergue : constructions mémorielles (Conques en Rouergue : memorial constructions). 2022.
    27. KRAVČÍKOVÁ, Katarína. Cromi (Tsromi). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 381-389. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    28. FOLETTI, Ivan. Dějiny umění a společnost. Včera, dnes a zítra (Art history and society. Yesterday, today and tomorrow). In Postavení dějin umění ve společnosti - Valná hromada UHS. 2022.
    29. FOLETTI, Ivan and Adrien PALLADINO. Dodatek. Stříbrné obrazy ze Svaneti (Appendix. Silver Paintings from Svaneti). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 391-399. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    30. FOLETTI, Karolina. Doslov : Z Bizerty do Francie (Afterword : From Bizerta to France). In Útěk s Rusk : Deník Iriny Knorring. Brno: Munipress, 2022. ISBN 978-80-7485-261-9.
    31. FOLETTI, Karolina, Jan KROTKÝ and Ivana RAPOŠ BOŽIČ. Dotazník věnovaný vnímání migrace (v historii i současnosti) žáky SŠ a gymnázií (Questionnaire on the perception of migration (history and present) by pupils of secondary schools and grammar schools). CRSS FF, 2022.
    32. PALLADINO, Adrien. Dynamics of Medieval Landscape : Measure, Environment, Conversion. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. Brno: Masaryk University, 2022, vol. 9, No 1, p. 12-26. ISSN 2336-3452.
    33. FOLETTI, Ivan, Martin LEŠÁK and Adrien PALLADINO. Dynamics of Medieval Landscape. Cultural Shaping of the Enviroment. In Convivium, IX, č. 1. Turnhout, Belgie: Brepols Publisher, 2022, 188 pp. ISSN 2336-3452.
    34. FOLETTI, Karolina. Emigrace a Pandemie včera a dnes (Emigration and Pandemics Yesterday and Today). Brno: Books & Pipes, 2022.
    35. FOLETTI, Ivan, Michele FOLETTI, Anna KELBLOVÁ, Adrien PALLADINO, Sabina ROSENBERGOVÁ and Karolina FOLETTI. Exil : Nikodim Pavlovič Kondakov, historik umění, emigrant (Exil : Nikodim Pavlovič Kondakov, art historian, emigrant). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    36. FOLETTI, Ivan. Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project. In Armin Bergmeier and Andrew Griebeler. Time and Presence in Art Moments of Encounter (200–1600 CE). Berlin: De Gruyter, 2022, p. 199-219, 20 pp. Volume 5 in the series Sense, Matter, and Medium. ISBN 978-3-11-072069-3. Available from: https://dx.doi.org/10.1515/9783110722079-011.
    37. VIRDIS, Alberto. FIGURATIVE LANGUAGE IN ABBOT SUGER’S REFLECTIONS ON THE MAIN ALTAR OF SAINT-DENIS: COLORS AND GEMS, MATERIALITY AND LIGHT. CODEX AQUILARENSIS. FUNDACION SANTA MARIA REAL, CENTRO ESTUDIOS ROMANICO, 2022, vol. 38, No 1, p. 117-140. ISSN 0214-896X.
    38. VIRDIS, Alberto. Fragmentation as a Visual Principle From Cloisonne to Early Stained Glass. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. BRNO: Brepols Publishers, 2022, vol. 9, Suppl. 2, p. 78-97. ISSN 2336-3452.
    39. FOLETTI, Ivan. From Abstraction to ethnic Exclusion The 9th century Milanese Golden Altar. In Medieval encountersm, University of Cambridge. 2022.
    40. FOLETTI, Ivan, Cynthia HAHN, Kristen RACANIELLO and Cécile VOYER. From Global to Local : Conques as a Crossroads (9th–13th c.). 2022.
    41. FOLETTI, Ivan. From Global to Local: An Introduction. In From Global to Local: Conques as a Crossroads (9th–13th c.). 2022.
    42. DE CARO, Antonio. From the Altar to the Household : The Challenging Popularization of Christian Devotional Images, Objects, and Symbols in 16th and 17th Century China. Eikón Imago. Madrid, 2022, vol. 11, March, p. 129-144. ISSN 2254-8718. Available from: https://dx.doi.org/10.5209/eiko.77135.
    43. DOLEŽALOVÁ, Klára and Jan GALETA. Gelati. In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 305-319. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    44. FOLETTI, Ivan. Georgia, Armenia and the Cultural Policy in the USSR (1921-1941). In 24th Congress of Byzantine Studies. 2022.
    45. FOLETTI, Ivan. Georgian Medieval Art and the Soviet Propaganda (1927-1991). In 10th Day of Byzantine Studies. 2022.
    46. FOLETTI, Ivan. Global Dynamic Landscapes: Nature, Culture, and the Pilgrim’s Body. In Landscape, Nature, and Sacred. Site Synergies across the Global Middle Ages. 2022.
    47. FOLETTI, Ivan. Gucci, Klimt a Ravenna: za hranice klišé a z lásky k včerejšímu světu (Gucci, Klimt and Ravenna: beyond clichés and for the love of yesterday's world). In Svět Knihy. 2022.
    48. MOLTENI, Ilaria. High cultures e low cultures visualizzate: le metamorfosi del “Sacro Catino” di Genova tra temi cavallereschi e miti di fondazione (High cultures and low cultures visualized: the metamorphoses of Genoa's "Sacred Basin" between chivalric themes and foundation myths). Eikon / Imago. Madrid: Ediciones Complutense, 2022, 11 2022, 11 2022, p. 107-118. ISSN 2254-8718.
    49. FOLETTI, Karolina. Hledání ztraceného domova : Emigrantka H. Iswolsky a její kritiky "sovětského humanismu" (Searching for a lost home : Emigrant H. Iswolsky and her critique of "Soviet humanism"). Studia historica Brunensia. Brno, 2022, vol. 69, No 1, p. 113-132. ISSN 1803-7429. Available from: https://dx.doi.org/10.5817/SHB2022-1-6.
    50. FOLETTI, Ivan and Jana ČERNOCKÁ. Hranice posvátna (Borders of the sacred). In FOLETTI, Ivan; LEŠÁK, Martin F. Poutní umění ve středověku jako tělesný zážitek : Krajina, poutník a poklad. Brno: Books & Pipes, 2022, p. 97-134. Parva Convivia2, sv. 2. ISBN 978-80-7485-258-9.
    51. KULHÁNKOVÁ, Markéta. Character construction and space in Digenis Akritis. In 6th International Conference on the Ancient Novel, Ghent. 2022.
    52. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ, Ivan FOLETTI and Petr SUDICKÝ. Chrám Hagia Sofia v Konstantinopoli (Hagia Sophia in Constantinople). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    53. KRAVČÍKOVÁ, Katarína. Chrám svaté Hripsime (Church of Saint Hripsime). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 109-117. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    54. PAZDÍREK, Ondřej. “Christianity is not a crime” : expectations of religious freedom in Early Modern Catholic missions. In EASR Conference, 27 June - 1 July 2022, Cork, Ireland. 2022.
    55. FOLETTI, Karolina. I. Némirovsky, Podzimní mouchy aneb žena z dávných dob (překlad, orig. Les mouches d'automne) (I. Némirovsky, Autumn flies or a woman from ancient times (translation, orig. Les mouches d'automne)). Brno: Books & Pipes, 2022. ISBN 978-80-7485-261-9.
    56. FOLETTI, Ivan. Il medioevo: una questione Nazionale? Conques nella Francia dell'Ottocento (The Middle Ages: a National Question? Conques in nineteenth-century France). In Reinventare il Medioevo. 2022.
    57. DOLEŽALOVÁ, Klára. Introducing Georgian Art : The Exhibition "Georgische Kunst" and German Interest(s) in the Georgian SSR in the Interwar Period. In 10th Day of Byzantine Studies, 21. 10. 2022, Brno. 2022.
    58. FOLETTI, Ivan. Inventer la France a' Conques : de Viollet-le-Duc a' Prosper Mérimée et a' Charlemagne (Inventing France at Conques: from Viollet-le-Duc to Prosper Mérimée and Charlemagne). In Přednáška pro širokou veřejnost. Poiters: Centre d’études supérieures de civilisation médiévale, 2022.
    59. PALLADINO, Adrien. Inventing Late Antique Reliquaries : Reception, Material History, and Dynamics of Interaction (4th-6th centuries CE). Rome: Viella, 2022, 312 pp. Studia Artium Mediaevalium Brunensia, 12; 1st ed. ISBN 978-88-3313-867-1.
    60. PALLADINO, Adrien. Inventing Late Antique Reliquaries. Reception, Material History, and Dynamics of Interaction (4th–6th Centuries CE). 1st ed. koedice Masarykova univerzita / Viella Libreria Editrice, 2022. Studia Artium Mediaevalium Brunensia 12. ISBN 978-80-280-0095-0.
    61. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ and Ivan FOLETTI. Jak hluboko sahá diskriminace na základě původu? Odsouzení langobardské populace na zlatém oltáři v Miláně (How deep does discrimination based on origin go? The condemnation of the Langobard population on the golden altar in Milan). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    62. FOLETTI, Ivan, Martin LEŠÁK, Veronika PICHANIČOVÁ and Sabina ROSENBERGOVÁ. Je (středověk) doba temna? Umění, migrace a moc (Dark Middle Ages?). 2nd ed. Brno: Masarykova univerzita, Books & Pipes, 2022, 163 pp. ISBN 978-80-280-0086-8.
    63. FOLETTI, Ivan, Karolina FOLETTI, Klára DOLEŽALOVÁ, Cassandre LEJOSNE, Zuzana URBANOVÁ, Martin LEŠÁK, Sára Anna HUDCOVICOVÁ, Sandra KASLOVÁ, Veronika DŽUGAN HERMANOVÁ, Tereza KUČEROVÁ, Michaela BARANIČOVÁ, Katarína KRAVČÍKOVÁ, Leoš MÁTL, Pavla TICHÁ, Eliška KADLECOVÁ BREBURDOVÁ, Michaela KOVÁŘOVÁ, Linda KOMÁRKOVÁ, Lenka MOTYČKOVÁ, Teodora GEORGIEVOVÁ, Tatiana VAJSOVÁ, Viktória MRAČKOVÁ, Gajane ACHVERDJANOVÁ, Dominik MATUS, Tania FONTANA, Silvie RANDULOVÁ, Alžběta FILIPOVÁ, Kristýna PECINOVÁ, Jan GALETA, Michal KOLÁŘ, Daniela KŘIŽANOVÁ, Lenka VRLÍKOVÁ, Margarita KHAKHANOVA and Adrien PALLADINO. Jižní Kavkaz : Umění středověké Arménie a Gruzie (South Caucasus : The Art of Medieval Armenia and Georgia). 1. vyd. Brno: Masarykova univerzita, 2022, 403 pp. Zápisky z Cest, 4. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    64. SMRČKOVÁ, Kristýna. Jižní Kavkaz: Umění středověké Arménie a Gruzie (book design) (South Caucasus: the Art of Medieval Armenia and Georgia (book design)). Zápisky z Cest. Czech Republic: Munipress, 2022. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    65. LEŠÁK, Martin. Kavkazská krajina. Lidé a architektura ve středověku (Caucasian Landscape. People and Architecture in the Middle Ages). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 39-49. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    66. ACHVERDJANOVÁ, Gajane. Kostel svatého Řehoře Osvětitele a klášterní komplex hripsimských panen (Travelogues 4. Caucasus: The Art of Medieval Armenia and Georgia). In DOLEŽALOVÁ, Klára, FOLETTI, Ivan a Karolina FOLETTI. Zápisky z cest 4. Kavkaz: Umění středověké Arménie a Gruzie. Brno: MUNIPRESS, 2022. Zápisky z cest, 4. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    67. FOLETTI, Ivan. Landscape, Bodies, and Images: Experiencing the Sacred Space of Conques. In NetMAR Research Workshop The Arts and Rituals of Pilgrimage. 2022.
    68. LEŠÁK, Martin. Landscape, Liturgy, and Sainte-Foy: Rituals in and Around Medieval Conques. In From Global to Local. Conques as a Crossroads (9th–13th c.) at the Hunter College – GC CUNY, New York City, July 11–12, 2022, 2022. 2022.
    69. VIRDIS, Alberto. Landscapes of the Past. Interactions with Prehistoric Monuments and Early Medieval Conversion Practices Between Sardinia and the British Isles. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. 2022, vol. 9, No 1, p. 74-95. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.131646.
    70. FOLETTI, Ivan. Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela') (The book on the throne: an image of orthodoxy in the Mediterranean of late antiquity (and beyond)). In Rencontres Imago, Université de Poitiers. 2022.
    71. DIVIZIA, Paolo. Le versioni francesi del Fiore di virtù (The French versions of the Fiore di virtù). Romania. Revue consacré à l'étude des langues et des littératures romanes. Paris: Société des amis de la Romania, 2022, vol. 140, 557/558, p. 80-99. ISSN 0035-8029.
    72. FOLETTI, Ivan and Adrien PALLADINO. Les eaux supérieures dans la cosmologie chrétienne, entre historiographie et matérialité. Un hommage a' André Grabar (1896-1990) (The upper waters in Christian cosmology, between historiography and materiality. A tribute to André Grabar (1896-1990)). Cahiers archéologiques : fin de l'antiquite et moyen age. Paris: A. & J. Picard, 2022, vol. 59, No 1, p. 5-19. ISSN 0068-4945.
    73. FOLETTI, Karolina. Les Mouches d’automne a ruská emigrace v Paříži : Zapomenutý román Irène Némirovsky (Les Mouches d'automne and Russian emigration in Paris : The forgotten novel by Irène Némirovsky). In Kontexty : časopis o kultuře a společnosti. Brno: B&P, 2022, p. 86-91. ISSN 1803-6988.
    74. MORASCHI, Annalisa and Ruben CAMPINI. Making the present past: the 19th-century travel accounts of Ravenna (1814–1914). In 9. Byzantologický den, 20/05/2022, Prague (Slovanského ústavu AV ČR). 2022.
    75. FOLETTI, Karolina, Zuzana URBANOVÁ and Sabina ROSENBERGOVÁ. Manuál k výkovému programu Ruská akce a pluralita názorů (Manual for the Russian Action and Plurality of Opinion training programme). Online. 2022.
    76. KRAVČÍKOVÁ, Katarína. Mccheta (Mtskheta). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 349-367. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    77. ČERNOCKÁ, Jana. Mezi nebem a zemí: Klášter v Moissacu (Between the Heaven and Earth: The Abbey of Moissac). In Středověc Jinax. 2022.
    78. KRAVČÍKOVÁ, Katarína. Mren. In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 247-257. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    79. FOLETTI, Karolina, Michele FOLETTI, Anna KELBLOVÁ and Kristýna SMRČKOVÁ. Naděje : Jelena Alexandrovna Izvolskaja, publicistka, spisovatelka a ruská emigrantka (Hope : Helena Aleksandrovna Izvol’skaja publicist, writer, and Russian emigrant). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    80. ACHVERDJANOVÁ, Gajane, Ivan FOLETTI, Karolina FOLETTI, Anna KELBLOVÁ and Martin LEŠÁK. Naděje za mořem : Konstantinopol, uprchlíci a karantény v letech 1917–1922 (Hope beyond the sea : Constantinople, refugees and quarantines in 1917–1922). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    81. FOLETTI, Ivan. National Images and the "Russian Soul". In Foletti, Ivan; Palladino, Adrien; Urbanová, Zuzana. The Current State of Russian Folk Icon Painting. Roma: Viella, 2022, p. 9-28. Parva Convivia 10. ISBN 978-80-280-0108-7.
    82. LEŠÁK, Martin. Ne každé zlato třpytívá se: mozaiky v římském kostele San Marco (All That is Gold Does not Glitter: Mosaics in the Church of San Marco in Rome). In MUNI U3V Kurz umělecká díla a podoby jejich uměleckohistorického vysvětlení, 2022. 2022.
    83. KHAKHANOVA, Margarita. Nikodim P. Kondakov, The Current State of Russian Folk Icon Painting (překlad, orig. O situaci russkoj narodnoj živopisi) (Nikodim P. Kondakov, The Current State of Russian Folk Icon Painting (translation of: O situaci russkoj narodnoj živopisi)). Řím: Viella, 2022. Parva Convivia 10. ISBN 979-12-5469-178-6.
    84. MORASCHI, Annalisa. Note di Viaggio: Armenia as perceived by Western travellers of the 19th century. In Re-Constructing Late Antique Armenia (2nd–8th Centuries CE): Historiography, Material Culture, and Immaterial Heritage. 2022.
    85. FOLETTI, Ivan. On the Borders of Ideologies: the Art of Western Asia Facing Cultural Genocide (1915-2008). In 8th Seminar on Armenian and Eastern Christian Art. Documenting, Preserving, and Communicating the Cultural Heritage of Subcaucasia, Venice. 2022.
    86. KELBLOVÁ, Anna. Podzimní Mouchy: Aneb žena z dávných dob (book design) (Autumn Flies (book design)). Brno: Books & Pipes, 2022. ISBN 978-80-7485-261-9.
    87. FOLETTI, Ivan, Karolina FOLETTI and Adrien PALLADINO. Potenciál migrace : Hranice, karantény a osudy meziválečných uprchlíků (Potential of Migration : Borders, quarantines and the fate of interwar refugees). Brno: Books & Pipes, 2022, 272 pp. Parva Convivia. ISBN 978-80-7485-259-6.
    88. FOLETTI, Ivan, Karolina FOLETTI and Adrien PALLADINO. Potenciál migrace. Hranice, karantény a osudy meziválečných uprchlíků (Potential of Migration. Borders, quarantines and the fate of interwar refugees). 1st ed. Brno: Masarykova univerzita, Books & Pipes, 2022, 271 pp. Parva Convivia, sv. 11. ISBN 978-80-280-0140-7. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0140-2022.
    89. SMRČKOVÁ, Kristýna. Potenciál migrace: Hranice, karantény a osudy meziválečných uprchlíků (book design) (Potential of Migration: Borders, quarantines and the fate of interwar refugees (book design)). Parva Convivia. Czech Republic: Books and Pipes, 2022. ISBN 978-80-7485-259-6.
    90. ACHVERDJANOVÁ, Gajane, Ivan FOLETTI, Karolina FOLETTI, Anna KELBLOVÁ, Michele FOLETTI, Adrien PALLADINO and Margarita KHAKHANOVA. Potenciál migrace. Osudy meziválečných uprchlíků (The Potential for Migration. The fate of interwar refugees). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    91. FOLETTI, Ivan and Martin LEŠÁK. Poutní umění ve středověku jako tělesný zážitek (The Pilgrimage Art in the Middle Ages as a Bodily Experience). Brno: Masarykova univerzita, Books & Pipes, 2022. Parva Convivia 2, II. ISBN 978-80-7485-258-9. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0096-2022.
    92. FOLETTI, Ivan and Martin LEŠÁK. Poutní umění ve středověku jako tělesný zážitek (The Pilgrimage Art in the Middle Ages as a Bodily Experience). Brno: Masarykova univerzita, Books & Pipes, 2022, 234 pp. Parva Convivia 2, II. ISBN 978-80-7485-258-9.
    93. FOLETTI, Ivan. Poutní umění ve středověku jako tělesný zážitek : úvod (Pilgrimage art in the Middle Ages as a bodily experience : an Introduction). In Foletti, Ivan; Lešák, Martin F. Poutní umění ve středověku jako tělesný zážitek : Krajina, poutník a poklad. Brno: Books & Pipes, 2022, p. 11-39. Parva Convivia2, sv. 2. ISBN 978-80-7485-258-9.
    94. SMRČKOVÁ, Kristýna and Petr VRONSKÝ. Poutní umění ve středověku jako tělesný zážitek (sazba a design) (The Pilgrimage Art in the Middle Ages as a Bodily Experience (typeset a design)). Parva Convivia 2. Czech Republic: Books and Pipes, 2022. ISBN 978-80-7485-258-9. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0096-2022.
    95. FOLETTI, Ivan, Adrien PALLADINO and Zuzana FRANTOVÁ. Premodern "Pop Cultures"? Images and Objects Around the Mediterranean (350-1918 CE). Madrid: Universidad Complutense de Madrid, 2022, 167 pp.
