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Curriculum vitae

Person Identification
  • Tomáš Pospíšil
Workplace
  • Department of English and American Studies,
    Faculty of Arts, Masaryk University Brno, 602 00, Brno, Arne Nováka 1, Czech Republic
Employment Position
  • Associate Professor
Education and Academic Qualifications
  • -2007 Associate Professor, Palacký University, Olomouc, Habilitationschrift: African American Representation in American Culture and Film
  • -1996 Ph.D. at Palacký University, Olomouc, Disertation: The Progressive Era in American Historical Fiction: John Dos Passos' 42nd Parallel & E.L. Doctorow's Ragtime.
  • -1986 PhDr. Masaryk University Brno
  • -1984 Graduation from Masaryk University, English and German
Employment Summary
  • 1989 - present: Department of English and American Studies, Faculty of Arts, Masaryk University Brno, Czech Republic
  • 2008 - 2010: Department of English, Technical University Liberec
  • 1985 - 1989 Teacher of English and German, Department of Foreign languages, Masaryk University
  • 1984 - 1985 Research Fellow, Department of Foreign languages, Brno Agricultural University
Pedagogical Activities
  • Survey courses of American literature, an introductory course to American studies, American independent film, African-Americans in American film, Canadian film, American science fiction film, history of the 1960s in the United States
  • Instive course at Regensburg University: Blackness, Multiculturalism and the American Screen, June 24 - July 5, 2013.
  • International Summer School CSAS (Graz University) Under Deconstruction: How American are the Americas? (July 13 - 27th, 2008) Seggau Castle, Austria
  • Socrates IP Program at Potsdam University: Putting a Human Face on Divesity: The US in/of Europe, 2006 project No. 28286, August 2006
  • Intensive course at Regensburg University (African American Screen Image), June 20 - July 6th, 2003
  • Intensive course at Magdeburg University (The Good Old Plantation and After) February 2002
Scientific and Research Activities
  • African-Americans in American Film, American Independent Film, Canadian Film, the American 1960s
  • Grant 2006-2008: Diversity and Unity in Canadian Literature. The nature and uses of identity in Canadian literary culture and the arts. Grant Agency of the Czech Republic, Grant number: 405/06/0096
Internship and stays for the purpose of study or work
  • - 2010 Faculty Research Program in Canadian Studies, University of British Columbia, Vancouver, September 2010.
  • -2007 Grant Diversity and Unity in Canadian Literature. The nature and uses of identity in Canadian literary culture and the arts. Grant Agency of the Czech Republic, Grant number: 405/06/0096, University of British Columbia, Vancouver, September 2007
  • -2006 Faculty Research Program in Canadian Studies, University of Toronto, September 2006
  • -2003 Faculty Enrichment Program in Canadian Studies, University of Toronto
  • -1999 Fulbright Visiting Scholar, University of Southern California, Los Angeles
  • -1998 Salzburg Seminar, Austria. From Melting Pot to Mosaic. The Changing Role of Immigration in American Life, October 1998
  • -1997 American studies seminar The American Experience, The Newschool for Social Research, NYC
  • -1996 Grant of the Austrian Institute for Southern and Eastern Europe, University of Vienna
  • -1993-1994 Research Fellow at University of California, Santa Cruz (American Council of Learned Societies)
  • 2015/11/17 – 2015/11/29: National Chengchi University, National Taiwan Normal University, Soochow University, National Chi-nan Univesity, Taipei, Puli, MU Faculty Partner Institutions Exchange Programme, TWN
    • Návštěvy na univerzitách, prezentace FF a MU, přednášky, náštěva na českém zastupitelském úřadě, propagace letní školy FF.
    • 2245
  • 2013/10/09 – 2013/10/12: LMU München, München, DEU
    • Aktivní účast na mezinárodní konferenci American Media - European Cultures, Negotiations of Transnational Exchange
  • 2013/06/23 – 2013/07/06: University of Regensburg, Regensburg, DEU
    • Výuka intenzivního kurzu Blackness, Multiculturalism and the American Screen.
