FF:ZDK_16 Sound Production II - Course Information
ZDK_16 Sound Production II
Faculty of ArtsAutumn 2024
- Extent and Intensity
- 0/2/2. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- Ladislav Mirvald (lecturer)
Mgr. Viktor Pantůček, Ph.D. (lecturer) - Guaranteed by
- Mgr. Viktor Pantůček, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Fri 4. 10. 8:00–11:40 N21, Fri 25. 10. 8:00–11:40 N21, Fri 8. 11. 8:00–11:40 N21, Fri 6. 12. 8:00–11:40 N21
- Prerequisites
- ZDK_12 Sound Production I
Passing the course Sound Production I ZDK_12 - Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Sound Design and Multimedial Technology (programme FF, N-ZVUK_)
- Course objectives
- The student will be able to understand the language of professional sound studies after completing the course. He will understand the individual requirements for the quality and nature of the material. He will know the technical and time demands and approximate value of the work in the sound studio. He will be able to specify requirements for sound engineer and sound master based on client's tasks. He will be able to mediate between the performer, the sound studio and the director.
- Learning outcomes
- Student will understand after the course:
the way of work leading to the production of multichannel sound recording (reportage with sound background, musical composition, multichannel audio production (5.1, 7.1) in terms of editing, basic mix and exporting to final formats
various sound applications (image, video, animation, computer game, sound capture outside the studio space [interior, exterior] using portable recording equipment, theater, fine art, performance, art installation, etc.)
the sequence of steps from recording to application to different media
will be able to read and control assignments for studio work, recording, technical requirements of the clients, technical requirements of the end user or producers of carriers
will be able to determine the approximate technical and personnel intensity, at the same time the time and financial costs of individual projects,
therefore, based on technical requirements, he will be able to create a time and financial balance sheet and to distribute work to a technician, sound engineer and other studio staff. - Syllabus
- 1st multi-channel production
- 2. editing, editing, mixing, mastering
- 3. linking sound with other media and artistic genres
- 4. sound production schedule
- 5. creation and analysis of sound production
- 6. technical, personal and financial aspects of sound production
- Literature
- recommended literature
- BLÁHA, Ivo. Zvuková dramaturgie audiovizuálního díla. 3. upravené vydání. Praha: Nakladatelství Akademie múzických umění v Praze, 2014, 153 stran. ISBN 9788073313036. info
- VIERS, Ric. The location sound bible : how to record professional dialogue for film and TV. Studio City, CA: Michael Wiese Productions, 2012, xv, 354. ISBN 9781615931200. info
- VLACHÝ, Václav. Praxe zvukové techniky. 3., aktualiz. a dopl. vyd. Praha: Muzikus, 2008, 297 s. ISBN 9788086253466. URL info
- Teaching methods
- Practice in directing, in the hall and outside of the studio and also in facilities following the work of sound directing.
- Assessment methods
- Final work in the sound laboratory and in exterior, organizing technology and work in the sound laboratory and making audio recording. Making an audio recording in the exterior based on the assignment. Creating a stageplan and connection based on situation requirements. Creating the final basic audio medium (output track list, description, format).
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
- Enrolment Statistics (recent)
- Permalink: https://is.muni.cz/course/phil/autumn2024/ZDK_16