    96. FOLETTI, Ivan, Adrien PALLADINO and Zuzana FRANTOVÁ. Premodern Popular Culture : Between Democratization and Marginalization. Eikón Imago. 2022, vol. 11, Jaro, p. 1-8. ISSN 2254-8718. Available from: https://dx.doi.org/10.5209/eiko.80906.
    97. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ and Katarína KRAVČÍKOVÁ. (Proč) ničíme obrazy? Radikalismus, ikonoklasmus a Hagia Eirene v Istanbulu ((Why) do we destroy images? Radicalism, Iconoclasm and Hagia Eirene in Istanbul). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    98. GALETA, Jan, Ivan FOLETTI and Tomáš VALEŠ. Průvodce rozvášněným Znojmem. Průvodce městem, jeho uměním a příběhem (A guide to the exuberant Znojmo. A guide to the city, its art and story). 1st ed. Brno: Masarykova univerzita, 2022, 142 pp. Zápisky z cest, sv. 4. ISBN 978-80-280-0099-8.
    99. GALETA, Jan, Ivan FOLETTI and Tomáš VALEŠ. Průvodce rozvášněným Znojmem. Průvodce městem, jeho uměním a příběhem (A guide to the exuberant Znojmo. A guide to the city, its art and story). 1st ed. Brno: Masarykova univerzita, 2022, 148 pp. Zápisky z cest, sv. 4. ISBN 978-80-280-0099-8.
    100. SKALÍKOVÁ, Kristýna. Průvodce rozvášněným Znojmem. Průvodce městem, jeho uměním a příběhem (book design) (A guide to the exuberant Znojmo. A guide to the city, its art and story (book design)). 1st ed. Brno: Masarykova univerzita, 2022. Zápisky z cest, sv. 4. ISBN 978-80-280-0099-8.
    101. FOLETTI, Ivan. Přednáška "Potenciál Migrace" a diskuse (Lecture "The Potential of Migration" and discussion). In Knihex. 2022.
    102. FOLETTI, Ivan. Quand l’histoire devient prétexte : Les cycles narratifs a' Milan et Rome au Ve sie'cle (When history becomes a pretext : Narrative cycles in Milan and Rome in the 5th century). In Brodbeck, Sulamith; Poilpré, Anne-Orange; Rapti, Ioanna. Histoires chrétiennes en images : espace, temps et structure de la narration. Paříž: éditions de la Sorbonne, 2022, p. 135-152. Byzantina Sorbonensia. ISBN 979-10-351-0805-2.
    103. FOLETTI, Karolina and Ivan FOLETTI. Realizace výukového programu "Ruská akce a pluralita názorů" v Bratislavě (Implementation of the educational programme "Russian Action and Plurality of Opinions" in Bratislava). 2022.
    104. MOLTENI, Ilaria and Paolo DIVIZIA. Reasons for a multidisciplinary approach to the study of Venetian textual and visual landscape in the XIVth century. In Inventing Past Narratives : Venice and the Adriatic Space (13th-15th centuries), 12.–13. 12. 2022, Brno. 2022.
    105. FOLETTI, Ivan and Martin LEŠÁK. Reconsidering “Romanesque” Art Through the Pilgrim’s Body : The Migrating Art Historians Project Five Years Later. Peregrinations : Journal of Medieval Art and Architecture. Gambier (USA), 2022, vol. 8, No 2, p. 43-67. ISSN 1554-8678.
    106. FOLETTI, Ivan, Adrien PALLADINO, Ruben CAMPINI and Annalisa MORASCHI. RE-CONSTRUCTING LATE ANTIQUE ARMENIA (2ND–8TH CENTURIES CE): HISTORIOGRAPHY, MATERIAL CULTURE, AND IMMATERIAL HERITAGE. 2022.
    107. FOLETTI, Ivan and Adrien PALLADINO. Reconstruction of Destroyed Cities: History, Mapping, and Documentation. 2022.
    108. FOLETTI, Ivan and Pavel RAKITIN. Re-Inventing Late Antique and Early Medieval Armenia in WW2-Soviet Union. In Re-Constructing Late Antique Armenia (2nd -8th centuries CE). Historiography, material culture, immaterial heritage. 2022.
    109. FOLETTI, Ivan. Russian or Ukrainian? 11th and 12th century Art of Kiev. In LIMITS OF NATIONAL SPACESARE BORDERS BETWEEN NATIONS APPLICABLE IN ART HISTORY. 2022.
    110. LEŠÁK, Martin. Sakrální architektura na obzoru a hlas zvonů v krajině středověkých poutníků (Sacred Architecture and the Voice of Bells in the Landscape of Medieval Pilgrims). In Foletti, Ivan; Lešák, Martin F. Poutní umění ve středověku jako tělesný zážitek. Brno: Books & Pipes, 2022, p. 75-94. Parva Convivia 2, 2. ISBN 978-80-7485-258-9.
    111. LEŠÁK, Martin. Santa Maria Maggiore v pozdní antice. Prostor jako stvořený pro stacionární liturgii? (Santa Maria Maggiore in Late Antiquity. An Ideal Space for The Stational Liturgy?). In Horáková, Tereza; Řezníčková, Veronika. Zadání, umělecká úloha a funkce v architektuře a ve výtvarném umění. 1. vyd. Brno: Books & Pipes, 2022, p. 177-193. sv. 1. ISBN 978-80-7485-266-4.
    112. LEŠÁK, Martin. Santa Maria Maggiore v pozdní antice. Prostor jako stvořený pro stacionární liturgii? (Santa Maria Maggiore in Late Antiquity: An Ideal Space for the Stational Liturgy?). In Zadání, umělecká úloha a funkce v dějinách architektury a výtvarného umění. 2022.
    113. DIVIZIA, Paolo. Seminario permanente di Filologia italiana e romanza - autunno 2022 (Seminario permanente di Filologia italiana e romanza - Autumn 2022). 2022.
    114. DIVIZIA, Paolo. Seminario permanente di Filologia italiana e romanza - primavera 2022 (Seminario permanente di Filologia italiana e romanza - Spring 2022). 2022.
    115. FOLETTI, Ivan. Slovo úvodem. Kulturní křižovatka ve stínu imperialismu, nacionalismu a orientalismu (Introduction. Cultural Crossroads in the Shadow of Imperialism, Nationalism, and Orientalism). In FOLETTI, Ivan, Karolina FOLETTI a Klára DOLEŽALOVÁ. Zápisky z cest 4: Jižní Kavkaz. Umění středověké Arménie a Gruzie. 1. vyd. Brno: Masarykova univerzita, 2022, p. 7-21. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    116. FOLETTI, Ivan. Spaces for Miracles : Constructing Sacred Space through the Body, from Conques to the Mediterranean, and Beyond. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Masaryk University, 2022, vol. 9, No 1, p. 168-185. ISSN 2336-3452.
    117. DIVIZIA, Paolo. Stereoscopie ungarettiane : In memoria e Roman cinéma, V (Ungarettian Stereoscopic Views : In memoria and Roman cinéma, V). Écho des Études Romanes. 2022, vol. 18, No 2, p. 87-95. ISSN 1801-0865. Available from: https://dx.doi.org/10.32725/eer.2022.013.
    118. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ and Jana ČERNOCKÁ. Strach a strašení: Portál v Conques a současná média (Fear and Intimidation: The Portal at Conques and Contemporary Media). 2022.
    119. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #1 Představení (The Middle Ages (differently) lasts #1 Introduction). In Podcast Středověk (jinak) trvá. Brno, 2022.
    120. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #10 Mistři kamene z úpatí Araratu. Arménská architektura jako osmý div světa (The Middle Ages (differently) last #10 Masters of stone from the foothills of Ararat. Armenian architecture as the eighth wonder of the world). In Podcast Středověk (jinak) trvá. Brno, 2022.
    121. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #11 Speciální díl podcastu živě: O poutnictví z Knihkupectví Barvič & Novotný (The Middle Ages (differently) last #11 Special live podcast episode: about pilgrimage from Barvič & Novotný Bookshop). In Podcast Středověk (jinak) trvá. Brno, 2022.
    122. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Margarita KHAKHANOVA, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and Pavel BOČEK. Středověk (jinak) trvá #12 Moskva jako třetí Řím a církev ve službách státu feat. Pavel Boček (The Middle Ages (differently) last #12 Moscow as the Third Rome and the Church in the Service of the State feat. Pavel Bocek). In Podcast Středověk (jinak) trvá. Brno, 2022.
    123. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #13 O ruském imperialismu (The Middle Ages (differently) last #13 About Russian Imperialism). In Podcast Středověk (jinak) trvá. Brno, 2022.
    124. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #2 Jak to vlastně vypadá, když se potkají archeolog a historik umění? (The Middle Ages (differently) last #2 What does it actually look like when an archaeologist and an art historian meet?). In Podcast Středověk (jinak) trvá. Brno, 2022.
    125. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #3 San Vitale. Kouzlo císařského dvora, nebo sexuální revoluce? (The Middle Ages (differently) last #3 San Vitale. The magic of the imperial court or the sexual revolution?). In Podcast Středověk (jinak) trvá. Brno, 2022.
    126. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #4 Pohansko. Palác velkomoravských velmožů, skutečně evropské sídlo! (The Middle Ages (differently) last #4 Pohansko. The palace of the Great Moravian rulers, a truly European residence!). In Podcast Středověk (jinak) trvá. Brno, 2022.
    127. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #5 Projektina skříňka. Souboj bohů na beauty case? (The Middle Ages (differently) last #5 The Project Casket. Battle of the Gods on the beauty case?). In Podcast Středověk (jinak) trvá. Brno, 2022.
    128. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #6 Archeologická revoluce pod barokním hávem: Hradiště sv. Hippolyta u Znojma (The Middle Ages (differently) last #6 Archaeological revolution under the Baroque façade: the fortress of St. Hippolytus near Znojmo). In Podcast Středověk (jinak) trvá. Brno, 2022.
    129. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #7 Centrum, periferie, nebo most mezi Evropou a Asií? Tsromi a Gruzie. (The Middle Ages (differently) last #7 Centre, periphery or bridge between Europe and Asia? Tsromi and Georgia.). In Podcast Středověk (jinak) trvá. Brno, 2022.
    130. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Jana ČERNOCKÁ. Středověk (jinak) trvá #8 Hádanka z Pohanska u Břeclavi. Středověké high-tech na Velké Moravě (The Middle Ages (differently) last #8 Puzzle from Pohansko near Breclav. Medieval high-tech in Great Moravia). In Podcast Středověk (jinak) trvá. Brno, 2022.
    131. FOLETTI, Ivan, Jiří MACHÁČEK, Gajane ACHVERDJANOVÁ, Anna KELBLOVÁ, Klára DOLEŽALOVÁ, Jana ČERNOCKÁ and David ZBÍRAL. Středověk (jinak) trvá #9 Digital humanities. Katarská hereze mezi nulami a jedničkami feat. David Zbíral (The Middle Ages (differently) last #9 Digital humanities. Qatar's heresy between zeroes and ones feat. David Zbíral). In Podcast Středověk (jinak) trvá. Brno, 2022.
    132. FOLETTI, Ivan. Středověká pouť, umění a dnešní člověk: 5000 km na cestách minulosti (Medieval pilgrimage, art and today's human: 5000 km on the roads of the past). In Bezručova Opava. Bezručova Opava, 2022.
    133. KONDAKOV, Nikodim Pavlovič, Ivan FOLETTI, Adrien PALLADINO and Zuzana URBANOVÁ. The Current State of Russian Folk Icon Painting. 1st ed. Brno/Roma: koedice Masarykova univerzita / Viella Libreria Editrice, 2022, 208 pp. Parva Convivia 10. ISBN 978-80-280-0108-7.
    134. KONDAKOV, Nikodim Pavlovič, Ivan FOLETTI, Adrien PALLADINO and Zuzana URBANOVÁ. The Current State of Russian Folk Icon Painting. Brno/Roma: Viella, 2022, 208 pp. Parva Convivia 10. ISBN 978-80-280-0108-7.
    135. FOLETTI, Michele and Anna KELBLOVÁ. The Current State of Russian Folk Icon Painting. Nikodim P. Kondakov (illustrations and book design). Rome, Brno: Viella, Munipress, 2022. PARVA Convivia, 10. ISBN 979-12-5469-178-6.
    136. DOLEŽALOVÁ, Klára. The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period? In Artistic Networks in the Caucasian Space : New Researches and Perspectives (University of Fribourg, 10-11 May 2022). 2022.
    137. FOLETTI, Ivan. The Experience of the Sacred as Place of Social Stratification: the Presbytery of the Basilica of Sant’Ambrogio in Milan during the Carolingian and Ottonian Era. In 2022 International Congress on Medieval Studies. 2022.
    138. DZURILLOVÁ, Zuzana and Markéta KULHÁNKOVÁ. The Historical Present in the Grottaferrata and Escorial Versions of Digenis Akritis : A Narratological Insight. Greek, Roman, and Byzantine Studies. 2022, vol. 62, No 3, p. 365-384. ISSN 0017-3916.
    139. FILIPOVÁ, Alžběta. The Holy Network. The Place of Textiles in Early Relic Circulation. In Elster, Christiane; Luther, Stephanie; Michalski, Tanja; Seeberg, Stefanie. Textile Gifts in the Middle Ages. Objects, Actors, and Representations. Rome: Campisano Editore, 2022, p. 43-56. ISBN 978-88-85795-86-0.
    140. FOLETTI, Ivan, Michele BACCI and Manuela STUDER KARLEN. The Interaction of Objects, Images, and Bodies with Built and Natural Spaces in Medieval Svaneti. 2022.
    141. PALLADINO, Adrien. The Myth of Byzantium on the Way to Conques. In From Global to Local. Conques as a Crossroads (9th–13th c.) at the Hunter College – GC CUNY, New York City, July 11–12, 2022. 2022.
    142. FOLETTI, Ivan and Hans BELTING. The Presence of Images. Hans Belting Interviewed by Ivan Foletti. Řím: Viella, 2022. Parva Convivia 13. ISBN 979-12-5469-396-4.
    143. FOLETTI, Ivan. The Sacred Space of Conques as an Experience: Past Testimonies Present Experiments. In The Arts and Rituals of Pilgrimage: NetMAR International Conference. 2022.
    144. PALLADINO, Adrien. The Shaping of Medieval Conques: From French National Monument to World Heritage. In Globalizing Perspectives – Conques Visiting Scholars at the Graduate Center, City University of New York, April 15, 2022. 2022.
    145. FOLETTI, Ivan. The Tangible and the Invisible : from Faces to Concepts, and to Malevich. Codex Aqvilarensis. 2022, vol. 37, No 1, p. 305-318. ISSN 0214-896X.
    146. MORASCHI, Annalisa. The Vachutian Patronage and the Sacralization of Landscape in 13th Century Armenia: K’asakhi Vank’er and Other Instances. In Artistic Networks in the Caucasian Space: New Researches and Perspectives. 2022.
    147. MOLTENI, Ilaria. Tradizioni iconografiche nei romanzi arturiani (Iconographical traditions in arthurian novels). In Per una filologia integrata dei testi e delle immagini : Prospettive genealogiche ed ermeneutiche, 8.–10. 9. 2022, Pisa. 2022.
    148. HALAMOVÁ, Veronika, Veronika ŘEZNÍČKOVÁ and Nicolas SAMARETZ. Transfer: Insights on the Notion from Aesthetics and Art History. 2022.
    149. LEŠÁK, Martin. Transforming a Desert, Claiming the Domain. The Early Medieval Landscape of Conques. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. Brno: MASARYKOVA UNIVERZITA, 2022, vol. 9, No 1, p. 148-167. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.131650.
    150. KRAVČÍKOVÁ, Katarína. Under the Dome: Composition of Church Space in the Medieval Architecture of the Southern Caucasus. In Globalizing Perspectives from Masaryk University and Bibliotheca Hertziana. A Presentation of Research by Conques Project Visiting Scholars at CUNY. 2022. 2022.
    151. FOLETTI, Karolina and Anna KELBLOVÁ. Uprchlíci a Československo v letech 1918–1948 (Refugees and Czechoslovakia in 1918–1948). Brno: Centrum raně středověkých studií, SDU FF, 2022.
    152. FOLETTI, Karolina and Barbora SATRANSKÁ. Útěk z Ruska. Deník Iriny Knorring (1920-1921) (Escape from Russia. Diary of Irina Knorring (1920-1921)). Brno: Munipress, 2022. ISBN 978-80-7485-261-9.
    153. KELBLOVÁ, Anna and Kristýna SMRČKOVÁ. Útěk z Ruska. Deník (1920-1921) (book design) (Escape from Russia. Diary of Irina Knorring (1920-1921) (book design)). Czech Republic: Munipress, 2022. ISBN 978-80-7485-261-9.
    154. FOLETTI, Karolina. Úvod (Introduction). In Podzimní Mouchy : Aneb žena z dávných dob. Brno: Books & Pipes, 2022, p. 9-23.
    155. FOLETTI, Karolina. Úvod : S Charkova do Sevastopole (Introduction : from Kharkiv to Sevastopol). In Útěk s Ruska : Deník Iriny Knorring. Brno: Munipress, 2022, p. 9-13. ISBN 978-80-7485-261-9.
    156. FOLETTI, Ivan. Venice in Brno: From Byzantium to Giotto and from Venturi to Kondakov. In Inventing Past Narratives. Venice and the Adriatic Space (13th-15th centuries). 2022.
    157. DIVIZIA, Paolo. Volgarizzamenti orizzontali tra francese, italiano, catalano e castigliano. Alcuni esempi (Horizontal Vernacular Translations between French, Italian, Catalan and Castilian. A few Examples.). In Výzvy románských studií v třetím desetiletí 21. století. Česká romanistika v evropském kontextu – XX. mezinárodní setkání romanistů. 2022.
    158. FOLETTI, Ivan and Adrien PALLADINO. Vynalézání ‘románského’ Conques : národní dědictví, nebo oslava pravé víry? (Inventing ‘Romanesque’ Conques : national heritage or celebration of true faith?). In Bartlová, Anežka; Buddeus, Hana. Infrastruktury (dějin) umění. Sborník ze VII. sjezdu historiků a historiček umění. Ústí nad Labem: Artefactum, 2022, p. 401-412. ISBN 978-80-88283-73-7.
    159. FOLETTI, Karolina, Zuzana URBANOVÁ and Sabina ROSENBERGOVÁ. Výukový program : Ruská pomocná akce a pluralita názorů (Tutorial : Russian Aids and Pluralism of Opinion). Online. 2022.
    160. DOLEŽALOVÁ, Klára. Walking the Stories: Pavements of the Episcopal Complex in Aquileia between Pagan and Christian Imagery. In Globalizing Perspectives from Masaryk University and Bibliotheca Hertziana. A Presentation of Research by Conques Project Visiting Scholars at CUNY. 2022.
    161. RAPOŠ BOŽIČ, Ivana, Alica SYNEK RÉTIOVÁ and Radka KLVAŇOVÁ. “We have always been like this” Cultural armature of cities and the local embeddedness of migration attitudes. In 7TH BIENNIAL CONFERENCE ON MIGRATION AND INTEGRATION RESEARCH IN AUSTRIA: MIGRATION BETWEEN GLOBAL CRISIS AND LOCAL DYNAMICS. 2022.
    162. DIVIZIA, Paolo. Who Should Prepare a Catalogue of Manuscripts and for Whom? The Importance of Combining Codicological and Textual Approach in Manuscript Studies. In Editing Reconsidered. Editors, Users and Curators of Medieval Sources in the 21st Century. 2022.
    163. FOLETTI, Ivan, Karolina FOLETTI and Klára DOLEŽALOVÁ. Zápisky z cest 4. Umění středověké Arménie a Gruzie. Jižní Kavkaz (Travel Notes 4. The Art of Medieval Armenia and Georgia. South Caucasus). 1. vyd. Brno: Masarykova univerzita, 2022, 403 pp. ISBN 978-80-280-0196-4. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M280-0196-2022.
    164. FOLETTI, Ivan, Markéta KULHÁNKOVÁ and Panagiotis MANAFIS. 10th Day of Byzantine studies. 2022.