  • 2013/04/22 – 2013/04/27: University of Tartu, Tartu, EST
    • Výukový pobyt Erasmus
  • 2012/11/15 – 2012/11/19: Salzburg Global Seminar, Salzburg, AUT
    • Účast na sympóziu SSASA Screening America: Film and Television in the 21st Century.
  • 2012/03/29 – 2012/04/04: Ege University, Izmir, TUR
    • Konference EAAS
  • 2011/09/18 – 2011/09/24: University of Joensuu, Joensuu, LLP Erasmus, FIN
    • Výukový program Erasmus
  • 2010/08/26 – 2010/09/21: University of British Columbia, CAN
    • Stipendium Faculty Research Program in Canadian Studies
  • 2010/05/23 – 2010/05/28: University of Ljubljana, Ljubljana, SVN
    • Výukový pobyt Erasmus
University Activities
  • Editorial Board of Brno Studies in English
  • Doctoral Studies Commission, Literatures in English, Faculty of Arts, Masaryk University
  • Vice-dean, international relations
  • Representative of the Faculty of Arts in the Council of the Institutions of Higher Learning, Czech Republic (Rada vysokých škol)
Extrauniversity Activities
  • Membership in: CASAAS - Czech and Slovak Association for American Studies
  • EAAS - European Association for American Studies
  • IASA - International American Studies Association
  • CEACS - Central European Association of Canadian Studies
  • Editorial Board of Moravian Journal of Literature and Film
  • Editorial Board of Ostrava Journal of English Philology
  • Doctoral Studies Board in English and American Literature, Faculty of Arts, Palacký University
Selected Lectures and Conference Participation
  • "Trauma Made in Hollywood": The Representation of Trauma and Healing in Selected Hollywood Films. Seminaire Eribia, Caen University, April 7, 2014
  • "And Justice for All: The Representation of American Law and Justice in American Film", workshop at the EAAS Conference America: Justice, Conflict, War, April 3-6, 2014, The Hague, the Netherlands
  • "And All the Pieces Matter": HBO's The Wire and the Complexity of Representation, Regensburg University, July 4, 2013
  • "You Have to Believe This, Simon, Your Father Was a Killer": History, Diversity and Identity in Atom Eoyan’s Recent Works, CEACS conference Democracy, Diversity, Dignity – The Canadian Space, Bratislava October 12.-14. 2012
  • Technological Intimacy: A Look at Canadian Feature Film, SERCIA conference Cinema of Intimacy and/or the Intimacy of Cinema, Universite de Bourgogne, Dijon, September 5, 2012.
  • As Crippled as it Gets: Dalton Trumbo's Johny Got His Gun and the Transformations of American Society, EAAS Conference Health of the Nation, Ege University Izmir, March 31, 2012.
  • Blackness in the New Millenium. Ostrava University, November 30, 2011.
  • The American Myths and/in the Western. University of Eastern Finland, September 19, 2011
  • Ragtime: Doctorow's Novel and Forman's Film Adaptation. University of Ljubljana, May 24, 2010.
  • Otto, Eliot and Aliens. EAAS Conference 'Forever Young'? The Changing images of America, 26.-29. 3. 2010, Dublin, Ireland.
  • Goin' Down the Road for the Red Violin: Trajectory of Canadian Feature Film during the last Forty Years, CZASE conference Diversification and its Discontents, 4.- 6. 2. 2010, Masaryk University Brno
  • Three Canadian Film Auteurs. Masaryk University, November 18, 2009.
  • Canadian Film Institutions and the Production of Canadian Identity. Ege University Izmir, October 28, 2009
  • American Identity: What is it? Paul Haggis' "Crash" and the Crisis of American Multicultural Experience. EAAS conference "'E pluribus unum' or 'E pluribus plura'?". University of Oslo, Norway, May 9. - 12.2008
  • Identity, Liminality and Difference in Mina Shum's "Double Happiness". Conference "Identity Through Art, Thought and the Imaginary in the Canadian Space - Nations, Ethnicities, Groups, Individuals". MU Brno, 25. - 27. 10. 2007
  • The Black Body as a Guinea Pig: The Tuskegee Syphillis Experiment and its Cinematic Representation, NAAS conference "American Bodies, American Violence", Tampere, 25. 5. 2007
  • Hollywood and its Inherent Conformism: The Example of Mike Nichols, konference EAAS, Nikosie, 8.4. 2006
  • The Cult of Cronenberg: A Hunk for Humanities, American Studies Colloquium at UP Olomouc: Cult Fiction, Film and Happenings, September 8, 2005.
