FAV150 Media and documentary. Workshop on creative writing about documentary film

Faculty of Arts
Autumn 2018
Extent and Intensity
0/24/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
PhDr. BcA. Andrea Slováková, Ph.D., MBA (lecturer), prof. PhDr. Jiří Voráč, Ph.D. (deputy)
Patrycja Astrid Twardowska (assistant)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Thu 16:00–17:40 03019
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 10 fields of study the course is directly associated with, display
Course objectives
Seminar of Creative Writing on Documentary Film is an opportunity for students of film studies, journalism and other humanities and social disciplines to train their skills in the reflection on films and festival events under the guidance of well-known reviewers and theoreticians.
What are the possibilites of writing about documentary film within different genres? What are the barriers and advantages of the particular genres for a dialogue with documentary film? What are the conventions and the possibilities of these genres?
Learning outcomes
After finishing this course, students will have been able to:
Understand the issues of documentary cinematography.
Understand the problems of writing about documentary film in different genres and styles.
Write a critical reflection of a documentary film.
Analyze critical discourse.
Syllabus
  • The course consists of four blocks:
  • 1.1. Lectures of the Czech leading journalists - they present students with different forms of critical reflection, pitfalls and advantages of individual genres, the material being a documentary film or a film festival.
  • 1.2. Lectures of foreign lecturers open up broader topic of media reflection of documentary film.
  • 2. Independent student work - each chooses one genre and prepares their paper within three days.
  • 3. Critical seminars with individual lecturers - in-depth analysis of written paper. 4. Workshop.
Literature
    required literature
  • NICHOLS, Bill. Úvod do dokumentárního filmu. 1. vyd. Praha: Akademie múzických umění v Praze, 2010, 316 s. ISBN 9788073311810. info
  • GAUTHIER, Guy. Dokumentární film, jiná kinematografie. Translated by Ladislav Šerý. 1. vyd. V Praze: Akademie múzických umění, 2004, 507 s. ISBN 8073310236. info
  • DO. Sborníky textů o dokumentu. Jihlava: JSAF.
  • http://www.dokrevue.cz/
Teaching methods
Theoretical lectures, critical seminars, workshops, independent work, discussion.
Courses are carried out within the MFDF Jihlava.
The festival provides seminar participants with low-cost accommodation and a free PRESS accreditation throughout the festival.
Assessment methods
Terms of evaluation:
1. Participation in all lectures.
2. Passing the critical seminar with a lecturer.
3. Written assignement: paper on selected genre; the optimal range for each paper is determined by the lecturer - typically 9,000 characters.
Students will rewrite their paper based on a consultation within the critical seminar and will send it to their lecturer and also to andreas@ji-hlava.cz.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course can also be completed outside the examination period.
The course is taught annually.
Teacher's information
http://www.ji-hlava.cz/press/media-and-doc
The course is also listed under the following terms Autumn 2008, Autumn 2009, Autumn 2010, Autumn 2011, Autumn 2012, Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Autumn 2017.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2018/FAV150