    2021

    1. FOLETTI, Ivan and Philippe CORDEZ. A Convivium with Herbert L. Kessler. Sharing Objects, Sensory Experiences, and Medieval Art History. Convivium. 2021, vol. 8, No 1, p. 16-25. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.126193.
    2. FOLETTI, Ivan. Abstrakce ve středověku (Abstraction in the Middle Ages). In StředověC JinaX. Brno, 2021.
    3. KULHÁNKOVÁ, Markéta. Advisory Board member - Classica Cracoviensia. Classica Cracoviensia, 2021 - 2022. ISSN 1505-8913.
    4. FILIPOVÁ, Alžběta. Ambrose and his martyrs: propagating the blood and the culture. In Milan Imperial Capital and Christian Metropolis (3rd ‒ 6th century CE). Universität Regensburg. 2021.
    5. FOLETTI, Ivan. An Initiatory Experience? The Doors and the Narrative Cycle of the Basilica of Sant’Ambrogio in Milan, 386 CE. In Imperial Capital and Christian Metropolis. 2021.
    6. VIRDIS, Alberto. Antoniazzo Romano e il Trittico del Sacro Volto al Prado : Fra icona e ritratto nella Roma del secondo Quattrocento (Antoniazzo Romano and the Triptych of the Holy Face at the Prado : Between Icon and Portrait in the Rome of the Second Half of the Fifteenth Century). Online. In Ladogana, Rita Pamela; Campus, Simona. Percorsi nella Storia dell'arte : Giornate di studi in onore di Maria Luisa Frongia. Cagliari: Cagliari Unica Press, 2021, p. 59-79. ISBN 978-88-3312-050-8.
    7. FOLETTI, Ivan and Cassandre LEJOSNE. Armenia or Mediterranean? On the Roots of Early Sub-Caucasian Monumental Images. In ARMENIA AND BYZANTIUM WITHOUT BORDERS III. 2021.
    8. MORASCHI, Annalisa and Ruben CAMPINI. Armenian medieval art through the "Italian" lens between 1841 and 1930. In Team Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION : HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES. 2021.
    9. FOLETTI, Ivan. Belting Before Belting From Moscow, to Constantinople, and to Georgia. Convivium: Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. 2021, vol. 8, Supplementum 1, p. 18-25. ISSN 2336-3452.
    10. ACHVERDJANOVÁ, Gajane. Cena rektora pro nejlepší studenty magisterských studijních programů. 2021.
    11. FOLETTI, Ivan, Ondřej JAKUBEC and Radka NOKKALA MILTOVÁ. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. 1st ed. Rome: koedice Viella Libreria Editrice / Masarykova univerzita, 2021, 248 pp. Studia Artium Mediaevalium Brunensia, 11. ISBN 978-80-210-9944-9.
    12. FOLETTI, Ivan, Ondřej JAKUBEC and Radka NOKKALA MILTOVÁ. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. Řím: Viella, 2021, 248 pp. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-937-1.
    13. FOLETTI, Ivan, Ondřej JAKUBEC and Radka NOKKALA MILTOVÁ. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. 1st ed. Rome: Viella, Masaryk University, 2021, 248 pp. Studia Artium Mediaevalium Brunensia, 11. ISBN 978-88-3313-845-9.
    14. VIRDIS, Alberto. Color in Suger’s Saint-Denis : Matter and Light. Convivium. 2021, vol. 8, No 2, p. 78-95. ISSN 2336-3452.
    15. FOLETTI, Ivan. Conques : une perle du patrimoine européen. Nouvelles perspectives pour un projet international (Conques : a pearl of European heritage. New perspectives for an international project). In Exploring Materiality of a Sacred Space : Field Research, Data Collecting, Landscape Exploration. Conques, 2021.
    16. FOLETTI, Ivan. Conques in the Global World. In Exploring Materiality of a Sacred Space : Field Research, Data Collecting, Landscape Exploration. 2021.
    17. PALLADINO, Adrien and Alžběta FILIPOVÁ. Converting Minds, Eyes, and Bodies : The early Cult of Relics between Rhetoric and Material Practices in Northern Italy and Gallia. Convivium. Turnhout: Brepols, 2021, vol. 8, Supplementum 3, p. 146-167. ISSN 2336-3452.
    18. FOLETTI, Ivan. Čas emigrace v Československu. Kondakovovo dědictví a Seminarium Kondakovianum (Time of emigration in Czechoslovakia. Kondakov's Legacy and the Seminarium Kondakovianum). In Noc vědců. 2021.
    19. FOLETTI, Ivan and Marie OKÁČOVÁ. De diversis unum? Re-semantizing the Classical Past in Late Antique Literature and the Visual Arts. 2021.
    20. FILIPOVÁ, Alžběta. Demarginalizing Medieval Georgia: History of Art History between Colonial Perspectives and Nationalist Appropriation (1921–1991). In Kickoff Meeting of the international project “Cultural Interactions in the Medieval Sub-Caucasian Region: Historiographical and Art-Historical Perspectives". 2021.
    21. PALLADINO, Adrien. Dissipating Strzygowski's Shadow. Weitzmann on Armenian Book Illumination. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. Seminarium Kondakovianum Series Nova. Brepols Publishers, 2021, vol. 8, No 2, p. 175-182. ISSN 2336-3452.
    22. GALETA, Jan and Adrien PALLADINO. Dynamics of Re-Gothicization in 19th-Century Central Europe. The Church of St James in Brno: Local Preoccupations and Global Trends. In Foletti, Ivan; Jakubec, Ondřej; Miltová, Radka Nokkala. Central Europe as a Meeting Point of Visual Cultures : Circulation of Persons, Artifacts, and Ideas. 1st ed. Roma: Viella, 2021, p. 165-189. Studia Artium Medievalium Brunensia 11. ISBN 978-88-3313-845-9.
    23. FOLETTI, Ivan, Jan GALETA, Ondřej JAKUBEC, Radka NOKKALA MILTOVÁ, Šárka BAHOUNKOVÁ, Ruben CAMPINI, Annalisa MORASCHI, Jana ČERNOCKÁ, Martin DEUTSCH, Klára DOLEŽALOVÁ, Christian DROBE, Alžběta FILIPOVÁ, Marta FILIPOVÁ, Aleš FLÍDR, Karolina FOLETTI, Jakub FRANK, Zuzana FRANTOVÁ, Jana GAZDAGOVÁ, Veronika HALAMOVÁ, Michaela HOJDYSZ, Anna JAEGEROVÁ, Katarína KRAVČÍKOVÁ, Jiří KROUPA, Denisa KUJELOVÁ, Cassandre LEJOSNE, Martin LEŠÁK, Petra LEXOVÁ, Žaneta MARVANOVÁ, Martina MRÁZOVÁ, Helena MUSILOVÁ, Pavol MÚDRY, Adrien PALLADINO, Martina PETŘÍKOVÁ, Veronika PICHANIČOVÁ, Alena POMAJZLOVÁ, Matthew RAMPLEY, Eva RICHTROVÁ, Sabina ROSENBERGOVÁ, Marcela RUSINKO, Veronika ŘEZNÍČKOVÁ, Tereza ŘÍHOVÁ, Julia SECKLEHNER, Lubomír SLAVÍČEK, Pavel SUCHÁNEK, Michaela ŠEFERISOVÁ LOUDOVÁ, Martin ŠOLC, Pavla TICHÁ, Martin JAKUBČO, Tomáš VALEŠ, Lenka VRLÍKOVÁ and Petra WILLERTHOVÁ. Emoce v obraze od středověku po současnost. Seminář dějin umění k poctě Ladislava Kesnera (Emotions in Image from the Middle Ages to the Present). 1st ed. Brno: koedice Masarykova univerzita / Books & Pipes, 2021, 128 pp. ISBN 978-80-210-9824-4.
    24. DE CARO, Antonio. Evangelization, Religious Formation, and Indigenous Communities from the Late Sixteenth Century to the Eighteenth Century. Online. In Cindy Yik-yi Chu, Beatrice Leung. The Palgrave Handbook of the Catholic Church in East Asia. Singapore: Palgrave Macmillan, 2021, p. 1–33, 34 pp. Vol. 1. ISBN 978-981-97-0658-7.
    25. FOLETTI, Ivan and Adrien PALLADINO. EXPLORING MATERIALITY OF A SACRED SPACE : FIELD RESEARCH, DATA COLLECTING, LANDSCAPE EXPLORATION. 2021.
    26. DE CARO, Antonio. “Fasting and nurturing the soul. Jesuit tales on religious fasting in China from the late 16th century to the 18th century”. In Asian Food and Power. 2021.
    27. KULHÁNKOVÁ, Markéta. "For Old Men Too Can Play, Albeit More Wisely So" : The Game of Discourses in the Ptochoprodromika. In Marciniak, Przemyslaw; Nilsson, Ingela. Satire in the Middle Byzantine Period. The Golden Age of Laughter? Leiden: Brill, 2021, p. 304-323. Explorations in Medieval Culture, vol. 12. ISBN 978-90-04-43438-7. Available from: https://dx.doi.org/10.1163/9789004442566_016.
    28. FOLETTI, Ivan and Michele BACCI. From Fragmentation to Integration: A New Perspective on the Material Cultures of the Southern Caucasus. In Kickoff Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION: HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES, 11. 3. 2021, Fribourg. 2021.
    29. FOLETTI, Ivan and Katharina MEINECKE. From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past. In Elsner, Jas'; Wood, Rachel. Imagining the Divine : exploring art in religions of late antiquity across Eurasia. London: British Museum Press, 2021, p. 111-132. British Museum Press. ISBN 978-0-86159-234-0.
    30. PALLADINO, Adrien. From the Revue des Etudes Armeniennes to Sirarpie der Nersessian: "French" perspectives on Armenian Art. In Kickoff Meeting of the international project “Cultural Interactions in the Medieval Sub-Caucasian Region: Historiographical and Art-Historical Perspectives”, 11. 3. 2021, Fribourg. 2021.
    31. DOLEŽALOVÁ, Klára. German-Speaking Perspective on the Art of Southern Caucasus. In Kickoff Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION: HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES, 11. 3. 2021, Fribourg. 2021.
    32. DE CARO, Antonio. “Christian artifacts and images from Tang to Yuan dynasty. A brief account on practicing Christianity along the Silk Roads from the 7th to the 15th century. Online. In The Silk Road. Proceedings from the Sixth International conference on Chinese Studies “The Silk Road” organized by the Confucius Institute in Sofia, Bulgaria, 4-5 June 2021. 1st ed. Sofia, Bulgaria: Confucius Institute Sofia, 2021, p. 292-300.
    33. FOLETTI, Ivan. Idylka na prahu chaosu? Umění theodosiovské dynastie, pád říše a brána do nebe (An idyll on the brink of chaos? The Art of the Theodosian Dynasty, the Fall of the Empire and the Gateway to Heaven). In Tabook. 2021.
    34. FOLETTI, Ivan and Ladislav KESNER. Ikonická přítomnost, doba koronavirová a obrazy bez duše (Iconic presence, Time of Coronavirus and Images Without a Soul). In Kontexty. Brno: CDK, 2021, p. 29-35. Kontexty, 2/2021. ISSN 1803-6988.
    35. FOLETTI, Ivan, Ondřej JAKUBEC and Radka NOKKALA MILTOVÁ. Introduction : A Few Opening Historiographical Remarks (Introduction : A Few Opening: Historiographical Remarks). In Foletti, Ivan; Jakubec, Ondřej; Miltová, Radka Nokkala. Central Europe as a Meeting Point of Visual Cultures : Circulation of Persons, Artifacts, and Ideas. 1st ed. Rome: Viella, Masaryk University, 2021, p. 7-15. Studia Artium Mediaevalium Brunensia, 11. ISBN 978-88-3313-845-9.
    36. FOLETTI, Ivan, Ondřej JAKUBEC and Radka NOKKALA MILTOVÁ. Introduction. A Few Opening Historiographical Remarks. In Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová. Central Europe as a Meeting Point of Visual Cultures Circulation of Persons, Artifacts, and Ideas. Řím: Viella, 2021, p. 7-15. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-937-1.
    37. FOLETTI, Ivan. Inventing Medieval Caucasus: Between Colonialism and Orientalism. In Revealing Christian Heritage. Talks on the rediscovery of Christian archaeology between 1860 and 1930. 2021.
    38. FOLETTI, Ivan, Martin LEŠÁK, Veronika PICHANIČOVÁ and Sabina ROSENBERGOVÁ. Je (středověk) doba temna? (Is (the Middle Ages) a dark age). Brno: Books & Pipes, 2021, 168 pp. Parva Convivia 2, 1. ISBN 978-80-7485-236-7.
    39. FOLETTI, Ivan and Michele BACCI. Kickoff Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION: HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES. 2021.
    40. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ and Ivan FOLETTI. Kulturní Genocida, nacionalistické pomýlení a bazilika v Mrenu (Cultural Genocide, Nationalist Mistake and the Basilica of Mren). Brno: Centrum raně středověkých studií, SDU FF, 2021.
    41. VIRDIS, Alberto. La decorazione aniconica nelle pitture della “chiesa rupestre” di S. Andrea Priu in Sardegna (The aniconic decoration in the paintings of the "rupestrian church" of S. Andrea Priu in Sardinia). In Marazzi, Federico; Cuomo, Marianna. LA PITTURA PARIETALE ANICONICA E DECORATIVA FRA TARDA ANTICHITÀ E ALTO MEDIOEVO Territorio, tradizioni, temi e tendenze. Cerro al Volturno (Italy): Volturnia Edizioni, 2021, p. 267-284. Not specified. ISBN 978-88-31339-51-3.
    42. ROSENBERGOVÁ, Sabina. Le decorazioni perdute dell’arco absidale della chiesa di Santa Maria in Pallara a Roma e i committenti laici (The unconserved frescoes of the apsidal arch of the church Santa Maria in Pallara (Roma) and its lay donors). In In Corso d'Opera 4, Giornate di Studio dei Dottorandi di Ricerca in Storia dell'Arte della Sapienza Universita di Roma. 2021.
    43. FOLETTI, Ivan. Le logos en trone La mise-en-scene du livre comme preuve d’Orthodoxie dans la Méditerranée de l’antiquité tardive et au-dela (The logos on the throne. The staging of the book as proof of Orthodoxy in the Mediterranean of late antiquity and beyond). In Le livre enluminé médiéval, instrument politique. 2021.
    44. VIRDIS, Alberto. L'image miraculeuse dans le christianisme occidental (Moyen Age - Temps Modernes) (The miraculous image in Western Christianity (Middle Ages - Modern Times)). Convivium. Brno: Brepols, 2021, vol. 8, No 2, p. 202-207. ISSN 2336-3452.
    45. CAMPINI, Ruben and Annalisa MORASCHI. Marginalizing the East : the Italian gaze on the art of the Caucasus between 1841 and the Fascist Ventennio. In 8. Byzantologický den (Univerzita Palackého v Olomouci), 1. 10. 2021, Olomouc. 2021.