  • All those Liberal Messages: Hollywood and the African American Image from World War II through the 1960s, Ostrava University, April 11, 2005.
  • The Alien as a Symbol: Alien Invasion Films and the Politics of the 1950s, Cologne University, Germany, May 25, 2004.
  • Sambo Goes To Hollywood: The Origin of the African American Screen Representation, FSV UK, Prague, April 29, 2004.
  • Spies, Bombers, Liberators and Lovers: The American Image in the Czech Film of the 1990s. Regensburg University, Germany, June 2003
  • The Art of the Hollywood Remake. Thessaloniki University, Greece, May 30, 2002.
  • Making Music as a Political Act: How the Velvet Underground influenced the Velvet Revolution, EAAS Conference, Bordeaux, March 23, 2002.
  • The Good Plantation and After: The Evolution of the African American Screen Image. Regensburg University, Germany, December 3, 2001.
  • Spirituality and Religion in American Film. American Studies Colloquium , Spirituality and Religion in American Culture, Univerzita Palackého Oloumouc, September 8, 2000.
  • Thirteen Ways of Looking at America. (written with T.D. Sparling). EAAS Conference Natures Nation Revisited, Graz, Austria,14. 17. 4. 2000.
  • All the Great Minds in the Little League: American Independent Film of the 1990s. Silezian University of Katowice, December 7, 1998.
  • American Independent Film A Survey. American Studies Colloquium in Olomouc, 1998: Defining American Culture: High, Low, Popular (?), September 3, 1998.
  • The Right Thing and after: The Construction of African American Identity in Recent American Film. EAAS Conference, Lisbon, April 1998.
  • University Studies in a Society in Multiple Transition: The Case of the Czech Republic. Conference Anarchy, Politics and Place in the Academy, University of Southern California, March 1994.
  • Reading American Literature as an Expression of Resistance. A conference on the reception of American literature in the Rockefeller Center, Bellagio, Italy, June 1992.
  • American Studies at Czech Universities. Annual Conference of the Austrian Association for American Studies, Salzburg, Schloss Leopoldskron, November 1991.
Selected Publications
  • POSPÍŠIL, Tomáš. Americký sen v románu Velký Gatsby (The American Dream in The Great Gatsby). In Francis Scott Fitzgerald - Velký Gatsby. Brno: Městské divadlo Brno, 2023, p. 41-66. Program k 826. premiéře a třetí inscenaci v sezóně 2023/24. info
  • POSPÍŠIL, Tomáš. We Own This City : Corruption, Bureaucracy, and Reform in the American City. In Perspectives on Ethnicity and the Environment in American Studies, 24th International Colloquium of American Studies & Biennial Conference of the Czech and Slovak Association for American Studies, October 5-6, 2023, University of Ostrava, Czechia. 2023. URL info
  • POSPÍŠIL, Tomáš. Hodnotitel NAÚ - pro oblasti mediální a komunikační studia a filologie (Assessor of the Czech Accreditation Agency - Media and Communication Studies, Philology). Národní akreditační úřad, 2023 - 2023. URL info
  • POSPÍŠIL, Tomáš. “Cinematic Landscapes of Pain, Memory, and Revenge : Remember vs. Old-Timers”. In CEACS Canadian Landscapes, October 27-29, 2022, Budapest. 2022. URL info
  • POSPÍŠIL, Tomáš, Jeffrey Alan VANDERZIEL and Martin JIRUŠEK. Americké křižovatky : Rozpojené státy americké (American Crossroads : the Disunited States of America). In Expanding American Mainstream. Brno, 2022. URL info
  • POSPÍŠIL, Tomáš. Atom Egoyan : The Search for Identity at the Time of Cultural Conflict and New Media. In Research Colloquium Culture & Literature, Department of Culture, Freie Universitat, Berlin, May 29, 2019. 2019. URL info
