FAVBPalt5 Slow Cinema

Faculty of Arts
Autumn 2018
Extent and Intensity
2/0/2. 5 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Ondřej Pavlík, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Thu 16:00–19:40 C34
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 69 student(s).
Current registration and enrolment status: enrolled: 0/69, only registered: 0/69, only registered with preference (fields directly associated with the programme): 0/69
fields of study / plans the course is directly associated with
there are 10 fields of study the course is directly associated with, display
Course objectives
The course will focus on slow cinema, one of the most important tendencies of contemporary art cinema. Although the academic discourse started to recognise slow cinema only a decade ago, this trend has its roots in films of some of the modernistic auteurs or avantgarde artist. With regards to a wide variety of slow cinema directors (artists from Thailand, South America or Europe), the questions of continuity, similarity and difference in today's global art cinema come forward. Institutional background of slow cinema will be reflected, as well as the dominant theoretical approaches, like theories of Jacques Ranciere, Gilles Deleuze or neoformalism.
Learning outcomes
Students will be able to thoroughly understand one of the dominant trends of contemporary art cinema. They will be able to think about it in historical terms and they will be able to use some of the basic theoretical approaches to these films.
Syllabus
  • Introduction to slow cinema
  • European modernists
  • US avantgarde
  • Spiritual film
  • Theoretical approaches
  • Slow documentary
  • Panorama of contemporary slow cinema (Latin America, Asia, Europe)
Literature
  • Slow cinema. Edited by Tiago De Luca - Nuno Barradas Jorge. Edinburgh: Edinburgh University Press, 2016, xx, 332. ISBN 9780748696024. info
  • Global art cinema : new theories and histories. Edited by Rosalind Galt - Karl Schoonover. Oxford: Oxford University Press, 2010, xxiv, 384. ISBN 9780195385625. info
  • RANCIÈRE, Jacques. The politics of aesthetics : the distribution of the sensible. Edited by Gabriel Rockhill. New York: Continuum, 2006, 116 s. ISBN 082647067X. info
Teaching methods
lectures, film projections
Assessment methods
essay or test
Language of instruction
Czech
Further Comments
Study Materials
  • Enrolment Statistics (recent)
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