    46. FOLETTI, Ivan, Luďek JIRKA and Macek PETR. Maska a Identita v transkultuní perspektivě (Mask and Identity in Transcultural Perspective). 2021.
    47. KROUPA, Jiří, Tomáš KNOZ, Lenka VRLÍKOVÁ, Petra LEXOVÁ, Kateřina SVATOŠOVÁ, Anna VÁCLAVÍKOVÁ, Anna JAEGEROVÁ, Klára DOLEŽALOVÁ and Katarína KRAVČÍKOVÁ. Materiál a materialita v architektuře (v rámci Brněnské školy dějin umění), konference, Brno, 3. 6. 2021 (Material and Materiality in Architecture (in Brno School of Art History)). 2021.
    48. KROUPA, Jiří, Tomáš KNOZ, Petra LEXOVÁ, Lenka VRLÍKOVÁ, Katarína KRAVČÍKOVÁ, Klára DOLEŽALOVÁ, Anna JAEGEROVÁ, Anna VÁCLAVÍKOVÁ and Kateřina SVATOŠOVÁ. Materiál a materialita v architektuře (v rámci Brněnské školy dějin umění), navazující workshop, Brno, 4. 6. 2021 (Material and Materiality in Architecture (in Brno School of Art History)). 2021.
    49. FOLETTI, Ivan, Klára DOLEŽALOVÁ, Katarína KRAVČÍKOVÁ and Pavla TICHÁ. Means of Christian Conversion in Late Antiquity. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2021, vol. 8, Supplementum 3, p. 11-18. ISSN 2336-3452.
    50. DOLEŽALOVÁ, Klára, Ivan FOLETTI, Katarína KRAVČÍKOVÁ and Pavla TICHÁ. Means of Christian Conversion in Late Antiquity. Means of Christian Conversion in Late Antiquity Objects, Bodies, and Rituals. = Convivium Supplementum. 2021, vol. 2021, Supplementum 3, p. 10-18. ISSN 2336-3452.
    51. DOLEŽALOVÁ, Klára, Ivan FOLETTI, Katarína KRAVČÍKOVÁ and Pavla TICHÁ. Means of Christian Conversion in Late Antiquity. Objects, Bodies, and Rituals. Brno: Department of Art History of the University of Lausanne, Department of Art History of the Masaryk University, Institute of Art History of the Academy of Sciences of the Czech Republic, 2021, p. 1-171. ISBN 978-80-210-9979-1.
    52. FOLETTI, Ivan and Zuzana FRANTOVÁ. Mediální revoluce - Christianizace Evropy, Ravenna pátého století a jak obrazy mění dějiny (Media Revolution - The Christianization of Europe, Fifth Century Ravenna and How Images Change History). Brno: Book and Pipes, MUNI Press, 2021, 168 pp. Parva Convivia 9. ISBN 978-80-7485-232-9.
    53. FOLETTI, Ivan and Zuzana FRANTOVÁ. Mediální revoluce. Christianizace Evropy, Ravenna pátého století a jak obrazy mění dějiny (Media Revolution. The Christianization of Europe, Fifth Century Ravenna and How Images Change History). 1st ed. Brno: koedice Masarykova univerzita / Books & Pipes, 2021, 166 pp. Parva Convivia 9. ISBN 978-80-210-9854-1. Available from: https://dx.doi.org/10.5817/CZ.MUNI.M210-9854-2021.
    54. FOLETTI, Ivan. Město jako pěší zážitek (The City as a Walking Experience). In Of Walking in Ice. 2021.
    55. KULHÁNKOVÁ, Markéta. Mezi Achilleem a Siegfriedem: Řecký středověký epos o Dvojrodém Hraničáři. In XXIX. Letní škola klasických studií, 2021. 2021.
    56. FILIPOVÁ, Alžběta. Moc svatých a jejich těl v raně křesťanském světě (The power of the saints and their bodies in the early Christian world). In Iniciační rituály a christianizace Evropy. Septem Artes: sousedská univerzita v Táboře. 2021.
    57. KULHÁNKOVÁ, Markéta and Ingela NILSSON. Motifs, Influences, and Narrative Strategies in the Epics of the Medieval East and West. 2021.
    58. DOLEŽALOVÁ, Klára. Naděje věčného života. Poslední soud v bazilice Sant'Apollinare Nuovo (Hope for the Eternal Life. The Last Judgment in the Basilica of Sant'Apollinare Nuovo). In Foletti, Ivan; Galeta, Jan; Jakubec, Ondřej; Miltová, Radka Nokkala. Emoce v obraze od středověku po současnost. Seminář dějin umění k poctě Ladislava Kesnera. 1. vyd. Brno: Masarykova univerzita / Books & Pipes, 2021, p. 20-21. ISBN 978-80-210-9824-4.
    59. KULHÁNKOVÁ, Markéta. Narrative coherence in Digenes Akrites (G). Byzantine and Modern Greek Studies. Cambridge: Cambridge University Press, 2021, vol. 45, No 2, p. 184-198. ISSN 0307-0131. Available from: https://dx.doi.org/10.1017/byz.2021.14.
    60. FOLETTI, Ivan, Klára DOLEŽALOVÁ and Katarína KRAVČÍKOVÁ. National, World or Shared Heritage? The seventh-century basilica in Mren. In EDUC Seminar - Culture and Heritage, 24. 3. 2021, online. 2021.
    61. FOLETTI, Ivan and Adrien PALLADINO. Nomadic arts in emigration : Russian diaspora, Czechoslovakia, and the broken dream of a borderless Europe (1918–45). Journal of Art Historiography. 2021, vol. 25, No 2, p. 1-13. ISSN 2042-4752. Available from: https://dx.doi.org/10.48352/uobxjah.00003476.
    62. FOLETTI, Ivan and Philippe CORDEZ. Objects Beyond the Senses. Studies in Honor of Herbert L. Kessler. Brno - Turnhout: Brepols Publisher, 2021, 264 pp. ISSN 2336-3452.
    63. FOLETTI, Ivan. Patří ženy do kouta? Pozdní antika a role ženy (nejen v církvi) (Do Women belong in a Corner? Late Antiquity and the Role of Women (not only in the Church)). In Bezručova Opava. Bezručova Opava, 2021.
    64. FOLETTI, Ivan and Gajane ACHVERDJANOVÁ. Purifying Body and Soul. Late Antique Combs, Their Use and Visual Culture. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2021, vol. 8, Supplementum 3, p. 78-97. ISSN 2336-3452.
    65. DE CARO, Antonio. Radical practices and mechanisms of conversion.Reframing the experience of “conversio” in the Late Antique Latin West (Radical practices and mechanisms of conversion Reframing the experience of “conversio” in the Late Antique Latin West). In A radical turn? Subversions, Conversions, and Mutations in the Postclassical World (3rd-8th century). 2021.
    66. DE CARO, Antonio. “(Re-) producing conversion from Rome to Beijing. Stories Related to Replicas of the Salus Populi Romani in the Late-sixteenth Century”. Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. Seminarium Kondakovianum Series Nova. Turnhout, 2021, VIII, No 2, p. 148-165. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.131120.
    67. FOLETTI, Ivan, Adrien PALLADINO, Vincent DEBIAIS, Eric SPARHUBERT and Cécile VOYER. “Romanesque” Conques as a Neo-Carolingian Project. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterreanean. Belgium: Brepols, 2021, vol. 8, No 2, p. 168-174. ISSN 2336-3452.
    68. FOLETTI, Ivan and Adrien PALLADINO. Sainte Foy Révélée. La plus ancienne statue médiévale à Conques (Saint Foy Revealed. The most ancient medieval statue of Conques). 1st ed. Brno: Masarykova univerzita, 2021, 37 pp. ISBN 978-80-210-9816-9.
    69. DOLEŽALOVÁ, Klára and Ivan FOLETTI. Searching for Evidence in Late Antique Visual and Material Studies. Engramma. 2021, Neuveden, November, p. 27-48. ISSN 1826-901X.
    70. FOLETTI, Ivan. Singing Doors : Images, Space, and Sound in the Santa Sabina Narthex. In Pentcheva, Bissera V. Icons of Sound : Voice, Architecture and Imagination in Medieval Art. New York: Taylor & Francis Group, 2021, p. 19-39. Music and Visual Culture, 1. ISBN 978-0-367-44087-9.
    71. KULHÁNKOVÁ, Markéta. Space in Edifying Stories: The Case of Anastasios Sinaites. In Storyworlds in Collections. Toward a Theory of the Ancient and Byzantine Tale (2nd - 7th c. CE), University of Cyprus, 26-27 November. 2021.
    72. KRAVČÍKOVÁ, Katarína. Spatial boundaries of religious experience: Early Christian central building between the community and thought (300–650). In Kickoff Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION: HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES, 11. 3. 2021, Fribourg. 2021.
    73. FOLETTI, Ivan. Středověké Conques v globálním světě a čas poutě. Jak se tvoří evropský špičkový projekt (Medieval Conques in a Global World and the Time of Pilgrimage. How to create a European cutting-edge project). In Noc vědců. MUNI, 2021.
    74. ACHVERDJANOVÁ, Gajane, Anna KELBLOVÁ, Klára DOLEŽALOVÁ and Petr SUDICKÝ. Střet kultur, nebo sdílené dědictví? Raně islámské umění (Clash of cultures or shared heritage? Early Islamic Art). Brno: Centrum raně středověkých studií, SDU FF, 2021.
    75. VIRDIS, Alberto. Suger di Saint-Denis e la materia saphirorum : un’indagine fra cromonimi medievali, gemme e pigmenti (Suger of Saint-Denis and the materia saphirorum : an investigation among medieval chromonyms, gems and pigments.). Spolia. Journal of medieval studies. 2021, vol. 7, No 1, p. 342-390. ISSN 1824-727X.
    76. DE CARO, Antonio. “The arrival of Christianity in China and its diffusion from the 7th to the 16th century”,. Online. In Cindy Yik-yi Chu and Beatrice Leung. The Palgrave Handbook of the Catholic Church in East Asia. London/Singapore/Shanghai: Palgrave MacMillan, 2021.
    77. FOLETTI, Ivan. The Book on the Throne as Image of Orthodoxy in the Late Antique Mediterranean (and Beyond). In Lucherini, Vinni; Voyer, Cécile. Le livre enluminé médiéval instrument politique. Roma: Viella, 2021, p. 13-32. Quaderni napoletani di storia dell’arte medievale, 6. ISBN 978-88-3313-700-1.
    78. FOLETTI, Ivan and Jan KLÍPA. The Frescoes of the 12th-Century Rotunda at Znojmo : Between Historiography and Transcultural Perspectives. In Foletti, Ivan; Jakubec, Ondřej; Miltová, Radka Nokkala. Central Europe as a Meeting Point of Visual Cultures : Circulation of Persons, Artifacts, and Ideas. 1st ed. Rome: Viella, 2021, p. 17-52. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-845-9.
    79. MORASCHI, Annalisa and Ruben CAMPINI. The Italian Gaze on Medieval Southern Caucasus (19th-20th century). In Kickoff Meeting of the International Project CULTURAL INTERACTIONS IN THE MEDIEVAL SUB-CAUCASIAN REGION: HISTORIOGRAPHICAL AND ART-HISTORICAL PERSPECTIVES, 11. 3. 2021, Fribourg. 2021.
    80. FOLETTI, Ivan. The marvellous Hierotopy of the golden altar in Milan : A visual Constantinopolitan fascination? In Bogdanović, Jelena. Icons of Space : Advances in Hierotopy. London: Routledge, 2021, p. 175-186. Routledge. ISBN 978-1-000-41084-6.
    81. OKÁČOVÁ, Marie. The Virgilian Cento Progne et Philomela (Anth. Lat. 13 R) : Towards a Solution for a Mythological Riddle. The Classical Quarterly. Cambridge: Cambridge University Press, 2021, vol. 71, No 2, p. 856-865. ISSN 0009-8388. Available from: https://dx.doi.org/10.1017/S0009838821000781.
    82. ROSENBERGOVÁ, Sabina and Kristýna NAVRÁTILOVÁ. To Die and Be Resurrected with Christ: The Milan Passion Diptych and Its Function in the Baptismal Rite. ICONOGRAPHICA. Firenze: SISMEL EDIZIONI GALLUZZO, 2021, vol. 20, No 1, p. 47-58. ISSN 1720-1764.
    83. MAREČKOVÁ, Elena, Hana REICHOVÁ, Libor ŠVANDA, Natália GACHALLOVÁ, Tereza ŠEVČÍKOVÁ, Kamila NOVOTNÁ, Jan SLÍVA and Lucie MAZALOVÁ. Úvod do lékařské terminologie. Základy latiny s přihlédnutím k řečtině (The Introduction to Medical Terminology). 2. dotisk 7., přeprac. vyd. Brno: Masarykova univerzita, 2021, 225 pp. ISBN 978-80-210-8699-9.
    84. JAKUBEC, Ondřej, Ivan FOLETTI, Radka NOKKALA MILTOVÁ and Jan GALETA. Úvod: Umění a emoce (Introduction: Art and Emptions). In Emoce v obraze od středověku po současnost. Seminář dějin umění k poctě Ladislava Kesnera. 1st ed. Brno: koedice Masarykova univerzita / Books & Pipes, 2021, p. 10-15. ISBN 978-80-210-9824-4.
    85. TICHÁ, Pavla and Markéta KULHÁNKOVÁ. Vatican Hill in the Time of Conversion : The Phrygianum Neighboring Old Saint Peter’s. CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN. 2021, vol. 8, Supplementum 3, p. 42-61. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/M.CONVISUP-EB.5.130933.
    86. KULHÁNKOVÁ, Markéta. Virtuální kulatý stůl. Proč a k čemu diachronní naratologie? (Virtual round table. Why and to what purpose diachronic narratology?). Bohemica litteraria. Masarykova univerzita, 2021, vol. 24, No 2, p. 139-149, 21 pp. ISSN 1213-2144. Available from: https://dx.doi.org/10.5817/BL2021-2-7.
    87. VIRDIS, Alberto. Visual Arts in Early Medieval Sardinia. Painting, Sculpture and Metalwork. In Metcalfe, Alex; Fernández- Aceves, Hervin; Muresu, Marco. The Making of Medieval Sardinia. Leiden: Brill, 2021, p. 358-390. The Medieval Mediterranean, 128. ISBN 978-90-04-46448-3.
    88. FOLETTI, Ivan and Adrien PALLADINO. Vynalézání středověkého Conques : od Prospera Mériméeho po Jeana Taralona (Inventing medieval Conques : from Prosper Mérimée to Jean Taralon). In VII. Sjezd historiků a historiček umění s tématem Infrastruktury (dějin) umění. 2021.
    89. FOLETTI, Ivan. Walking : a Tool for Discovering the Past. In Climate Change through the Lens of an Inter- and Transdisciplinary Project : "Climate Walk", 18 3. 2021, on-line. 2021.
    90. FOLETTI, Ivan and Martin LEŠÁK. Zrození pozdně antické avantgardy ve sv. Anežce za hradbami: factor, kočovníci, liturgie a Max Dvořák (The Birth of the Late Antique Avant–Garde in the Church of Saint Agnes Outside the Walls. Factor, Nomads, Liturgy and Max Dvořák). In Galeta, Jan; Jakubec, Ondřej; Nokkala Miltová, Radka; Valeš, Tomáš. Od dějin umění k uměleckému dílu: Cesty k porozumění vizuální kultuře. Brno: B&P Publishing, 2021, p. 35-46. Maturandum, III. ISBN 978-80-7485-247-3.