  • POSPÍŠIL, Tomáš. Předseda oborové rady doktorského studijního programu Literatury v angličtině (Chair of the Docotral Board of the Program Literatures in English). Docotral Board of Masaryk University - Literatures in English, 2019 - 2019. info
  • POSPÍŠIL, Tomáš. On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics. In EBAAS 2018, 4-7 April, 2018, King's College, University College London, and the British Library. 2018. URL info
  • POSPÍŠIL, Tomáš. Place and Space in The Wire. In Place and Emplacement, 21st International Colloquium of American Studies, Faculty of Arts, Palacký University, June 22–24, 2017, Olomouc. 2017. URL info
  • POSPÍŠIL, Tomáš. We definitely blew it! Dennis Hopper's Easy Rider, Larry Kent's High and the Failure of North American Counterculture. In International conference : The Americas in Canada, 20-21 October 2017, Brno, Masaryk University. 2017. URL info
  • POSPÍŠIL, Tomáš. Women in Crime, Politics and the Law in HBO's The Wire. In European Association for American Studies 2016 Conference : MappingTransnational America, 22.-25. 4. 2016, Constanta, Romania. 2016. URL info
  • POSPÍŠIL, Tomáš. Moravian Americana : A Guided Tour. In International Conference "'So we beat on' : Junctures and Visions of American Studies" 29/30 April 2016, Regensburg, Germany. 2016. URL info
  • POSPÍŠIL, Tomáš. The Role of Personal Situation in the Process of Film Adaptation : Ragtime (1975) by E.L. Doctorow and Ragtime (1981) by Miloš Forman. In Kolinská, Klára, Mingo, Carlos A. Sanz. Read on Screen, Film Adaptation of Literature in English. 1st edition. Praha: Metropolitan University Prague Press, 2015, p. 11-25. ISBN 978-80-87956-11-3. info
  • POSPÍŠIL, Tomáš. Who the F... Was I Chasing: The Representation of the other in HBO's The Wire. 2015. info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs: The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from the 1960s to the Present. 2015. info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs : The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from the 1960s to the Present. In Decker, Christof, Böger, Astrid. Transnational Mediations: Negotiating Popular Culture between Europe and the United States. 1. Edition. Heidelberg: Winter, 2015, p. 251-265. American Studies - A Monograph Series, 261. ISBN 978-3-8253-6370-3. URL info
  • POSPÍŠIL, Tomáš. Brno Studies in English; člen redakční rady (Brno Studies in English; editorial board member). Brno Studies in English, 2015 - 2015. ISSN 0524-6881. URL info
  • POSPÍŠIL, Tomáš. Workshop 7: And Justice for All: The Representation of American Law and Justice in American Film. 2014. URL info
  • POSPÍŠIL, Tomáš. Trauma "Made in Hollywood": The Representation of Trauma and Healing in Selected Hollywood Films. In Seminaire ERIBIA 2013-2014. 2014. URL info
  • POSPÍŠIL, Tomáš. "Otto, Eliot and Aliens: Interpreting Youth in Spielberg’s E.T. the Extra-Terrestrial and Alex Cox’s Repo Man". Film Journal. London: University College London, 2014, vol. 2, No 1, p. 1-19. URL info
  • POSPÍŠIL, Tomáš. A View from Elsewhere within Baltimore: the Representation of Urban Spaces in The Wire. In Pohled odjinud, Olomouc, 20.-22. června 2014. 2014. URL info
  • POSPÍŠIL, Tomáš. Brno Studies in English Special Issue - The Five Senses of Canadian Cinema. 1st ed. Brno: Masarykova Univerzita, 2014, p. 1-155. URL info
