FAV071 A History of Cinema and Film Sound II

Faculty of Arts
Spring 2004
Extent and Intensity
2/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
doc. Mgr. Petr Szczepanik, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Mon 13:20–14:55 12
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
The course will treat the problem of the coming of film sound in broader cultural and intermedial contexts, as a challenge for traditional conception of the history of film style, technology and reception. Assessment: a written test. Basic literature: Chion, Michel: Un art sonore, le cinéma. Histoire, esthétique, poétique. Paris: Cahiers du cinéma 2003; Müller, Corinna: Vom Stummfilm zum Tonfilm. München: Wilhelm Fink 2003; Flückinger, Barbara: Sound Design. Die virtuelle Klangwelt des Films. Marburg: Schüren 2002; Altman, Rick (ed.): Iris. The State of Sound Studies, č. 27. ; Iowa City 1999; Martin Barnier: En route vers le parlant. Liège: Céfal 2002; Altman, Rick (ed.): Cinema/sound. New Haven, CT.: Yale French Studies 1980; Altman, Rick (ed.): Sound Theory, Sound Practice. New York: Routledge 1992; Chion, Michel: Audio-vision: Sound on Screen. New York: Columbia University Press 1994; Chion, Michel: The Voice in Cinema. Edited and translated by Claudia Gorbman. New York: Columbia University Press 1999; Lastra, James: Sound Technology and the American Cinema: Perception, Representation, Modernity. New York: Columbia University Press 2000; Weis, Elisabeth; Belton, John (eds.): Film Sound: Theory and Practice. New York: Columbia University Press 1985. Assessment: written test.
Assessment methods (in Czech)
Kolokvium: písemný test.
Language of instruction
Czech
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