    2020

    1. FOLETTI, Ivan. A Colonial Approach? Soviet Gaze on Armenian Medieval Art (1917–1991). In ERC project Global Horizons meetings. 2020.
    2. FOLETTI, Ivan. A converted Empire. The Role of Material, visual and ritual Cultures in the Christian West. In Bildmedien der Taufe - im Spannungsfeld von Ort, Ritual und Gemeinschaft. 2020.
    3. KESSLER, Herbert L., Serena ROMANO and Karolina FOLETTI. A Hub of Art. In, Out, and Around Venice, 1177-1499. In Convivim, VII, 1. Turnhout: Brepols, 2020, 180 pp. ISBN 978-2-503-58724-0.
    4. FOLETTI, Ivan. After Kondakov : the Heritage of Russian Emigration in the Czech Lands. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brno: Masarykova univerzita, 2020, vol. 7, Supplementum 1, p. 10-29. ISSN 2336-3452.
    5. DE CARO, Antonio. “Angelo Zottoli”,. In Romanelli, Raffaele. Dizionario biografico degli Italiani. Rome: Treccani, 2020, p. 804-807. v. 100. ISBN 978-88-12-00032-6.
    6. FOLETTI, Ivan and Pavel RAKITIN. Armenian Medieval Art and Architecture in Soviet Perception : A longue durée Sketch. Eurasiatica Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale. Venezia: Edizioni Ca' Foscari, 2020, vol. 16, No 1, p. 113-149. ISSN 2610-8879.
    7. FOLETTI, Ivan. Bezzubý památník? Koněv, moc obrazů a jak se dělá válka (Powerless Monument? Koněv, the Power of Images, and how to do a War). In Artalkt. Praha: Artalkt.cz, 2020.
    8. IVANOVICI, Dan-Vladimir. Building with light : Aesthetic and Power in sixth-century Byzantium. In Imagery and Aesthetics of Cityscapes in Late Antiquity, Mainz, February 12th–14th, 2020. 2020.
    9. FOLETTI, Ivan and Adrien PALLADINO. Byzantium or Democracy? Kondakov’s Legacy in Emigration : the Institutum Kondakovianum and André Grabar, 1925–1952. Rome: Viella, 2020, 211 pp. Parva Convivia 8. ISBN 978-88-3313-496-3.
    10. FOLETTI, Ivan and Adrien PALLADINO. Byzantium or Democracy? Kondakov’s Legacy in Emigration: the Institutum Kondakovianum and André Grabar, 1925–1952. 1st ed. Brno-Rome: Masarykova univerzita, Viella, 2020, 211 pp. Parva Convivia 8. ISBN 978-80-210-9637-0.
    11. FRANTOVÁ, Zuzana. Cena Josefa Krásy (The Josef Krása Prize). Uměleckohistorická společnost, 2020.
    12. FRANTOVÁ, Zuzana and Ivan FOLETTI. Convivium VII/2. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean Seminarium Kondakovianum, Series Nova. Brno - Turnhout: Brepols Publisher, 2020, 208 pp. ISSN 2336-3452.
    13. ROSENBERGOVÁ, Sabina. Crossing a Threshold, Sensing the Sacred: The Body in Movement as a Vehicle for Encountering a Sacred Place. In Martin Lešák, Sabina Rosenbergová, Veronika Tvrzníková. Step by Step Towards the Sacred : Ritual, Movement, and Visual Culture in the Middle Ages. Rome: Viella s.r.l., 2020, p. 15-36. ISBN 978-80-210-9630-1.
    14. CIKÁN, Ondřej and Markéta KULHÁNKOVÁ. Die Welt des Digenes Akrites : Zu den Eigennamen in der Grottaferrata-Version unter Berücksichtigung historischer Schichten und literarischer Assoziationsmöglichkeiten (The world of Digenes Akrites: On the proper nouns in the Grottaferrata version, considering historical layers and literary possibilities of association). BYZANTINOSLAVICA-REVUE INTERNATIONALE DES ETUDES BYZANTINES. Euroslavica, 2020, vol. 78, 1-2, p. 240-261. ISSN 0007-7712.
    15. VIRDIS, Alberto and Luca VARGIU. Esperienze e interpretazioni della morte tra Medioevo e Rinascimento (Experiences and interpretations of death between Middle Ages and Renaissance). Ancona: Affinità Elettive, 2020, 194 pp. Not specified. ISBN 978-88-7326-493-4.
    16. FOLETTI, Ivan and Adrien PALLADINO. Experiencing Death and Resurrection : Late Antique Initiation as a Spiritual and Embodied Frontier - International Medieval Congress - University of Leeds 2020. 2020.
    17. FOLETTI, Ivan. Experiencing Death and Resurrection. Late Antique Initiation as a Spiritual and Embodied Frontier. Some Introductory observations. In Experiencing Death and Resurrection. Late Antique Initiation as a Spiritual and Embodied Frontier - International Medieval Congress - University of Leeds 2020. 2020.
    18. BORDINO, Chiara and Silvia PEDONE. Figure di luce. Riflessioni iconografiche e tipologiche (Figures of light. Some reflections on iconography and typology). Hortus Artium Medievalium. Journal of the International Research Center for Late Antiquity and Middle Ages. Croatia, 2020, 26, 2020, No 26, p. in press, in press. ISSN 1330-7274.
    19. IVANOVICI, Dan-Vladimir. Framing Salvation : Canopies in Late Antique Baptisteries. In Baptism and its Artefacts : Space, Images and Community in a Ritual Context, Cologne, 11-14 Feb 20. 2020.
    20. BORDINO, Chiara. Holy Images and the Early Medieval West. Texts from the Early Christian to the Carolingian era. In Holy Images and the Early Medieval West. Texts from the Early Christian to the Carolingian era. 2020.
    21. FOLETTI, Ivan. Humanitní vědy a dnešní společnost (Humanities and the today's society). In SCIENCE COMMUNICATION. 2020.
    22. IVANOVICI, Dan-Vladimir and Roberto LEGGERO. Christian Belief and Practice in the Alps (ca. 250-ca. 600) : In Search of a Topography of Faith. 2020.
    23. FOLETTI, Ivan. Il corpo, il tempo, il monumento e l’esperienza del sacro nel medioevo (The Body, the Time, the Monument and the Experience of the Sacred during the Middle Ages). In Dottorato MeMe. 2020.
    24. FOLETTI, Ivan. Il pellegrinaggio medievale, come un'esperienza contemporanea. Riflessioni sulla cultura visiva a prova di adrenalina (The medieval pilgrimage, as a Contemporary Experience. Reflections on Adrenaline-proof Visual Culture). In Scuola di Ricostruzione di Accumoli - eventi serali. 2020.
    25. BORDINO, Chiara. Images of Saints and Their Relics. Debates on Representation and Worship in the Ninth Century between Constantinople, Rome, and Carolingians. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean. Brno: Masarykova univerzita, 2020, vol. 7, Supplementum 2, p. 114-135. ISSN 2336-3452.
    26. BORDINO, Chiara. ‘Immagini vive’. Figure di santi e scene di martirio a Costantinopoli nel primo IX secolo. In Grata più delle stelle. Roma: Edizioni Efesto, 2020, p. 226-252. ISBN 978-88-3381-233-5.
    27. LEŠÁK, Martin, Sabina ROSENBERGOVÁ and Veronika TVRZNÍKOVÁ. Introduction. Rome: Viella s.r.l., 2020, 4 pp. Studia Artium Mediaevalium Brunensia, 10. ISBN 978-80-210-9630-1.
    28. FRANTOVÁ, Zuzana. Ivory Diptychs in the Baptismal Liturgy. In Materiality and Conversion: The Role of Material and Visual Cultures in the Christianization of the Latin West. 2020.
    29. TOMASCO, Miloš and Markéta KULHÁNKOVÁ. Kazantzakisova Odyssea : Několik poznámek k dílu a jeho českému překladu (Kazantzakis's Odyssey : Some Remarks to the Poem and its Czech Translation). Neograeca Bohemica. Česká společnost novořeckých studií o.s., 2020, vol. 20, No 1, p. 88-92. ISSN 1803-6414. Available from: https://dx.doi.org/10.5817/NGB2020-1-5.
    30. FOLETTI, Ivan. Kondakov’s Legacy : Seminarium Kondakovianum and the Interwar Czechoslovakia. In Fourth International Sarabianov Congress of Art Historians : Russian Art Studies amid European Schools : Intellectual History and Migration of Ideas, 1.-2. 12. 2020. 2020.
    31. FOLETTI, Ivan. Konzervativní selfies z „dlouhého století“ (Conservative selfies from the "long century"). In Artalk. Brno: Artalk, 2020. on-line.
    32. VIRDIS, Alberto. La creazione di un “terzo luogo” nella geografia dell’Aldilà nel Basso Medioevo : alle origini del Purgatorioin due esempi “periferici” (The creation of a "third place" in the geography of the Afterlife in the Late Middle Ages : the origins of Purgatory in two "peripheral" examples). In Vargiu, Luca; Virdis, Alberto. Esperienze e interpretazionidella morte tra Medioevo e Rinascimento. Ancona: Affinità Elettive, 2020, p. 75-94. Not specified. ISBN 978-88-7326-493-4.
    33. FOLETTI, Ivan. Le voir et le toucher : les objets dans l’initiation tardoantique (Seeing and Touching: Objects in the Late Antique Initiation). In Baptism and Baptisteries. 2020.
    34. IVANOVICI, Dan-Vladimir and Nathan S. DENNIS. Light, vision(s), transformation. Experiencing baptism in canopied fonts (ca. 230-ca. 500). Hortus Artium Medievalium. 2020, vol. 1, No 26, p. 97-108. ISSN 1330-7274.
    35. IVANOVICI, Dan-Vladimir and Alice Isabella SULLIVAN. Licht aus dem Osten? Natural Light in Medieval Churches Between Byzantium and the West. 2020.
    36. IVANOVICI, Dan-Vladimir. Lombardy, Ticino, Piedmont : Recurrent patterns of dissemination. In Christian Belief and Practice in the Alps (ca. 250-ca. 600) : In Search of a Topography of Faith, 18. 11. 2020, online. 2020.
    37. KRAVČÍKOVÁ, Katarína, Klára DOLEŽALOVÁ, Ivan FOLETTI and Pavla TICHÁ. Materiality and Conversion : The Role of Material and Visual Cultures in the Christianization of the Latin West. 2020.
    38. FOLETTI, Ivan. ‘Migrating Art Historians’ : Making the Past an Experience. In Schüppel, Katharina Christa; Welzel, Barbara. Kultur erben : Objekte — Wege — Akteure. Berlin: Reimer, 2020, p. 59-76. Reimer Verlag. ISBN 978-3-496-01630-4.
    39. FOLETTI, Ivan. Moc obrazů? (Power of/too many images). In Tabook, přednáška pro Gymnázium Pierra de Coubertina. 2020.
    40. FILIPOVÁ, Alžběta and Adrien PALLADINO. Networks of Sanctity? Relics and Mobile Artefacts as Vehicles of Conversion in Late Antiquity. In Materiality and Conversion : The Role of Material and Visual Cultures in the Christianization of the Latin West, 29. 11.-1. 12. 2020, online. 2020.
    41. FOLETTI, Ivan. Objects, relics, and migrants : The Basilica of Sant’Ambrogio in Milan and the cult of its saints (386-972). Řím: Viella, 2020, 250 pp. In Between, 2. ISBN 978-88-6728-950-9.
    42. FOLETTI, Ivan. Obrazy, které chrání a spojují, i obrazy, které rozdělují (Images that protect and connect, images that divide). In ČT ART. Praha: Česká Televize, 2020. on-line.
    43. FOLETTI, Ivan. Obrazy, které zachraňují. Středověká společnost a cesty z krize (Images that Save. Medieval Society and Ways out of the Crisis). In StredoveC JinaX. 2020.
    44. TICHÁ, Pavla and Markéta KULHÁNKOVÁ. Old Saint Peter’s Neighbouring Phrygianum: Conversions on the Vatican Hill. In Materiality amd Conversion: The Role of Material and Visual Cultures in the Christianization of the Latin West. 2020.
    45. FOLETTI, Ivan. Pandemie a karantény jako ochrana, nebo nástroj moci a ponižování? (Pandemics and Quarantines : Protection, or a Tools of Power and Humiliation?). In Týden humanitních věd 2020, 16. – 20. listopadu 2020, online. 2020.
    46. KRAVČÍKOVÁ, Katarína. Place of Radical Transformation: Rebirth, Space, and Limits. In Leeds International Medieval Congress. 2020.
    47. BORDINO, Chiara. Počátky křesťanského umění (Origins of Early Christian Art). In Chiara Bordino. Teorie obrazu v raném křesťanství? Výběr z textů pozdně antických myslitelů s komentářem. Brno: Books and Pipes, 2020, p. 22-87, 65 pp. Parva Convivia VII. ISBN 978-80-7485-213-8.
    48. FOLETTI, Ivan. Pouť včera a dnes jako místo setkávání (The pilgrimage yesterday and today as a meeting place). In Tabook, přednáška pro širkou veřejnost. 2020.
    49. FOLETTI, Karolina. Presenting Russia to the West. Helene Iswolsky, Russian Catholic Émigré Intellectual. Convivium. 2020, vol. 2020, Supplementum I, p. 64-79. ISSN 2336-3452.
    50. MÁŠA, Pavel, Jakub MARŠA, Michal MAKO, Ondřej VARAĎA, Tereza RICHTÁRIKOVÁ, Hana KRUTÍLKOVÁ, Ondřej BAKEŠ, Jana ČERMINOVÁ, Lenka POKORNÁ KORYTAROVÁ, Karolina FOLETTI, Ester PUČÁLKOVÁ, Ondřej HAVÁČ, Martin HROMEK, Stanislav HASIL and Lukáš LEXA. Promýšlet Evropu 20. století : Idea šťastného domova (Rethinking 20th Century Europe : Ideal Of A Happy Home). 2020.
    51. FOLETTI, Ivan. Prostor, rituál a tělo : Poznámky k dialogu performativity a materiální kultury v pozdní antice a ve středověku (Space, Ritual and Body : Notes on the Dialogue of Performativity and Material Culture in Late Antiquity and the Middle Ages). In Knoz, Tomáš; Lach, Jiří; Borovský, Tomáš. Kultura ve středoevroských dějinách : Rozpravy mezi humanitními obory. Praha: Nakladatelství Lidové noviny, 2020, p. 197-211. Obraz, Komunikace, Jednání. ISBN 978-80-7422-775-2.
    52. KULHÁNKOVÁ, Markéta. Prostředky k dosažení narativní koherence v byzantském eposu Digenis Akritis (Ways of gaining the narrative coherence in the Byzantine epis Digenis Akritis). In Dílna diachronní naratologie II: Narativní a textová koherence: absence, latence, (ne)samozřejmost. 2020.
    53. FOLETTI, Ivan and Pavla TICHÁ. Předmluva: Když se obrací říše (Preface: When an Empire is Being Converted). In Chiara Bordino. Teorie obrazu v raném křesťanství? Výběr z textů pozdně antických myslitelů s komentářem. Brno: Books and Pipes, 2020, p. 12-21. Parva Convivia VII. ISBN 978-80-7485-213-8.
    54. IVANOVICI, Dan-Vladimir. Pseudo-Dionysius and the staging of divine order in sixth-century architecture. In Dell’Acqua, Francesca; Mainoldi, Ernesto. Pseudo-Dionysius and the Origins of Christian Visual Culture, c. 500–900. 1st ed. London: Palgrave, 2020, p. 177-210. Pseudo-Dionysius and the Origins of Christian Visual Culture. ISBN 978-3-030-24768-3. Available from: https://dx.doi.org/10.1007/978-3-030-24769-0_6.
    55. FOLETTI, Ivan and Gajane ACHVERDJANOVÁ. Purifying Body and Soul: Late Antique Combs, their Use and Visual Culture. In Materiality and Conversion. The Role of Material and Visual Cultures in the Christianization of the Latin West. 2020.
    56. PALLADINO, Adrien. Purifying the Body and the Soul: “minor” arts and the rite of Baptism: Some reflections and methodological problems. In Experiencing Death and Resurrection. Late Antique Initiation as a Spiritual and Embodied Frontier at the International Medieval Congress - University of Leeds 2020. 2020.
    57. FRANTOVÁ, Zuzana. Ravenna, hlavní město krásy (Ravenna, Capital of the Beauty). Art and Antiques. 2020, vol. 2020, prosinec, p. 46-53. ISSN 1213-8398.
    58. FOLETTI, Ivan and Sabina ROSENBERGOVÁ. Rome between Lights and Shadows : Reconsidering “Renaissances” and “Decadence” in Early Medieval Rome. Convivium. 2020, vol. 2020, Supplementum 2, p. 16-31, 17 pp. ISSN 2336-3452.
    59. FOLETTI, Ivan, Adrien PALLADINO, Michele BACCI and Hans BELTING. Roundtable : Medieval Art Today, Why? Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. Seminarium Kondakovianum Series Nova. Brepols Publishers, 2020, vol. 7, No 2, p. 160-185. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.5.123124.
    60. BORDINO, Chiara. Santi dipinti in Cappadocia e nelle isole greche. Per un'analisi comparata dei santorali nelle pitture di eta medio-bizantina (Saints depicted in Cappadocia and the Greek islands. A comparative analysis of the series of saints in the paintings of the Middle Byzantine age). Rivista di studi bizantini e neoellenici. Roma: Istituto di studi bizantini e neoellenici, Università di Roma, 2020, vol. 56, No 1, p. 57-84. ISSN 0557-1367.
    61. FOLETTI, Ivan. Santi in Viaggio : Le reliquie dei santi milanesi nel mondo Carolingio e oltre (Traveling Saints : The relics of Milanese saints in the Carolingian World and Beyond). In Montecorvino Rovella (SA) - Conversazioni Intorno al Sant'Ambrogio. on-line, 2020.
    62. FOLETTI, Ivan. Sdílené dědictví, které překračuje hranice států (A shared heritage that transcends national borders). In ČT ART. Praha: Česká Televize, 2020. on-line.
    63. KRAVČÍKOVÁ, Katarína. Smrť, znovuzrodenie, komunita a centrálny priestor. Prečo? (Death, rebirth, community, and central space. Why?). In Septem Artes, sousedská univerzita v Táboře, 2020. 2020.
    64. IVANOVICI, Dan-Vladimir. Solar effects in cultic architecture : A very short introduction. In Herea, Gabriel-Dinu. The Symbolic Presence of the Sun at Patrauti. Timisoara: Ed. Univ. de Vest, 2020, p. 9-17. The Symbolic Presence of the Sun at Patrauti. ISBN 978-973-125-737-2.
    65. KULHÁNKOVÁ, Markéta. Space in edifying stories : The case of Anastasios Sinaites. In International Workshop : Storyworlds in Collections : Toward a Theory of the Ancient and Byzantine Tale (2nd c. - 7th c. CE), 04-05 December, 2020 University of Cyprus. 2020.
    66. FOLETTI, Ivan. Spazio sacro, immagini e liturgia. Il caso della diaconia dei santi Cosma e Damiano a Roma (Sacred space, images and liturgy. The case of the diaconia of saints Cosmas and Damian in Rome). In Conferenza presso l'univerità di Salerno. 2020.
    67. FOLETTI, Karolina. Společný domov. Helene Iswolsky, ruská emigrace a postrevoluční hnutí (The Common Home. Helene Iswolsky, Russian Emigration and Post-revolution Movement). In Promýšlet Evropu 20. století: Idea šťastného domova. 2020.
    68. LEŠÁK, Martin, Sabina ROSENBERGOVÁ and Veronika TVRZNÍKOVÁ. Step by Step Towards the Sacred : Ritual, Movement, and Visual Culture in the Middle Ages. Řím: Viella, 2020, 144 pp. ISBN 978-80-210-9630-1.
    69. LEŠÁK, Martin, Sabina ROSENBERGOVÁ and Veronika TVRZNÍKOVÁ. Step by Step Towards the Sacred. Ritual, Movement, and Visual Culture in the Middle Ages. 1st ed. Roma & Brno: Viella & Masaryk University Press, 2020, 144 pp. ISBN 978-80-210-9630-1.
    70. BORDINO, Chiara, Markéta KULHÁNKOVÁ, Tomáš WEISSAR, Karolina FOLETTI, Pavla TICHÁ and Ivan FOLETTI. Teorie obrazu v raném křesťanství? Výběr textů pozdně antických myslitelů s komentářem (Theory of Image in Early Christianity? Anthology of texts by Late Antique Thinkers with a Commentary). Brno: Books and Pipes, 2020, 261 pp. Parva Convivia VII. ISBN 978-80-7485-213-8.
    71. KELBLOVÁ, Anna. Teorie obrazu v raném křesťanství? Výběr z textů pozdně antických myslitelů s komentářem (book design) (The Theory of the Image in Early Christianity? (book design)). Brno: Books & Pipes, Munipress, 2020. ISBN 978-80-7485-213-8.
    72. FOLETTI, Ivan. The Doors of Santa Sabina in Rome and the Invention of the Senses: Rituals, Engineering and Images. In Helsinki Medieval Studies Seminar. 2020.
    73. FOLETTI, Ivan and Beate FRICKE. Trade and Transformation: Conflicting Theories About Censers? In Materiality and Conversion. The Role of Material and Visual Cultures in the Christianization of the Latin West. 2020.
    74. FOLETTI, Ivan, Karolina FOLETTI and Adrien PALLADINO. Transformed by Emigration : Welcoming Russian Intellectuals, Scientists and Artists (1917–1945). In Convivium, Supplementum. Turnhout: Brepols Publisher, 2020, 144 pp. ISBN 978-80-210-9709-4.
    75. PALLADINO, Adrien. Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2020, vol. 7, Supplement, p. 122-141. ISSN 2336-3452.
    76. FOLETTI, Ivan. Učit se středověk za pochodu. Jak se rodí očekávání (nejen) ve středověku: tělo, pouť a čas (Learning the Middle Ages on the Walk. How expectations were born (not only) in the Middle Ages: body, pilgrimage and time). In Ars Poetica. 2020.
    77. GACHALLOVÁ, Natália and Marie OKÁČOVÁ. Verba movent, exempla trahunt: Context-Based Learning in Medical Latin. In Language Centres at a Crossroads: Open Directions for New Generations of Learners. 2020.