  • POSPÍŠIL, Tomáš. Reading Oneself Onto the Screen: The Role of Personal Situation in the Process of Adaptation. In Read on Screen: Film Adaptations of Literature in English. 2014. info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině, 2014 (Vice chair of the board of the post graduate program Literatures in English, 2014). Oborová komise postgraduálního oboru Literatury v angličtině, 2014. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého, 2014 (Board member of the graduate study program English and American Literature, Palacký University, 2014). Oborová rada DSP oboru Anglická a americká literatura Univerzity Palackého, 2014 - 2014. info
  • POSPÍŠIL, Tomáš. And All the Pieces Matter: HBO'sThe Wire and the Complexity of Representation. In Lecture Series in American Studies - Regensburg University. 2013. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého. Info (Board Member of the post graduate study program English and American Literature, Palacký university, 2013). Oborové rada DSP oboru Anglická a americká literatura Univerzity Palackého, 2013. URL info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině, 2013 (Vice-chair of the graduate studies program Literatures in English (Masaryk University)). oborová komise postgraduálního oboru Literatury v angličtině, 2013. URL info
  • POSPÍŠIL, Tomáš. The Voice of Uncle Sam, the Image of Steve Jobs: The Changing Meaning and Reception of American Media and Cultural Products in the Czech Lands from 1960s to the Present. In American Media---European Cultures: Negotiations of Transnational Exchange. 2013. info
  • POSPÍŠIL, Tomáš. The Five Senses of Canadian Cinema: Introduction. Brno Studies in English. Brno: Masarykova univerzita, 2013, vol. 39, No 2, p. 5-13. ISSN 0524-6881. Available from: https://dx.doi.org/10.5817/BSE2013-2-1. Digitální knihovna FF MU info
  • POSPÍŠIL, Tomáš. As Cripples As It Gets : Dalton Trumbo's Johnny Got His Gun (1939; 1971). Brno Studies in English. Brno: Masarykova univerzita, 2012, roč. 38, č. 1, p. 139-149. ISSN 0524-6881. Digitální knihovna FF MU info
  • POSPÍŠIL, Tomáš. The Man Who Wasn't There? Larry Kent and his Early Vancouver Films. Central European Journal of Canadian Studies. Brno: Masarykova univerzita, 2012, roč. 8, č. 1, p. 77-88. ISSN 1213-7715. info
  • POSPÍŠIL, Tomáš. You Have to Believe This, Simon, Your Father Was a Killer": History, Diversity and Identity in Atom Eoyan’s Recent Works. In konference CEACS Democracy, Diversity, Dignity – The Canadian Space, Bratislava, 12-14 October 2012. 2012. URL info
  • POSPÍŠIL, Tomáš. Technological Intimacy: A Look at Canadian Feature Film. In Cinema of Intimacy and/or the Intimacy of Cinema, 17th Sercia Conference, Dijon, 5-7 September 2012. 2012. URL info
  • POSPÍŠIL, Tomáš. Goin' Down the Road for the Red Violin: A Certain Tendency in Recent Canadian Cinema. Central European Journal of Canadian Studies. Brno: Masaryk University, 2011, roč. 7, č. 1, p. 17-24. ISSN 1213-7715. info
  • POSPÍŠIL, Tomáš. Člen oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého (Board member of post-graduate studies at Palacký University, subject English and American Literature). oborové rady DSP oboru Anglická a americká literatura Univerzity Palackého, 2011. info
  • POSPÍŠIL, Tomáš. Místopředseda oborové komise postgraduálního oboru Literatury v angličtině. Oborové komise postgraduálního oboru Literatury v angličtině, FF MU, 2011. info
  • POSPÍŠIL, Tomáš. Going down the Road for the Red Violin: The Trajectory of Canadian Feature Film during the Last Forty Years. In Diversification and its Discontents: Dynamics of the Discipline. 2010. ISBN 978-80-210-5118-8. info
