FAVs001 Cinema of Africa, India and Near East

Faculty of Arts
Autumn 2004
Extent and Intensity
2/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
PhDr. Jaromír Blažejovský, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Wed 15:00–16:35 12
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course offers introductions to cinema of India, Islamic countries (Iran, Maghreb, Egypt, Turkey), Israel and the Subsaharian Africa, focused on works of the most important filmmakers. Literature: Basutcu, Mehmet (1996): Le cinéma turc, Paris, Centre Georges Pompidou/L Equerre; Blazejovský, Jaromír (1999): Íránský film, Uherské Hradiste; Joshi, Lalit Molan, Malcolm, Derek (2002: Bollywood: Popular Indian Cinema, Dakini Books, Inc.; Nyce, Ben (1988): Satyajit Ray: A Study of His Films, New York; Passek, Jean-Loup (1983): Le cinéma indien, Paris, Centre Georges Pompidou/L Equerre; Tapper, Richard (2002): The New Iranian Cinema: Politics, Representation and Identity, Palgrave Macmillan; Ukadike, Nwachuwu Frank (1994): Black African Cinema, Berkeley. Auteurs and films: Bani-Etemad, Rakhshan: Zir-e poost-e shahr (Under the City's Skin, 2001); Cissé, Souleymane: Yeelen (1987); Chahine, Youssef: Bab el hadid (1958), Iskanderija... lih? (Alexandria... Why?, 1978), al-Massir (Destiny, 1997), Alexandrie... New York (2004); Dayan, Assi: Ha-chayim Al-Pi Agfa (Life According to Agfa, 1992); Diop Mambéty, Djibril: Touki Bouki (1973), Hyénes (1992); Dutt, Guru: Pyaasa (Thirst, 1957); Forouzesh, Ebrahim: Kelid (The Key,1987); Ghatak, Ritwik: Subarnarekha (1965), Metne Dhaka Tara (The Cloud-capped Star, 1960); Titash Esti Nadir Nalam (A River Named Titash, 1973), Jukti, Takko Aar Gappo (Reason, Debate and a Story, 1974); Gitai, Amos: Kadosh (1999), Kippur (2000), Kedma (2002); Gören, Serif: Sürü (The Herd, 1978), Yol (The Way, 1983); Güney, Yilmaz: Duvar (Le Mur ,The Wall, 1983); Kapoor, Raj: Awara (1951); Khleifi Michel: Urs al-jalil (1987); Kiarostami, Abbas: Khane-ye doust kodjast? (Where Is the Friend's Home?, 1987), Nema-ye Nazdik (Close Up, 1990), Zendegi va digar hich (And Life Goes on..., 1991), Zire darakhatan zeyton (Under the Olive Trees 1994), Ta m e guilass (A Taste of Cherry, 1997). Bas ma ra khahad bord (The Wind Will Carry Us, 1999); Majidi, Majid: Bacheha-ye aseman (The Children of Heaven, 1997), Rang-e khoda (The Color of Paradise, 1999), Baran (2001); Makhmalbaf, Mohsen: Bicycleran (Cyclist, 1987), Nobat e Asheghi (Time of Love, 1990), Salaam cinema (1995), Nun va Goldoon (The Moment of Innocence, 1996), Gabbeh (1996), Sokout (A Silence,1998), Kandahar (2001); Makhmalbaf, Samira: Sib (The Apple, 1998); Nair, Mira: Salaam Bombay! (1987), The Monsoon Wedding (2001); Okan, Bay: Otobüs (Autobus, 1976); Okten, Zeki; Sürü (Stádo, 1978), Osten, Frank: Light of Asia (1926); Ouedraogo, Idrissa: Yam Daabo (1986), Yaaba (1989), Tilai (1990), Samba Traoré (1992), Kini et Adams (1997); Özgentürk, Ali: Hazal (1979); At (The Horse); Panahi, Jafar: Dayereh (The Circle, 2000), Ayneh (The Mirror, 1997), Badkonake sefid (The White Balloon, 1995); Ray, Satyajit: Trilogie o Apuovi: Pather Panchali (The Song of the Road, 1955), Aparajito (The Unvanquished, 1957), Apur Sansar (The World of Apu, 1959); Jalsaghar (The Music Room,1958); Charulata (The Lonely Wife, 1964); Jana Aranya (The Middleman, 1976); Ghare-Baire (Home and the World, 1984); Sembéne, Ousmane: Borom sarret (1966); Mandabi (1968), Xala (1975), Ceddo (1977), Moolaade (2004); Sen, Mrinal: Interview (1971); Oka Oori Katha (The Marginal Ones, 1977); Suleiman, Elia: Yadon ilaheyya (Divine Intervention, 2002); Chahine, Youssef, Gitai, Amos, Machmalbafová, Samira, Nair, Mira, Ouedraogo, Idrissa, : 11 09 01 (2002).
Assessment methods (in Czech)
Kolokvium: 20 filmů k diskusi
Language of instruction
Czech

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