    2019

    1. ROSENBERGOVÁ, Sabina and Adrien PALLADINO. An Artist Between Two Worlds? Anton Pilgram in Czech-speaking and German-speaking Historiographies. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918–1968 : Between Slavs, Germans, and Totalitarian Regimes. 1st ed. Brno: Muni Press, 2019, p. 127-160. Parva Convivia Series 6. ISBN 978-88-331-3310-2.
    2. FOLETTI, Ivan and Pavel RAKITIN. Armenian Art in the Soviet Perception. In Armenian art : Critical history and new perspective, 21.-22.2.2019, Venezia. 2019.
    3. FRANTOVÁ, Zuzana. Autonomous Glass Tesserae Production in Classe? Ravenna between the Sea and the Continent. In Cantone, Valentina. Studi sulla circolazione del mosaico in area nord-adriatica. Roma: Viella, 2019, p. 53-76. Studia Artium Mediaevalium Brunensia, 9. ISBN 978-88-3313-215-0.
    4. FOLETTI, Ivan. Becoming Radical? Material, Visual and Performative Culture in the Conversion of Europe (4th – 6th century). In IMAGE AND PERFORMATIVITY IN ICONIC PRESENCE. 2019.
    5. PALLADINO, Adrien. Beyond Nations and Empires : The ‘Byzantine Commonwealth’ and Russian Émigré Scholarship. In 6th Day of Byzantine Studies, 1.11.2019, Brno. 2019.
    6. KULHÁNKOVÁ, Markéta and Uffe HOLMSGAARD ERIKSEN. Byzantinistik / Byzantine Studies. In Eva von Contzen - Stephan Tilg. Handbuch Historische Narratologie. Stuttgart: J. B. Metzler, 2019, p. 307-309. ISBN 978-3-476-04713-7. Available from: https://dx.doi.org/10.1007/978-3-476-04714-4_30.
    7. PALLADINO, Adrien. Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2019, vol. 6, No 1, p. 88-107. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019025.
    8. TICHÁ, Pavla. Cena děkana za vynikající bakalářské, magisterské a doktorské práce, roč. 2019 (The Dean´s Prize for Excellent Bachelor, Master and PhD Theses, 2019). Faculty of Arts, Masaryk University, 2019.
    9. FOLETTI, Ivan. Cena Jihomoravského kraje (Award of the South Moravian Region). Jihomoravský Kraj, 2019.
    10. FOLETTI, Ivan and Katarína KRAVČÍKOVÁ. Closed Doors as Bearers and Constructors of Images : Santa Sabina and Notre Dame du Puy. Convivium. 2019, vol. 6, Supplementum, p. 24-45. ISSN 2336-3452.
    11. DOLEŽALOVÁ, Klára. Co se děje po znovuzrození? (What happens after rebirth?). In Středověc Jinax. 2019.
    12. SISSEL, Undheim and Dan-Vladimir IVANOVICI. Consecrated virgins as living reliquaries in Late Antiquity. RIHA Journal. International Association of Research Institutes in the History of Art, 2019, Neuveden, 30 September 2019, p. 1-21. ISSN 2190-3328.
    13. DOLEŽALOVÁ, Klára and Sible DE BLAAUW. Constructing Liminal Space? Curtains in Late Antique and Early Medieval Churches. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean. Brno: Masarykova univerzita, 2019, vol. 6, Supplementum, p. 46-67. ISSN 2336-3452.
    14. IVANOVICI, Dan-Vladimir. “Constructing worldviews: Space, ritual, and identity in Late Antiquity”, invited lecture, Regensburg University, 15.5.2019. (“Constructing worldviews: Space, ritual, and identity in Late Antiquity”, invited lecture Regensburg University, 15.5.2019.). 2019.
    15. FOLETTI, Ivan and Adrien PALLADINO. Converting Holy Russia : Between Historiography and Art History, a New Artistic Geography for Kievan Rus’ (988–1180). In International Summer School (Medieval and Early Modern Studies) : Artistic Geographies, 4.-7.9.2019, Lausanne. 2019.
    16. FOLETTI, Ivan. Dancing with Sainte Foy : Movement and the Iconic Presence. Convivium. 2019, vol. 6, No 1, p. 70-87. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019024.
    17. FOLETTI, Ivan and Bergmeier ARMIN. De-marginalizing Byzantium : Venice Dialogues. 2019.
    18. TICHÁ, Pavla. Diana a sv. Petr u věčného pramene. Hypogeum Via Livenza v Římě (Diana and St Peter at an Eternal Spring. Hypogeum Via Livenza in Rome). In StředověC JinaX. 2019.
    19. FOLETTI, Ivan and Elisabetta SCIROCCO. Environment, Democracy, and Convivium. Convivium. 2019, vol. 6, No 2, p. 10-13. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019035.
    20. BORDINO, Chiara. Epiphanius of Salamis and the cult of images. In 18. International Conference on Patristic Studies, 19 August - 24 August 2019, Oxford. 2019.
    21. PALLADINO, Adrien. Experiencing Medieval Art from St Petersburg to Paris : The trajectories of André Nikolajevič Grabar. In Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), 11.-13.2.2019, Brno. 2019.
    22. FOLETTI, Ivan. Experiencing trough the Body. Migrating Art Historians in Medieval France. In Visiting Scholars in Padua. 2019.
    23. BORDINO, Chiara and Silvia PEDONE. Figure di luce : Riflessioni iconografiche e tipologiche (Figures of light : Some reflections on iconography and typology). In Luminosa saecla/The luminous centuries : Lighting systems in churches between Late Antiquity and the Middle Ages, 30.5.-2.6. 2019, Poreč. 2019.
    24. MICHELE, Bacci and Dan-Vladimir IVANOVICI. From Living to Visual Images : Paradigms of Corporeal Iconicity in Late Antiquity. Munich: RIHA – International Association of Research Institutes in the History of Art, 2019, online. ISSN 2190-3328.
    25. MICHELE, Bacci and Dan-Vladimir IVANOVICI. From Living to Visual Images. Paradigms of Corporeal Iconicity in Late Antiquity Introduction. RIHA Journal. International Association of Research Institutes in the History of Art, 2019, Neuveden, 30 September 2019, p. 1-10. ISSN 2190-3328.
    26. FOLETTI, Ivan. From Nikodim Kondakov, to Seminarium Kondakovianum, to Convivium. The Heritage of Russian Emigration in Czech Lands. In Transformed by Emigration: Welcoming Russian Intellectuals, Scientists, and Artists 1917–1945. 2019.
    27. FOLETTI, Karolina. Helene Iswolsky, Ecumenical Dialog and Networikng in Emigration. In Transformed by emigration. Welcoming Russian Intellectuals, Scientists, and Artists 1917-1945. 2019.
    28. FOLETTI, Ivan. How to write images about the medieval world : André Grabar and his Byzantium. In Iconographiae : Writing images in the medieval world, An international colloquium, 16.05.2019, Venice. 2019.
    29. IVANOVICI, Dan-Vladimir. Iconic Presences : Late Roman Consuls as Imperial Images. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. BRNO: Brepols Publishers, 2019, vol. 6, No 1, p. 128-147. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019027.
    30. BORDINO, Chiara. Images, saints and relics : Debates on worship between the Carolingians, Constantinople and Rome. In Rome in a Global World : Visual Cultures during the Carolingian transition, Brno, Hans Belting Library, 14-15 October 2019. 2019.
    31. ROSENBERGOVÁ, Sabina. Inkarnat und Signifikanz : Das menschliche Abbild in der Tafelmalerei von 200 bis 1250 im Mittelmeerraum (Incarnate and significant : The human image in panel painting from 200 to 1250 in the Mediterranean). Umění. 2019, vol. 2019, 1-2, p. 102-105. ISSN 0049-5123.
    32. OKÁČOVÁ, Marie. Innocent Author vs. Obscene Reader: The Echoes of Ovid´s Tristia 2 in Ausonius´ Apologetic Catalogue of Literary Predecessors. Eirene. Praha: Kabinet pro klasická studia Filosofického ústavu AV ČR, 2019, vol. 55, 1-2, p. 23-43. ISSN 0046-1628.
    33. FOLETTI, Ivan and Adrien PALLADINO. Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes. Řím: Viella, 2019, 200 pp. Parva Convivia 6. ISBN 978-88-3313-310-2.
    34. FOLETTI, Ivan and Adrien PALLADINO. Inventing Medieval Czechoslovakia 1918–1968. Between Slavs, Germans, and Totalitarian Regimes. 1st ed. Brno; Rome: Masaryk University Press; Viella, 2019, 197 pp. Parva Convivia, sv. č. 6. ISBN 978-80-210-9478-9.
    35. FOLETTI, Ivan. Jak se tvoří (a zažívá) posvátný prostor ve Středověku? (How is Created (and Experienced) the Sacred Space in the Middle Ages?). In Současný stav bádání ZS 2019 / 2020. 2019.
    36. FOLETTI, Ivan and Katharina MEINECKE. Jupiter, Kristus, Chalífa : Obrazy mocných a zrození středověku (IV.–VIII. století) (Jupiter, Christ, Khalifa : Images of the Powerfuls and the Birth of the Middle Ages (IV.-VIII. Century)). Brno: B&P, 2019, 112 pp. Parva Convivia 5. ISBN 978-80-7485-199-5.
    37. FOLETTI, Ivan and Katharina MEINECKE. Jupiter, Kristus, Chalífa. Obrazy mocných a zrození středověku (IV.–VIII. století) (Jupiter, Christ, Khalifa. Images of the Powerfuls and the Birth of the Middle Ages (IV.–VIII. Century)). 1st ed. Brno: Masarykova univerzita; Books & Pipes, 2019, 109 pp. Parva Convivia, sv. č. 5. ISBN 978-80-210-9425-3.
    38. FOLETTI, Ivan. Krajina jako galerie obrazů. Stěhovaví historici umění a jejich pouť časem (Landscape as a Gallery of Images. Migrating art historians and their journey through time). In Septem Artes, sousedská univerzita v Táboře. 2019.
    39. DOLEŽALOVÁ, Klára and Ivan FOLETTI. Liminality and Medieval Art : from Space to Rituals and to the Imagination. Convivium. 2019, vol. 2019, Supplementum, p. 10-21. ISSN 2336-3452.
    40. DE CARO, Antonio. “Matteo Ricci and his personal letters. A breach in Ricci's existential journey",. In Brendan Gottschall, Francis T. Hannafey, Simon G. M. Koo and Gianni Criveller. Matteo Ricci: Letters from China. Beijing: Beijing Center Press, 2019, p. 51-60. ISBN 1-7337899-0-1.
    41. PALLADINO, Adrien and Ivan FOLETTI. Medieval Art and Czechoslovakia : Between Nationalist Discourse and Transcultural Reality, and Introduction. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918–1968 : Between Slavs, Germans, and Totalitarian Regimes. Brno: Muni Press, 2019, p. 11-20. 1st edition Parva Convivia Series 6. ISBN 978-88-331-3310-2.
    42. FOLETTI, Ivan. Migrating Art Historians. Una nuova via per conoscere la storia (Migrating Art Historians. A New Way of Meeting History). In Il futuro del medioevo? 2019.
    43. FILIPOVÁ, Alžběta. Milan sans frontieres : Le culte et la circulation des reliques ambrosiennes, l'art et l'architecture (IVe-VIe siecle) (Milan without borders : The cult and circulation of Ambrosian relics, art and architecrue (4th-6th century)). Řím: Viella, 2019, 286 pp. In between I. ISBN 978-88-331-3300-3.
    44. FOLETTI, Ivan. Milano capitale, tra Roma e Ravenna : circolazione di botteghe, di materiali e di idee (Milan Capital, between Rome and Ravenna : Circulation of Workshops, Materials and Ideas). In Cantone, Valentinca. Studi sulla circolazione del mosaico in area nord-adriatica. Řím: Viella, 2019, p. 103-124. Studia Artium Mediaevalium Brunensia, 9. ISBN 978-88-331-3215-0.
    45. FOLETTI, Karolina and Ivan FOLETTI. Moskva nebo Řím? Rusko-byzantská architektura a translatio imperii? (Moscow or Rome? Russian-byzantine architecture and the translatio imperii?). In Boček, Pavel. Moskva – Třetí Řím : Od ideje k symbolu. 1st ed. Praha: NLN, 2019, p. 185-199, 213-217, 19 pp. ISBN 978-80-7422-582-6.
    46. FOLETTI, Ivan, Hans BELTING and Martin LEŠÁK. Movement, Images and Iconic Presence in the Medieval World. In Convivium VI, 1. Brno: Brepols, 2019, 167 pp.
    47. KULHÁNKOVÁ, Markéta. "Oi eikones sta ktiria kai oi mnimes stis kardies" : treis opseis tis eikonomachikis epochis sti neoelliniki afigimatiki logotechnia ("Images in buildings and memories in hearts" : three methods for depicting Byzantine iconoclasm in Modern Greek narrative fiction). Neograeca Bohemica. Brno: Česká společnost novořeckých studií, z. s., 2019, vol. 19, No 1, p. 9-23. ISSN 1803-6414.
    48. OKÁČOVÁ, Marie. Ovidiovská poetika ve vergiliovském stylu: Ozvěny Ovidiových Proměn v pozdněantických mytologických centonech z Vergilia (Ovidian Poetics in the Virgilian Style: Echoes of Ovid´s Metamorphoses in Late Antique Mythological Centos from Virgil). Auriga. Zprávy Jednoty klasických filologů. 2019, vol. 61, No 1, p. 11-26. ISSN 1211-3379.
    49. KULHÁNKOVÁ, Markéta. Panagiotis Agapitos. Smaltová medúza (orig. H Medousa apo smalto) (Panagiotis Agapitos. Enamel Medusa (Czech translation)). 1st ed. Praha: Vyšehrad, 2019. ISBN 978-80-7601-179-3.
    50. FOLETTI, Ivan. Political and topographical landscapes : nationalist and supra-nationalist endeavors. In De-marginalizing Byzantium : Venice Dialogues, 07.-08.12.2019, Venice. 2019.
    51. BAKEŠ, Ondřej, Jana ČERMINOVÁ, Karolina FOLETTI, Stanislav HASIL, Ondřej HAVÁČ, Martin HROMEK, Hana KRUTÍLKOVÁ, Lukáš LEXA, Michal MAKO, Jakub MARŠA, Pavel MÁŠA, Lenka POKORNÁ KORYTAROVÁ, Ester PUČÁLKOVÁ, Tereza RICHTÁRIKOVÁ, Jaromír SOBOTKA and Ondřej VARAĎA. Promýšlet Evropu dvacátého století : Mezníky vzpomínané a zapomínané (Rethinking 20th Century Europe : Forgotten and Remembered Historical Milestones). 2019.
    52. HORÁČEK, Radek, Jana NEDOMOVÁ, Ivan FOLETTI and Jana OVČÁČKOVÁ. Pryč s tou sochou! Žije Masarykova univerzita výtvarným uměním? In Magazín M, duben 2019. 1st ed. Masarykova univerzita, 2019.
    53. KULHÁNKOVÁ, Markéta. Přítomnost/absence vypravěče v byzantské veršované narativní literatuře. In Konkurence vypravěče a příběhu. Dílna diachronní naratologie. 2019.
    54. FRANTOVÁ, Zuzana. Ravenna : Sedes Imperii : Artistic Trajectories in the Late Antique Mediterranean. Řím: Viella, 2019, 264 pp. Studia Artium Mediaevalium Brunensia, 8. ISBN 978-88-3313-048-4.
    55. KULHÁNKOVÁ, Markéta. (rec.) Eva von Contzen — Florian Kragl (edd.): Narratologie und mittelalterliches Erzählen. Autor, Erzähler, Perspektive, Zeit und Raum. Berlin/Boston, De Gruyter 2018 ((rev.) Eva von Contzen — Florian Kragl (edd.): Narratologie und mittelalterliches Erzählen. Autor, Erzähler, Perspektive, Zeit und Raum. Berlin/Boston, De Gruyter 2018). Česká literatura. Praha: AV ČR, Ústav pro českou literaturu, 2019, vol. 67, No 4, p. 591-595. ISSN 0009-0468.
    56. ROSENBERGOVÁ, Sabina. Rezension von: Steven Vanderputten: Dark Age Nunneries. The Ambiguous Identity of Female Monasticism, 800-1050, Ithaca / London: Cornell University Press 2018. Sehepunkte. 2019, 19/2019, 7/8. ISSN 1618-6168.
    57. BAŽIL, Martin, Marie OKÁČOVÁ, Ivan PRCHLÍK and Petr KITZLER. Roma aurea MMXIX: Structures of Historical Narrative. 2019.
    58. FOLETTI, Ivan and Sabina ROSENBERGOVÁ. Rome between Lights and Shadows: Reconsidering the Notions of Renaissance and Decadence in Early Medieval Rome. In Rome in a Global World. Visual Cultures during the Carolingian Transition. 2019.
    59. FOLETTI, Ivan. Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes. Řím: Viella, 2019, p. 63-92. Parva Convivia; 6. ISBN 978-88-331-3310-2.
    60. KULHÁNKOVÁ, Markéta. Saints and Monks on the Move: The Case of Edifying Stories. In Holiness on the Move. Travelling Saints in Byzantium. An International Workshop. 22 February 2019, Newcastle University. 2019.
    61. FOLETTI, Ivan. Sentire il Medioevo… sulla pelle. Migrating Art Historians on the Sacred Ways (To Experience Middle Ages… on the skin. Migrating Art Historians on the Sacred Ways). In Presentazione Migrating Art Historians. On the sacred way insieme a Medieval Europe in motion. 2019.
    62. FOLETTI, Ivan, Dan-Vladimir IVANOVICI and Klára DOLEŽALOVÁ. SPACES OF INITIATION. Objects, Images, and Rituals in the Middle Ages. 2019.
    63. FOLETTI, Ivan. Spaces of Initiation(s): Some Introductory considerations. In Spaces of Initiations. Objects, Images, and Rituals in the Middle Ages. 2019.
    64. FOLETTI, Ivan. Středověké umění jako (současný) zážitek (Medieval art as a (contemporary) experience). In Kolokvium Učit umění. 2019.
    65. OKÁČOVÁ, Marie. Teaching Medical Latin for international students: challenges and solutions. In Second Cracow Language Teaching Staff Training Week. 2019.
    66. FOLETTI, Ivan. Tělo jako nástroj. Stěhovaví historici umění a poutní umění v dnešní Francii (XI.–XIII. století) (The Body as a Tool. Migrating Art Historians and pilgrimage art in today's France (11th-13th century)). In Akademické Triduum. 2019.
    67. KULHÁNKOVÁ, Markéta. The Ambivalent Approach to Books and the Written Word in Byzantine Edifying Stories. In International Medieval Congress, 1-4 July 2019, Leeds. 2019.
    68. BOGDAN G., Bucur and Dan-Vladimir IVANOVICI. ‘The image of Adam’s Glory’ : Observations on the early Christian tradition of luminosity as iconic garment. RIHA Journal. Munich: International Association of Research Institutes in the History of Art, 2019, Neuveden, 30 September 2019, p. 1-17. ISSN 2190-3328.
    69. FOLETTI, Ivan. The Kondakov’s Legacy Today : The Center for Early Medieval Studies, Convivium and the Hans Belting Library. In Seminar at "La Capraia". 2019.
    70. FOLETTI, Ivan, Hans BELTING and Martin LEŠÁK. The Movement and the Experience of "Iconic Presence" : An Introduction. Convivium. 2019, vol. 6, No 1, p. 11-15. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019021.
    71. KULHÁNKOVÁ, Markéta. The narratological analysis of Digenis Akritis. In 15th Congress of the Fédération internationale des associations d'études classiques and the Classical Association annual conference 2019, 5.-8. 7. 2019, London. 2019.
    72. DOLEŽALOVÁ, Klára and Ivan FOLETTI. THE NOTION OF LIMINALITY AND THE MEDIEVAL SACRED SPACE. In Convivium. Brno: Brepols, 2019, p. 1-162. ISSN 2336-3452.
    73. FOLETTI, Ivan. The Potential of Russian Emigration : From Art History to Society. In Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists 1917–1945, 11.-13.2.2019, Brno. 2019.
    74. IVANOVICI, Dan-Vladimir. The ritual meaning of light in architecture : early mediaeval churches in the North Adriatic Region. In Light & Built Heritage, 28th and 29th November, 2019 at the Faculty of Architecture and Design, Wismar University of Applied Sciences, Technology, Business and Design. 2019.
    75. FOLETTI, Ivan. The Space of Miracles: Bernardus from Angers and the Abbey Church of Conques. In From Words to Space – Textual Sources for Reconstructing and Understanding Medieval Sacred Spaces. 2019.
    76. BORDINO, Chiara. The Transfiguration and the Eikon of Christ : From Eusebius’ Letter to Constantina to the Iconoclast Era. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterreanean. Belgium: Brepols, 2019, vol. 6, No 2, p. 60-77. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019039.
    77. FOLETTI, Ivan and Adrien PALLADINO. The Upper Waters in Christian Cosmology, Between Historiography and Materiality Tribute to Andrej N. Grabar. In Air and Heavens in the Hierotopy and Iconography of the Christian World, 11 – 13 September 2019, Moscow. 2019.
    78. PALLADINO, Adrien. The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2019, vol. 6, No 2, p. 128-135. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019043.
    79. FOLETTI, Ivan and Adrien PALLADINO. Transformed by Emigration : Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945). 2019.
    80. CUSIMANO, Christophe Gérard L., Paolo DIVIZIA, José Luis BELLÓN AGUILERA, Lucie MAZALOVÁ, Ludovica RADIF, Ivan FOLETTI, Chiara CROCI, Lenka TÓTHOVÁ, Valeria DE TOMMASO, Maksymilian DROZDOWICZ, Samuel Henri BIDAUD and Margareta KASTBERG-SJÖBLOM. V Seminario interdisciplinare per i dottorandi di Romanistica - "Metodologie di ricerca in letteratura, filologia, linguistica e oltre" 2019 (V Interdisciplinary Seminar for PhD students of Romance studies - "Research methodologies in literature, textual criticism, linguistics and beyond" 2019). 2019.
    81. FOLETTI, Ivan and Sabina ROSENBERGOVÁ. Walking to the Holy Mountain : The Migrating Art Historians and a New Hierotopy. In Lidov, Alexei. The Hierotopy of Holy Mountains in Christian Culture. Moskva: Russian Academy of Arts, 2019, p. 460-475. Hierotopy. ISBN 978-5-91796-067-8.
    82. FOLETTI, Ivan. Why I do not Believe in Byzantium? In 6th Day of Byzantine Studies, 1.11.2019, Brno. 2019.
    83. FOLETTI, Ivan, Manuela ROMAGNOLI, Lucia LICCIOLI, Mariaelena FEDIC and Roberto SACCUMAND. Wiggle Matching Analysis of the Doors of Santa Sabina in Rome. RIHA Journal. International Association of Research Institutes in the History of Art, 2019, vol. 2019, No 0204, p. 1-7. ISSN 2190-3328.
    84. BORDINO, Chiara. Writing salvation : Inscriptions from early Christian baptisteries in East and West. In Spaces of Initiation : Objects, Images and Rituals in the Middle Ages, Brno, Hans Belting Library,11-13 March 2019. 2019.