  • POSPÍŠIL, Tomáš. Sebastian M. Herrmann, Katja Kanzler, Anne Koenen, Zoe A. Kusmierz, Leonard Schmieding, eds.,Ambivalent Americanizations Popular and Consumer Culture in Central and Eastern Europe. American Studies - A Monograph Series 165 (Heidelberg: Winter, 2008). Amerikastudien - American Studies. Heidelberg: Universitätsverlag Winter, 2010, vol. 55, No 2, p. 287-289. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Obraz druhého v kanadském filmu (Representation of the Other in Canadian Film). In MY ONI JÁ. Hledání identity v kanadské literatuře a filmu. 1st ed. Brno: Host Brno, 2009, p. 251-292, 41 pp. Host, 413. ISBN 978-80-7294-306-7. info
  • KYLOUŠEK, Petr. 0. Évidence d'une culture nationale. I. Dimension noétique de l'art. II. Identité canadienne dans le contexte historique. III. Littérature canadienne-francaise et québécoise. VI. Solitudes canadiennes et la perception de l'autre (0. National Culture as a Natural Phenomenon? I. Noetic Dimension of Art. III Canadian Identity in Historical Context. III. French Canadian and Quebec Literature. VI. Canadian Solitudes and the Perception of the Other.). In Petr Kyloušek, Klára Kolinská, Kateřina Prajznerová, Tomáš Pospíšil, Eva Voldřichová Beránková: Us-Them-Me: The Search for Indentity in Canadian Literature and Film, Nous-Eux-Moi: La quete de l'identité dans la littérature et le cinéma canadiens. 1st ed. Brno: Masarykova univerzita, 2009, p. 6-11, 24-43, 57-139, 246-255, 129 pp. Spisy Masarykovy univerzity v Brně 387. ISBN 978-80-210-5061-7. info
  • POSPÍŠIL, Tomáš. Representation of the Other in Canadian Film. In Us-Them-Me: The Search for Identity in Canadian Literature and Film, Nous-Eux-moi: La quete de l'dentité dans la litterature at le cinéma canadiens. 1st ed. Brno: Masarykova univerzita, 2009, p. 209-245. Spisy Masarykovy univerzity v Brně 387. ISBN 978-80-210-5061-7. info
  • POSPÍŠIL, Tomáš. Mengele in Macon County: The Tuskegee Study and its Film Representation. In André Soares Vieira, Luciana Ferrari Mintemezzo, Vera Lúcia Lenz Vianna. Mediacoes Do Fazer Literario: texto, cultura & sociedade. 1st ed. Santa Maria: Universitate Federal de Santa Maria, 2009, p. 87-98, 11 pp. 1/1. ISBN 978-85-99527-19-1. info
  • POSPÍŠIL, Tomáš. Frictions in the City: Spike Lee's Do the Right Thing vs. Paul Haggis's Crash. Moravian Journal of Literature and Film. Olomouc: Univerzita Palackého, 2009. ISSN 1803-7720. info
  • POSPÍŠIL, Tomáš. Moon Over Harlem: Edgar G. Ulmer, The Race Movies and the New Negro Agenda. Brno Studies in English. Brno: Masarykova Univerzita, 2008, 12/32, No 1, p. 161-169. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. The Bomb, the Cold War and the Czech Film. Journal of Transatlantic Studies. Abingdon, Oxon: Routledge, 2008, vol. 6, No 2, p. 142-147. ISSN 1479-4012. info
  • POSPÍŠIL, Tomáš. Identity, Liminality and Difference in Mina Shum's Double Happiness. In Identity through Art, Thougth and the Imaginary in the Canadian Space - Art, pensée et imaginaire identitaire de l'espace canadien. 1st ed. Brno: Masarykova univerzita, 2008, p. 175-182. FF-33/080-02/58. ISBN 978-80-210-4798-3. info
  • POSPÍŠIL, Tomáš. The Cult of Cronenberg - A Hunk for Humanitiies. In Cult Fiction and Cult Film: Multiple Perspectives. 1st ed. Olomouc: Univerzita Palackého v Olomouci, 2008, p. 167-176. 1st edition. ISBN 978-80-244-2126-1. info
  • POSPÍŠIL, Tomáš. Lee D. Baker (Ed.): Life in America: Identity and Everyday Experience. Anthropology. Brno: Anthropos Institut, Moravské muzeum, 2007, XLV, No 1, p. 103-104. ISSN 0323-1119. info
  • POSPÍŠIL, Tomáš. Sam and Me, Masala and Double Happiness: Multicultural Experience in Canadian Film of the early 1990s. Brno Studies in English. Brno: MU Brno, 2007, vol. 33, No 1, p. 185-198. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Transatlantické železnice v Severní Americe (The Transatlantic Railroads in North America). Rozrazil. Brno: Větrné mlýny, 2006, 03/2006, No 03, p. 119-120. ISSN 1801-4755. info
  • POSPÍŠIL, Tomáš. John Bodnar, Blue Collar Hollywood: Liberalism, Democracy, and Working People in American Film. Amerikastudiem, American Studies. Heidelberg: Universitaetsverlag Heideberg, 2006, vol. 51, No 4, p. 601-603. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Malcolm, Cheryl Alexander; Nyman, Jopi, eds. How far Can You Go: Black Eroticism and Sexuality on American Screens (How far Can You Go: Black Eroticism and Sexuality on American Screens). In Eros.USA: Essays on the Culture and Literature of Desire. 1st ed. Gnaňsk: Wydawnictwo Iniwerzitetu Gdanskiego, 2005, p. 155-170. 1st edition. ISBN 83-7326-282-2. info
  • POSPÍŠIL, Tomáš. Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg, in: Chovanec, Jan, ed.:Theory and Practice in English Studies, Vol. 4 (Attractive Ambiguities: Epistemological Uncertainty in the Work of David Cronenberg). In Theory and Practice in English Studies. Brno: Masarykova univerzita, 2005, p. 217-223. ISBN 80-210-3836-5. info
  • POSPÍŠIL, Tomáš. William F. Cody alias Buffalo Bill - propagátor a tvůrce "divokého západu" (William F. Cody alias Buffalo Bill - Propagator and Creator of "the Wild West"). Rozrazil. Brno: Vetrné mlýny, Brno, 2005, 00/2005, No 00, 2 pp. ISSN 1801-4755. info
  • POSPÍŠIL, Tomáš. Christa Buschendorf, ed., Cultural Exchanges between Central/Eastern Europe and America, Proceedings of the East-West American Studies Conf. (ZENAF), 29. May-2 June 2002. Amerikastudien - American Studies. Heidelberg: Universtaetsverlag Heidelberg, 2005, vol. 50, 1/2, p. 275-279. ISSN 0340-2827. info
  • POSPÍŠIL, Tomáš. Spies, Bombers, Liberators and Lovers: Images of Americans in Czech Film. Brno Studies in English. Brno: Masarykova Univerzita, 2005, vol. 11, No 1, p. 147-155, 8 pp. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Films by David Cronenberg and the Fantastic Postmodern Body, in: Coelsh-Foisner, Franková (eds.). The Human Figure in (Post-)Modern Fantastic Literature and Film (Films by David Cronenberg and the Fantastic Postmodern Body). In The Human Figure in (Post-)Modern Fatastic Literature and Film. Brno: Masarykova univerzita, 2004, p. 99-107, 8 pp. ISBN 80-210-3550-1. info
  • POSPÍŠIL, Tomáš. Lindon Barrett: Blackness and Value: Seeing Double. Amerikastudien - American Studies. Heidelberg: German Association for American Studies, 2004, vol. 49, No 1, p. 116-119, 3 pp. info
  • POSPÍŠIL, Tomáš. Barbara Tepa Lupack: Literary Adaptations in Black American Cinema: From Micheaux to Morrison. Barbara Tepa Lupack: Literary Adaptations in Black American Cinema: From Micheau. Amerikastudien American Studies. Heidelberg: German Association for American Studies, 2004, vol. 49, No 2, p. 268-270. info
  • POSPÍŠIL, Tomáš. Making Music as a Political Act: Or How the Velvet Underground Influenced the Velvet Revolution. In The Cultural Shuttle, The United States of/in Europe. Amsterdam 2004: EAAS, VU University Press, 2004, p. 249-256, 7 pp. ISBN 9053839496. info
  • POSPÍŠIL, Tomáš. The Liberal Message Films of the Late 1940s and the Position of African-Americans. Sborník prací Filozofické fakulty brněnské univerzity, Brno Studies in English. 2004: Masarykova univerzita, 2004, vol. 10, No 1, p. 179-188, 9 pp. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Review: Prem Poddar. Violent Civilities: English, India, Culture. Aarhus UP, 2002. Brno Studies in English. Brno: FF MU Brno, 2004, vol. 10, No 1, p. 224-225. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Sambo tu již nebydlí? Obraz Afroameričanů v americkém filmu 20. století (Sambo does not live here anymore? The Afroamerican Image in American film of the 20th Century). 1st ed. Brno: Nadace Universitas Masarykiana, 2003, 152 pp. Edice Heureka. ISBN 80-7204-288-2. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XXXI - XXXIII (ABC of American Culture). Univerzitní noviny. Brno: Nadace Universitas Masarykiana, 2003, 1-3. info