    2018

    1. TICHÁ, Pavla. A Turn Towards Inclusion in the Cathedral of Nevers. In Foletti, Ivan; Kravčíková, Katarína; Palladino, Adrian; Rosenbergová, Sabina. Migrating Art Historins on the Sacred Ways. Roma: Viella, 2018, p. 265-277. Convivia 2. ISBN 978-88-331-3105-4.
    2. CROCI, Chiara and Dan-Vladimir IVANOVICI. Avant propos (Introduction). In Croci, Chiara; Ivanovici, Vladimir. Entre terre et ciel : Les edifices a coupole et leur decor entre l'Antiquite tardive et le haut Moyen Age. Lausanne: Lausanne : Unil, 2018, p. 7-14. ISBN 978-2-940331-68-0.
    3. KULHÁNKOVÁ, Markéta. Byzantine Edifying Stories between Orality and Literacy. In From Homer to Hatzi-Yavrouda – Aspects of oral narration in the Greek tradition, Athens 29th-30th September 2018. 2018.
    4. BORDINO, Chiara. Byzantine painting in the 13th century : Constantinople, Asia Minor and the Balkans. In Byzantine painting in the 13th century : Constantinople, Asia Minor and the Balkans, Conference at Masaryk University, Center for Early Medieval studies, Hans Belting Library, 18.10.2018. 2018.
    5. BORDINO, Chiara. Byzantium and the Mediterranean : Cultural and artistic circulation and interaction in the 11th and12th centuries. In Transcultural Spaces in Mediterranean, round-table organized by Ivan Foletti, with Chiara Croci and Chiara Bordino, Brno, Masaryk University, Center for Early Medieval Studies, Hans Belting Library, 13.12.2018. 2018.
    6. KULHÁNKOVÁ, Markéta and Przemyslaw Tadeusz MARCINIAK. Byzantium and the Modern Imagination : Patterns of the Reception of Byzantium in Modern Culture. 2018.
    7. FOLETTI, Karolina. Commetaire sur « La présentation de la langue russe dans les manuels de russe pour francophones (1917-1991) » (Commentary on the “Presentation of the Russian language in Russian language manuals for the francophones (1917–1991)”). In École doctorale en études slaves, (Universités de Lausanne, Genève, Fribourg), 23.11.2018. 2018.
    8. KULHÁNKOVÁ, Markéta and Ondřej CIKÁN. Digenis Akritis : Byzantský epos o Dvojrodém Hraničáři. (Digenis Akritis : A Byzantine epic poem about the Two-Blood Border Lord). 1st ed. Červený Kostelec: Mervart, Pavel, 2018, 214 pp. Byzantská knihovna, sv. 5. ISBN 978-80-7465-342-1.
    9. KULHÁNKOVÁ, Markéta. Digenis Akritis. Dvojrodý Hraničář řeckého středověku (Digenis Akritis. Medieval Greek Frontiersman of Double Descent). In Dějiny a současnost. Praha: Dějiny a současnost, 2018, p. 34-36. ISSN 0418-5129.
    10. OKÁČOVÁ, Marie. Distant mores a carmine nostri: The Apologetic Use of a Catalogue of Literary Predecessors in Ovid and Ausonius. In Roma aeterna MMXVIII: The Afterlife of Ovid in the Culture of Central Europe. 2018.
    11. IVANOVICI, Dan-Vladimir. Divine light through earthly colours : mediating perception in Late Antique churches. In Duckworth, Chloe N.; Sassin, Anne E. Colour and Light in Ancient and Medieval Art. Abingdon: Routledge, 2018, p. 79-91. first edition, volume 1 of 1. ISBN 978-1-4724-7839-9.
    12. CROCI, Chiara and Dan-Vladimir IVANOVICI. Entre terre et ciel : Les edifices a coupole et leur decor entre l’Antiquite tardive et le haut Moyen Age (Between earth and heaven : Domed buildings and their decoration from Late Antiquity to the early Middle Ages). Lausanne: Etudes de Lettres, 2018, 188 pp. ISBN 978-2-940331-68-0.
    13. KULHÁNKOVÁ, Markéta. I eikonomachia sti neoelliniki afigimatiki logotechnia (Iconoclasm in the Modern Greek narrative). In 6th European Congress of Modern Greek Studies, Lund, 4th - 6th October. 2018.
    14. IVANOVICI, Dan-Vladimir and Matthew PELOWSKI. Incursion in the pragmatic psychological basis of liminality and inclusion in Late Antique baptism. Insights and parallels between psychology and history of design (Incursion in the pragmatic psychological basis of liminality and inclusion in Late Antique baptism. Insights and parallels between psychology and history of design). In Liminality and Medieval Art II, Brno, Hans Beting Library, 8.-10. 10. 2018. 2018.
    15. TICHÁ, Pavla. Introduction : The Visitor's Inner Experience. In Foletti, Ivan; Kravčíková, Katarína; Palladino, Adrian; Rosenbergová, Sabina. Migrating Art Historians on the Sacred Ways. Roma: Viella, 2018, p. 205-215. Convivia 2. ISBN 978-88-331-3105-4.
    16. BORDINO, Chiara. La chiesa di sant’Eustachio a Göreme e la sua decorazione pittorica attraverso il database “Cappadocia. Arte e habitat rupestre”, (The church of Saint Eustace in Göreme and its pictorial decoration through the database “Cappadocia. Art and rupestrian habitat”). Hortus Artium Medievalium. 2018, vol. 2018, No 24, p. 80-89. ISSN 1330-7274. Available from: https://dx.doi.org/10.1484/J.HAM.5.115939.
    17. FOLETTI, Karolina. L’émigration, une ouverture intellectuelle. Hélene Iswolsky et « la force des faibles » (Emigration as intellectual openness. Hélene Iswolsky and “the strength of the weak”). In 4èmes doctoriales en études russes. 2018.
    18. OKÁČOVÁ, Marie. Michael Squire – Johannes Wienand (eds.), Morphogrammata / The Lettered Art of Optatian: Figuring Cultural Transformations in the Age of Constantine. Paderborn, Wilhelm Fink (Morphomata, 33) 2017, 548 pp. ISBN 978-3-7705-6127-8. Eirene. Studia Graeca et Latina. Praha: Kabinet pro klasická studia Filosofického ústavu AV ČR, 2018, vol. 54, 1-2, p. 288-293. ISSN 0046-1628.
    19. BORDINO, Chiara. Monk saints in the Middle Byzantine Paintings of Cappadocia. In 22nd International Symposium on Medieval and Turkish Excavations and Research in Art History. 2018.
    20. KULHÁNKOVÁ, Markéta. Mystification, Coming-of-age Novel and Murder Mystery: Three Fragments of Byzantium in Czech Literature. In Byzantium and the Modern Imagination. Patterns of the Reception of Byzantium in Modern Culture, Brno, 12.-13. 9. 2018. 2018.
    21. KULHÁNKOVÁ, Markéta. Panagiotis Agapitos. Bronzové oko (orig. O chalkinos ofthalmos) (Pangiotis Agapitos. The Bronze Eye). 1. vydání. Praha: Vyšehrad, 2018. ISBN 978-80-7429-889-9.
    22. KULHÁNKOVÁ, Markéta. Ptochoprodromos between Orality and Literacy. In Byzantine poetry in the 'Long' Twelfth Century, Vienna, 13. - 15. 6. 2018. 2018.
    23. FRANTOVÁ, Zuzana. Ravenna as a Battlefield : Late Antique Monuments between Orientalism and Nationalism. In Foletti, Ivan; Lovino, Francesco. Orient oder Rom? History and Reception of a Historiographical Myth (1901-1970). Rome: Viella, 2018, p. 83-104. ISBN 978-88-331-3104-7.
    24. KULHÁNKOVÁ, Markéta and Markéta MACURA. (rec.) Charis Messis - Margaret Mullett - Ingela Nilsson (eds.), Storytelling in Byzantium. Uppsala 2018. Byzantinoslavica : sborník pro studium byzantsko-slovanských vztahů. Praha: Euroslavica, 2018, vol. 76, 1-2, p. 319-322. ISSN 0007-7712.
    25. IVANOVICI, Dan-Vladimir. Reuniting the waters, separating the lands. Windows and liminality in late antique baptism. Hortus Artium Medievalium. 2018, 24 (2018), No 1, p. 386-395. ISSN 1330-7274. Available from: https://dx.doi.org/10.1484/J.HAM.5.115966.
    26. IVANOVICI, Dan-Vladimir. Review of Nadine Schibille, Hagia Sophia and the Byzantine Aesthetic Experience (Farnham-Burlington : Ashgate, 2014). Speculum : A Journal of Medieval Studies. University of Chicago Press, 2018, vol. 93, No 1, p. 262-264. ISSN 0038-7134.
    27. BAŽIL, Martin, Marie OKÁČOVÁ and Ivan PRCHLÍK. Roma aeterna MMXVIII: The Afterlife of Ovid in the Culture of Central Europe. 2018.
    28. BORDINO, Chiara. Santi dipinti in Cappadocia e nelle isole greche. Per un’analisi comparata dei santorali nelle pitture di eta medio-bizantina (Depicted saints in Cappadocia and in the Greek Islands. For a joint analysis of the sequences of saints in the Middle Byzantine paintings). In Depicted saints in Cappadocia and in the Greek Islands. For a joint analysis of the sequences of saints in the Middle Byzantine paintings. 2018.
    29. IVANOVICI, Dan-Vladimir. Soleils nocturnes. Visions progressives dans les edifices a coupole de l’Antiquite tardive (Nocturnal suns. Staging visions in Late Antique domes). Etudes de lettres. Lausanne: Universite de Lausanne, 2018, vol. 307, No 2, p. 103-122. ISSN 0014-2026.
    30. OKÁČOVÁ, Marie. Textus centonarius. Les centons virgiliens de l’Antiquité: approche textuelle et littéraire (Praha, 27.–29. 4. 2017) (Textus centonarius: The Virgilian centos of antiquity: a textual and literary approach (Prague, 27–29 April 2017)). Auriga. Zprávy Jednoty klasických filologů. 2018, vol. 60, No 1, p. 106-109. ISSN 1211-3379.
    31. KULHÁNKOVÁ, Markéta. The Blending of Diegetic and Metadiegetic in the Greek Prodromic Poetry of the 12th century. In Metalepsis in Premodern Literature, Albert-Ludwig Universität Freiburg, 24. Juli 2018. 2018.
    32. TICHÁ, Pavla. The Church of Saint-Etienne in Nevers : Pilgrimage Architecture without Cult Object. In Foletti, Ivan; Kravčíková, Katarína; Palladino, Adrian; Rosenbergová, Sabina. Migrating Art Historins on the Sacred Ways. Roma: Viella, 2018, p. 217-227. Convivia 2. ISBN 978-88-331-3105-4.
    33. BORDINO, Chiara. Uno sguardo sulla produzione artistica a Costantinopoli e nei territori dell’impero bizantino nella prima meta del IX secolo (An overview on the artistic production of Constantinople and of the Byzantine Empire in the first half of the ninth century). In Grata più delle Stelle. Pasquale I e la Roma del suo tempo, ciclo di seminari a cura di S. Ammirati, A. Ballardini, G. Bordi, M. Caperna, C. Mancho, R. Michetti, R. Santangeli Valenzani, A. Antonio Verardi. 2018.
    34. NEUBAUER, Ondřej and Jakub KŘÍŽ. Videorecenze: U kolébky Evropy: odkaz antického Říma (Vyšehrad, 2006). 2018.
    35. GACHALLOVÁ, Natália, Marie OKÁČOVÁ, Tereza ŠEVČÍKOVÁ and Libor ŠVANDA. Výuka latiny na CJV LF: teorie v praxi a praxe v teorii (Teaching medical Latin: theory in practice, practice in theory). In Týden Centra jazykového vzdělávání, Brno, 23.1.2018. 2018.

    2017

    1. VRONSKÝ, Petr. Archandělský chrám v Kremlu (Cathedral of the Archangel in Kremlin). In Foletti, Ivan; Foletti, Karolína; Lešák, Martin; Vronský, Petr. Zápisky z Cest 3 – Moskva & Novgorod. 1st ed. Brno: Muni press, 2017, p. 50-56. ISBN 978-80-210-8814-6.
    2. KULHÁNKOVÁ, Markéta. Aspects of voice in the Byzantine edifying story. In God, the Saint and the text: Hagiographical studies as an interdisciplinary field. Hagiography workshop, Oslo, 24 – 25 November 2017. 2017.
    3. IVANOVICI, Dan-Vladimir. Building prestige. Processions, visual codes, and episcopal power in fifth-century Rome. In Zimmermann, Norbert; Michalsky, Tanja; Wieczorek, Alfried; Weinfurter, Stefan. Die Päpste und Rom zwischen Spätantike und Mittelalter : Formen päpstlicher Machtentfaltung. Mannheim: Schnell und Steiner, 2017, p. 11-27. ISBN 978-3-7954-3089-4.
    4. KULHÁNKOVÁ, Markéta. Byzantská literatura a historická naratologie (Byzantine literature and historical narratology). In 2. byzantologický den, Slovanský ústav Akademie věd ČR, Praha, 6. 10. 2017. 2017.
    5. FOLETTI, Ivan, Katarína KRAVČÍKOVÁ, Anna KELBLOVÁ, Pavla TICHÁ, Tereza KUČEROVÁ, Adrien PALLADINO, Martin LEŠÁK, Zuzana FRANTOVÁ, Alžběta FILIPOVÁ, Karolina FOLETTI and Sabina ROSENBERGOVÁ. Čtyři měsíce setkávání : od krajiny k objektu a člověku (Four months of meetings : from the landscape to the object and to the person). 2017.
    6. OKÁČOVÁ, Marie. De alieno nostrum: Aluzivní strategie v mytologických centonech z Vergilia (De alieno nostrum: Allusive Strategies of the Mythological Centos from Virgil). In Jarní přednáškový cyklus Jednoty klasických filologů. Praha. 2017.
    7. KULHÁNKOVÁ, Markéta. „Duši těší prodlévat ve starých příbězích“: byzantská literatura a diachronní naratologie ("For the soul delights to dwell on stories of old". Byzantine Literature and Diachronic Narratology). In Brněnský naratologický kroužek, 19. 4. 2017. 2017.
    8. TADDEI, Alessandro. Hagia Sophia before Hagia Sophia. A study of the Great Church of Constantinople from its origins to the Nika Revolt of 532. 1st edition. Rome: Campisano Editore, 2017, 304 pp. Saggi di storia dell'arte. ISBN 978-88-85795-00-6.
    9. KULHÁNKOVÁ, Markéta and Ondřej CIKÁN. K novému českému překladu byzantské epické básně Digenis Akritis (Towards a New Czech Translation of the Byzantine Poem Digenis Akritis). Neograeca Bohemica. Česká společnost novořeckých studií o.s., 2017, vol. 17, No 2017, p. 63-85. ISSN 1803-6414.
    10. TADDEI, Alessandro. La procedura di accoglienza delle reliquie a Costantinopoli nel V secolo : il profeta Samuele e la costruzione del suo sacello (406-411) (The reception of relics at Constantinople in the 5th century. The case of Prophet Samuel and the construction of his shrine (406-411)). In Giornate internazionali di studio "Reliquie in processione nell’Europa medievale : arte, paesaggio e liturgia/ Reliques en procession dans l’Europe Médiévale: art, paysage, liturgie", Università degli Studi di Napoli "Federico II", 11-14 NOVEMBRE 2017, Napoli. 2017.
    11. FRANTOVÁ, Zuzana. Liminality, Embodiement and Iconic Presence. Serial Images in French Pilgrimage Churches. In Walking and Iconic Presence, 27. – 28. listopad 2017, Brno. 2017.
    12. OKÁČOVÁ, Marie. Ozvěny Ovidiových Proměn v narativní technice pozdně antických mytologických centonů z Vergilia (Echoes of Ovid´s Metamorphoses in the Narrative Technique of Late Antique Mythological Centos from Virgil). In Roma aurea MMXVII: Ovidiovské kontexty a inspirace. Praha. 2017.
    13. TADDEI, Alessandro. Papst Theodor (642-649) und die Künste : ein ›pragmatisches‹ Verhältnis (Pope Theodore (642-649) and the Arts : a pragmatic connection). In Zimmermann, Norbert; Michalsky, Tanja; Weinfurter, Stefan; Wieczorek, Alfried. Die Paepste und Rom zwischen Spaetantike und Mittelalter. Formen paepstlicher Machtentfaltung. 1. Auflage. Regensburg: Schnell & Steiner, 2017, p. 143-160. Publikation der Reiss- Engelhorn-Museen, band 76. ISBN 978-3-7954-3089-4.
    14. KULHÁNKOVÁ, Markéta. Scenic narration in the Daniel Sketiotes Dossier of spiritually beneficial tales. Scandinavian Journal for Byzantine and Modern Greek Studies. 2017, vol. 3, No 1, p. 61-79. ISSN 2002-0007.
    15. TADDEI, Alessandro. Su alcuni elementi allogeni dell’architettura della cosiddetta 'seconda colonizzazione bizantina' (sec. X-XI) (Remarks on some allogenous features in the middle Byzantine architecture of Calabria in the 11th century). In Giornate internazionali di studi "Calabria greca - Calabria latina. Segni monumentali nei secoli della coesistenza (XI-XII)". Roma, Università La Sapienza, 22.-23.6.2017, Roma. 2017.
    16. KULHÁNKOVÁ, Markéta. „Such were my dread sufferings, almighty crowned lord.“ A tentative pragma-narratological analysis of Ptochoprodromic Poems. In The 5th International Conference of the European Narratology Network: Narrative and Narratology: Metamorphosing the Structures, Prague, 13th - 15th September 2017. 2017.
    17. IVANOVICI, Dan-Vladimir. The prison of the mind. Growing up with myths in communist Romania. Convivium. Brno: Masarykova univerzita, 2017, 4/2017, No 1, p. 128-141. ISSN 2336-3452.
    18. OKÁČOVÁ, Marie. The Virgilian Cento Progne et Philomela (Anth. Lat. 13 R): Towards a Solution of a Mythological Riddle. In Textus centonarius. Les centons virgiliens de l’Antiquité: approche textuelle et littéraire. Praha. 2017.
    19. FRANTOVÁ, Zuzana. Trh s mramorem v pozdně antickém Středozemí. Sarkofágy z Ravenny a „globální dějiny umění“ (Marble Trade in the Late Antique Mediterranean. Sarcophagi from Ravenna and "Global History of Art"). In Středověk v pohybu, Ústav dějin umění Akademie věd České republiky, 21.11.2017, Praha. 2017.
    20. OKÁČOVÁ, Marie. Ut pictura poesis: Vizuální poezie (pozdní) antiky (Ut pictura poesis: Visual Poetry of (Late) Antiquity). In 25. ročník Letní školy klasických studií. Brno. 2017.
    21. IVANOVICI, Dan-Vladimir. Walking on Mirrors : Movement, Immobility, and Iconic Presence Late Antique Churches. In Walking and the Iconic Presence. 2017.
    22. IVANOVICI, Dan-Vladimir. Windows, Visions, and Liminality in the Fifth-Century West. In Liminality and Medieval Art I, Center for Early Medieval Studies, Masaryk University, Brno, 11-12.12.2017. 2017.
    23. FOLETTI, Ivan, Karolina FOLETTI, Martin LEŠÁK and Petr VRONSKÝ. Zápisky z Cest 3 – Moskva & Novgorod (Travel Log – Moscow & Novgorod). 1st ed. Brno: Masarykova univerzita, 2017, 119 pp. ISBN 978-80-210-8814-6.
    24. FOLETTI, Ivan, Karolina FOLETTI, Martin LEŠÁK and Petr VRONSKÝ. Zápisky z cest 3. Moskva & Novgorod (Travel notes 3. Moscow & Novgorod). 1st ed. Brno: Masarykova univerzita, 2017, 119 pp. ISBN 978-80-210-8814-6.

    2016

    1. KULHÁNKOVÁ, Markéta. Ebenová loutna (orig. To evenino lauto) (The Lute of Ebony). 1st ed. Praha: Vyšehrad, 2016. ISBN 978-80-7429-308-5.
    2. KULHÁNKOVÁ, Markéta. Konstantinos Kaisarios Dapontes, Oslavný popis ostrova Samu (úryvek). In Plav. 2016, p. 60. ISSN 1802-4734.
    3. KULHÁNKOVÁ, Markéta. Panagiotis Roilos (ed.), Medieval Greek Storytelling. Fictionality and Narrative in Byzantium (recenze). Byzantinoslavica : sborník pro studium byzantsko-slovanských vztahů. Euroslavica, 2016, vol. 74, p. 270-273. ISSN 0007-7712.
    4. KULHÁNKOVÁ, Markéta. (Pseudo)orality in the Byzantine edifying story. In To see, to report, to persuade. Narrative and Verisimilitude in Byzantium. Uppsala University. 2016.
    5. KULHÁNKOVÁ, Markéta. “Telling” and “Showing” in the Construction of Heroes in Byzantine Edifying Stories. In Holy Hero(in)es. Literary Constructions of Heroism in Late Antique and Early Medieval Hagiography. University Ghent. 2016.
    6. KULHÁNKOVÁ, Markéta. Translating Byzantine Literature into Czech: Development, Approaches, Trends. In 23rd International Conference of Byzantine Studies. Belgrade. 2016.
    7. TADDEI, Alessandro. Un punto di svolta nella committenza papale del VII secolo a Roma : Onorio I (A pivotal point in the artistic patronage of the popes at Rome : Honorius I (7th c.)). In International Conference "Patron, Context and Style" - Universitas Osloensis/Istituto di Norvegia in Roma, 28-29 novembre 2016, Roma. 2016.
    8. KULHÁNKOVÁ, Markéta and Martina ČECHOVÁ. 23rd International Congress of Byzantine Studies, Belgrade, Serbia. Byzantinoslavica : sborník pro studium byzantsko-slovanských vztahů. Praha: Euroslavica, 2016, vol. 74, 1-2, p. 259-260. ISSN 0007-7712.

    2015

    1. KULHÁNKOVÁ, Markéta. členka Českého národního byzantologického komitétu (AVČR). Český národní byzantologický komitét, 2015.
    2. KULHÁNKOVÁ, Markéta. Členka redakční rady časopisu Byzantinoslavica. Byzantinoslavica, 2015. ISSN 0007-7712.
    3. KULHÁNKOVÁ, Markéta. Členka redakční rady časopisu Byzantinoslavica. Byzantinoslavica, 2015 - 2022. ISSN 0007-7712.
    4. KULHÁNKOVÁ, Markéta. Das gottgefällige Abenteuer. Eine narratologische Analyse der byzantinischen erbaulichen Erzählungen (The Godly Adventure. A Narratological Analysis of Byzantine Spiritually Beneficial Tales). Červený Kostelec: Pavel Mervart, 2015, 170 pp. Pro Oriente : dědictví křesťanského Východu ; band 31. ISBN 978-80-7465-175-5.
    5. KULHÁNKOVÁ, Markéta. Editorka časopisu Neograeca Bohemica. Neograeca Bohemica, 2015. ISSN 1803-6414.
    6. KULHÁNKOVÁ, Markéta. Editorka časopisu Neograeca Bohemica. Neograeca Bohemica, 2015 - 2021. ISSN 1803-6414.
    7. KULHÁNKOVÁ, Markéta. Milan Konečný. Česko-novořecký slovník. Praha: Klub prátel Řecka, 2015. Brno: Česká společnost novořeckých studií, z.s., 2015, 1 pp. Neograeca Bohemica 15, s. 124. ISSN 1803-6414.
    8. BOČKOVÁ LOUDOVÁ, Kateřina and Markéta KULHÁNKOVÁ. Obituary note: Růžena Dostálová (Bratislava April 22, 1924 – Prague August 18, 2014). Praha: Slovanský ústav AVČR, 2015, 4 pp. Byzantinoslavica 73/1-2, 2015, str. 195-198. ISSN 0007-7712.
    9. KULHÁNKOVÁ, Markéta. Pavla Smetanová - Yiannis Koreček. Řecká ruleta. Příběhy lidí v nejisté době. Praha. Nakladatelství Lidové noviny, 2015. Brno: Česká společnost novořeckých studií, z.s., 2015, 3 pp. Neograeca Bohemica 15, s. 129-131. ISSN 1803-6414.
    10. KULHÁNKOVÁ, Markéta and Simone SUMELIDU. Úvod do studia novořečtiny (Introduction to the Modern Greek Studies). 1st ed. Brno: Masarykova univerzita, 2015, 138 pp. ISBN 978-80-210-7840-6.
    11. KULHÁNKOVÁ, Markéta and Simone SUMELIDU. Úvod do studia novořečtiny (Introduction to the Modern Greek Studies). 1. vyd. Brno: Masarykova univerzita, 2015. Elportál. ISBN 978-80-210-7989-2.
    12. KULHÁNKOVÁ, Markéta and Simone SUMELIDU. Úvod do studia novořečtiny (Introduction to the Modern Greek Studies). 1. vyd. Brno: Masarykova univerzita, 2015. Elportál. ISBN 978-80-210-7840-6.
    13. KULHÁNKOVÁ, Markéta. Zwischen Wüste und Welt: die Konstruktion des Raumes in den byzantinischen erbaulichen Erzählungen (Between the Desert and the Secular World: Contruction of Space in Byzantine Edifying Stories). Byzantinische Zeitschrift. München: De Gruyter, 2015, vol. 108, No 2, p. 715-733. ISSN 0007-7704. Available from: https://dx.doi.org/10.1515/bz-2015-0020.

    2014

    1. KULHÁNKOVÁ, Markéta. Byzantine Spiritually Beneficial Tales. In Seminars on Ancient Greek Literature and Culture, European Cultural Centre of Delphi, 2.-12. 8. 2014. 2014.
    2. KULHÁNKOVÁ, Markéta. Der bestrafte Mönch. Ein erster Einblick in die Analyse der Erzähltechnik in den byzantinischen erbaulichen Diegeseis (The Punished Monk: First Insight into the Narratological Analysis of Byzantine Edifying Stories). Jahrbuch der Österreichischen Byzantinistik. Wien: Österreichische Akademie der Wissenschaften, 2014, vol. 64, No 1, p. 139-153. ISSN 0378-8660.
    3. KULHÁNKOVÁ, Markéta. Diegesis in Greek Literature of Late Antiquity and Early Middle Ages (4th to 11th cent.). 2014.
    4. KULHÁNKOVÁ, Markéta. Miraculous chronotope in the spiritually beneficial tales of Anastasios Sinaites. In Miracles and Wonders in Antiquity and Byzantium. 2014.
    5. KULHÁNKOVÁ, Markéta. Narrator – Hero – Author in the Spiritually Beneficial Tales. In Diegesis in Greek Literature of Late Antiquity and Early Middle Ages (4th to 11th cent.). 2014.
    6. KULHÁNKOVÁ, Markéta. Obrácení nevěstky Marie a jiné příběhy : byzantská vyprávění prospěšná pro duši (Conversion of Mary the Harlot and Other Stories : Byzantine Spiritually Beneficial Tales). 1st ed. Červený Kostelec: Pavel Mervart, 2014, 181 pp. Byzantská knihovna ; sv. 3. ISBN 978-80-7465-094-9.
    7. KULHÁNKOVÁ, Markéta. Panagiotis Agapitos, Ebenová loutna (úryvek). In Plav. 2014, p. 22–24. ISSN 1802-4734.
    8. KULHÁNKOVÁ, Markéta. Podivuhodné příběhy z pousteven i velkoměst a jejich cesta staletími (Miraculous stories of piety from hermitages and cities and their journey thorough the centuries). Parrésia : revue pro východní křesťanství. Červený Kostelec: Pavel Mervart, 2014, 7/2013, No 1, p. 379-390. ISSN 1802-8209.
    9. KULHÁNKOVÁ, Markéta. To amyalo jiras sti vyzantini kai proimi neoelliniki logotechnia (The Folly of Old Age in Byzantine and Early Modern Greek literature). Neograeca Bohemica. Brno: Česká společnost novořeckých studií, 2014, vol. 14, No 1, p. 41-49. ISSN 1803-6414.
    10. KULHÁNKOVÁ, Markéta. Žalozpěv bezejmenného básníka nad dobytím Konstantinopole (Lamentation / threnos of an anonymous poet on the capture of Constantinople). Parrésia : revue pro východní křesťanství. Červený Kostelec: Pavel Mervart, 2014, 7/2013, No 1, p. 391-396. ISSN 1802-8209.

    2012

    1. KULHÁNKOVÁ, Markéta. Amyalo jiras stin ysterovyzantini kai proimi neoelliniki logotechnia (The foolish old age in the Byzantine and early Modern Greek literature). 2012.
    2. KULHÁNKOVÁ, Markéta. Das Eindringen der Volkssprache in die byzantinische Literatur als eines der Elemente der asteiotes (Spreading of vernacular language into Byzantine literature as one of elements of asteiotes). Frühmittelalterliche Studien : Jahrbuch des Instituts für Frühmittelalterforschung der Universität Münster. Berlin: Walter de Gruyter & Co., 2012, roč. 45, č. 1, p. 233-243. ISSN 0071-9706.
    3. KULHÁNKOVÁ, Markéta. Karagiozis mezi osmanskou mahallou a řeckým předměstím (Karagiozis between Ottoman Mahalla and the Greek suburb). Divadelní revue. Praha: Institut umění - Divadelní ústav, 2012, roč. 23, č. 1, p. 46-59. ISSN 0862-5409.
    4. KULHÁNKOVÁ, Markéta. Vyprávění pro duši Anastasia Sinajského a naratologická analýza žánru (The spiritually beneficial tales by Anastasios Sinaites and the narrative analysis of the genre). 2012.

    2011

    1. KULHÁNKOVÁ, Markéta. Apotelei o Ptochoprodromos logotechniko prodromo tou Karagiozi? (Is Ptochoprodromos a literary forefather of Karagiozis?). Online. In Dimadis, Konstantinos. Proceedings of the 4th European Congress of Modern Greek Studies (Granada, 9-12 September 2010) : Identities in the Greek world (from 1204 to the present day), vol. 2. Athens: European Society of Modern Greek Studies, 2011, p. 513-522. ISBN 978-960-99699-3-2.
    2. KULHÁNKOVÁ, Markéta. Figuren und Wortspiele in den byzantinischen Bettelgedichten und die Frage der Autorschaft (Poetical Figures and Puns in the Byzantine Begging Poetry and the Question of the Authorship). Graeco-Latina Brunensia. Brno: Masarykova Univerzita, 2011, vol. 16, No 1, p. 29-39. ISSN 1803-7402.
    3. KULHÁNKOVÁ, Markéta. K čertu ať táhne studium. Výbor z byzantské žebravé poezie (To Hell with Studying. Anthology of Byzantine Begging poetry). 1st ed. Červený Kostelec: Nakladatelství Pavel Mervart, 2011, 144 pp. Byzantská knihovna, sv. 1. ISBN 978-80-87378-69-4.

    2010

    1. KULHÁNKOVÁ, Markéta. Byzantinische Betteldichtung. Verbindung des Klassischen mit dem Volkstümlichen (Byzantine Begging Poetry. The Combination of the Classical and the Popular). In A. Rhoby - E. Schiffer. Imitatio - aemulatio - variatio. Akten des internationalen wissenschaftlichen Symposions zur byzantinischen Sprache und Literatur. 1st ed. Wien: Österreichische Akademie der Wissenschaften, 2010, p. 175-180. ISBN 978-3-7001-6825-6.
    2. KULHÁNKOVÁ, Markéta. Paní moře. Řecké pohádky (Lady of the Sea. Greek Fairy Tales). 1st ed. Praha: Argo, 2010. ISBN 978-80-257-0199-7.
    3. KULHÁNKOVÁ, Markéta. Vaganten in Byzanz, Prodromoi im Westen. Parallelektüre von byzantinischer und lateinischer Betteldichtung des 12. Jahrhunderts (Goliards in Byzantium, Prodromoi in the West. Parallel Reading of the Byzantine and the Latin Begging Poetry of the 12th century). Byzantinoslavica. Praha: Euroslavica, 2010, vol. 68, 1-2, p. 241-256. ISSN 0007-7712.

    2009

    1. KULHÁNKOVÁ, Markéta and Kateřina LOUDOVÁ. Epea pteroenta. Růženě Dostálové k narozeninám. (Epea pteroenta. Festschrift in Honour of Růžena Dostálová.). Brno: Host, 2009, 341 pp. ISBN 978-80-7294-320-3.
    2. KULHÁNKOVÁ, Markéta. Ftochoi Prodromoi kai oi Latinoi syggeneis tous. Epaitiki poiisi sto Bzantio kai sti Dysi to 12o aiona (The Poor Prodromoi and their Latin Relatives. Begging Poetry in Byzantium and the West in the 12th Century.). In Neograeca Bucurestiensia. Bucuresti: Editura Universitatii din Bucurestsi, 2009, p. 85-101. ISBN 978-973-737-723-4.
    3. KULHÁNKOVÁ, Markéta. Ich bin auch eines schicken Mantels wert. Zum Manteltopos in der griechischen Dichtung, in: Markéta Kulhánková - Kateřina Loudová, Epea pteroenta. Růženě Dostálové k narozeninám. (Even I deserve an Elegant Coat. On the Topos of Coat in Greek Literature, in: Epea pteroenta. Festschrift in Honour of Růžena Dostálová.). Brno: Host, 2009, p. 191–200. ISBN 978-80-7294-320-3.

    2008

    1. KULHÁNKOVÁ, Markéta. Byzantská žebravá poezie 12. století (Byzantine Begging Poetry of the 12th Century). Neograeca Bohemica. Brno: Česká společnost novořeckých studií, o.s, 2008, vol. 8, No 5, p. 15-25. ISSN 1803-6414.
    2. KULHÁNKOVÁ, Markéta. Die byzantinische Betteldichtung: Verbindung des Klassischen mit dem Volkstümlichen. (Byzantine Begging Poetry: Connecting Classicismus and Folklore). In imitatio - variatio - aemulatio. Internationales wissenschaftliches Symposion zur byzantinischen Sprache und Literatur, Wien. 2008.
    3. KULHÁNKOVÁ, Markéta. Parallelen zur antiken Literatur in der byzantinischen Betteldichtung (Parallels with Ancient Literature in Byzantine Begging Poetry). Sborník prací Filozofické fakulty brněnské univerzity, řada klasická N, Graeco-Latina Brunensia. Brno: Masarykova univerzita, 2008, vol. 13, No 1, p. 81-95. ISSN 1211-6335.
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