  • POSPÍŠIL, Tomáš. Spiritualism and Religion in American Film, in: Sweney, Peprník, eds.: Spirituality and Religion in American Culture. In Spiritualism and Religion in American Culture. Olomouc: Univerzita Palackého Olomouc, 2002, p. 133-147. ISBN 80-244-0470-2. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XXVIII - XXX (ABC of American Culture). Univerzitní noviny. Brno: Nadace Universitas Masarykiana, 2002. info
  • POSPÍŠIL, Tomáš. Barbara Goldbergová, Nádherní snílci (Barbara Goldberg, Marvellous Dreamers). Univerzitní noviny. Nadace Universitas Masarykiana, 2002, No 12. info
  • POSPÍŠIL, Tomáš. Průvodce cestovatele Amerikou; Co všechno potřebuješ znát o americkém životním stylu (A Travelers Guide to the United States: Whatever you Need to Know about the American lifestyle). Olomouc: Votobia, 2001, 200 pp. ISBN 80-7198-467-1. info
  • POSPÍŠIL, Tomáš. The Right Thing and after: The Construction of African American Identity in Recent American Film. Brno, Masarykova univerzita: Brno Studies in English, 2001, vol. 26, p. 101-110. info
  • POSPÍŠIL, Tomáš. Thirteen Ways of Looking at America. Brno Studies in English. Brno: Masarykova univerzita, 2001, vol. 27, 10 pp. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal XVIII - XXVII (ABC of American Culture). Univerzitní noviny, 1 - 12. Brno: Nadace Universitas Masarykiana, 2001. info
  • POSPÍŠIL, Tomáš. Predicting the American Century: a Seminar on Political, Social, and Cultural Issues. EAAS Newsletter. The Eccles Centre, The British Library: European Association for American Studies, 2000, vol. 45, 2000/9, 2 pp. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal, VIII - XVII (ABC of American Culture). Univerzitní noviny, 1-12. Brno: Nadace Universitas Masarykiana, 2000. info
  • POSPÍŠIL, Tomáš. Narrative Cinema as Teachers Pleasure: The Importance of Cinema in the American Studies Classroom. Brno Studies in English. Brno: Masarykova univerzita, 1999, vol. 25, 7 pp. ISSN 1211-1791. info
  • POSPÍŠIL, Tomáš. Turning the Peking Duck into a Big Mac: The Art of the Hollywood Remake (Wings of Desire, City of Angels) in: Kafka, Kolář (eds.). American Studies at the Turn of the Millenium (Turning the Peking Duck into a Big Mac: The Art of the Hollywood Remake (Wings of Desire, City of Angels)). Ostrava: Univerzita Ostrava, 1999, 8 pp. info
  • POSPÍŠIL, Tomáš. Abeceda kultury USA, aneb jak jsem je poznal, I - VII (ABC of American Culture). Univerzitní noviny. Brno: Nadace Universitas Masarykiana, 1999. info
  • POSPÍŠIL, Tomáš. The Progressive Era In American Historical Fiction: John Dos Passos' The 42nd Parallel and E. L. Doctorow's Ragtime (The Progressive Era In American Historical Fiction: John Dos Passos' The 42nd Parallel and E.L. Doctorow's Ragtime). 1st ed. Brno: Masarykova univerzita, 1998, 118 pp. ISBN 80-210-1748-1. info
  • POSPÍŠIL, Tomáš. Dějiny anglické literatury od počátků do poloviny 17. století, History of English Literature from the Beginning to the Mid-Seventeenth Century (History of English Literature from the Beginning to the Mid-Seventeenth Century). Brno: Masarykova univerzita, 1994, 15 pp. info

2014/04/10

Curriculum vitae: doc. PhDr. Tomáš Pospíšil, Ph.D. (učo 828), version: English(1), last update: 2014/04/10 13:52, T. Pospíšil

Another Variant: Czech(1)