KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2025
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2020
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Timetable
- Wed 10:00–11:40 M22
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- Study Materials
The course is taught once in two years.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2018
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Dagmar Vachůtová, Ph.D. (alternate examiner) - Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Timetable
- Fri 9:10–14:05 T220
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- Study Materials
The course is taught once in two years.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2016
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Dagmar Vachůtová, Ph.D. (alternate examiner) - Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Timetable
- Fri 9:10–14:05 C42
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- Study Materials
The course is taught once in two years.
Information on course enrolment limitations: PŘEDMĚT JE VYUČOVÁN BLOKOVĚ V TĚCHTO TERMÍNECH: 18. 3.; 15. 4.; 6. 5. a 20. 5.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2014
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc.
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Timetable
- Mon 10:50–12:25 C33
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2012
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc.
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Timetable
- Mon 14:10–15:45 C42
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- Study Materials
The course is taught once in two years.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2010
- Extent and Intensity
- 2/0/0. 4 credit(s) (maximum: 20 credits). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Timetable
- Wed 15:00–16:35 K21
- Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- Study Materials
The course is taught once in two years.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2008
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Timetable
- Mon 15:00–16:35 B32
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přednáška podává výklad vývoje římského výtvarného umění, jeho formy, zabývá se významem římského reprezentativního umění v době císařské.
- Syllabus (in Czech)
- Řím a výtvarné umění v průběhu principátu, vliv helénistického stylu, římské dekorativní umění a řecké dědictví, atticismus. Utváření římské syntézy a její vrstevnatost. Soukromá a veřejná architektura. Augustovské období a jeho význam pro formování státního reprezentativního umění (spojení římského obsahu a řecké formy). Julsko-claudiovské období, portrét, historický reliéf a malířství. Flaviovské umění a architektura. Trajánovský klasicismus - vrchol římské syntézy v portrétu a historickém reliéfu. Hadrianovský klasicismus - estetický romantismus, počátky spirituality, antoninovské umění - barokizace slohu, nárůst expresivních prvků.
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- Assessment methods (in Czech)
- Římské umění je klíčovým předmětem zkoušeným při státní bakalářské zkoušce.
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2006
- Extent and Intensity
- 2/0/0. 4 credit(s) (maximum: 10 credits). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Timetable
- Tue 11:40–13:15 B31
- Prerequisites (in Czech)
- KLBcA25 Etrusco-Italics Culture
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přednáška podává výklad vývoje římského výtvarného umění, jeho formy, zabývá se významem římského reprezentativního umění v době císařské.
- Syllabus (in Czech)
- Řím a výtvarné umění v průběhu principátu, vliv helénistického stylu, římské dekorativní umění a řecké dědictví, atticismus. Utváření římské syntézy a její vrstevnatost. Soukromá a veřejná architektura. Augustovské období a jeho význam pro formování státního reprezentativního umění (spojení římského obsahu a řecké formy). Julsko-claudiovské období, portrét, historický reliéf a malířství. Flaviovské umění a architektura. Trajánovský klasicismus - vrchol římské syntézy v portrétu a historickém reliéfu. Hadrianovský klasicismus - estetický romantismus, počátky spirituality, antoninovské umění - barokizace slohu, nárůst expresivních prvků.
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- Assessment methods (in Czech)
- Římské umění je klíčovým předmětem zkoušeným při státní bakalářské zkoušce.
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2005
- Extent and Intensity
- 2/0/0. 2 credit(s) (plus 1 credit for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- prof. PhDr. Jan Bouzek, DrSc. (lecturer)
PhDr. Marie Pardyová, CSc. (lecturer) - Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 7 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přednáška podává výklad vývoje římského výtvarného umění, jeho formy, zabývá se významem římského reprezentativního umění v době císařské.
- Syllabus (in Czech)
- Řím a výtvarné umění v průběhu principátu, vliv helénistického stylu, římské dekorativní umění a řecké dědictví, atticismus. Utváření římské syntézy a její vrstevnatost. Soukromá a veřejná architektura. Augustovské období a jeho význam pro formování státního reprezentativního umění (spojení římského obsahu a řecké formy). Julsko-claudiovské období, portrét, historický reliéf a malířství. Flaviovské umění a architektura. Trajánovský klasicismus - vrchol římské syntézy v portrétu a historickém reliéfu. Hadrianovský klasicismus - estetický romantismus, počátky spirituality, antoninovské umění - barokizace slohu, nárůst expresivních prvků.
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- Assessment methods (in Czech)
- Římské umění je klíčovým předmětem zkoušeným při státní bakalářské zkoušce.
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: every week.
Credit evaluation note: Za kolokvium obdrží studenti latiny a klasické řečtiny dva kredity. Studenti klasické archeologie mají předepsánu zkoušku, za ní potom kredity 3.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2004
- Extent and Intensity
- 2/0/0. 2 credit(s) (plus 1 credit for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- prof. PhDr. Jan Bouzek, DrSc. (lecturer)
PhDr. Marie Pardyová, CSc. (lecturer) - Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Timetable
- Thu 15:00–16:35 48
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 7 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přednáška podává výklad vývoje římského výtvarného umění, jeho formy, zabývá se významem římského reprezentativního umění v době císařské.
- Syllabus (in Czech)
- Řím a výtvarné umění v průběhu principátu, vliv helénistického stylu, římské dekorativní umění a řecké dědictví, atticismus. Utváření římské syntézy a její vrstevnatost. Soukromá a veřejná architektura. Augustovské období a jeho význam pro formování státního reprezentativního umění (spojení římského obsahu a řecké formy). Julsko-claudiovské období, portrét, historický reliéf a malířství. Flaviovské umění a architektura. Trajánovský klasicismus - vrchol římské syntézy v portrétu a historickém reliéfu. Hadrianovský klasicismus - estetický romantismus, počátky spirituality, antoninovské umění - barokizace slohu, nárůst expresivních prvků.
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- Assessment methods (in Czech)
- Římské umění je klíčovým předmětem zkoušeným při státní bakalářské zkoušce.
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
Credit evaluation note: Za kolokvium obdrží studenti latiny a klasické řečtiny dva kredity. Studenti klasické archeologie mají předepsánu zkoušku, za ní potom kredity 3.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2024
The course is not taught in Spring 2024
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2023
The course is not taught in Spring 2023
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2022
The course is not taught in Spring 2022
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2021
The course is not taught in Spring 2021
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- Mgr. Věra Klontza, Ph.D.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2019
The course is not taught in Spring 2019
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Ing. Monika Zobková Koróniová, Ph.D. (seminar tutor) - Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- required literature
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- BOUZEK, Jan - ONDŘEJOVÁ, Iva - TITZ, Pavel. Římské umění. Praha, 2015.
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- RAMAGE, Nancy H. and Andrew RAMAGE. Roman art : Romulus to Constantine. 6th ed. Upper Saddle River, N.J.: Pearson, 2015, 384 s. ISBN 9780205988952. info
- ZANKER, Paul. Roman art. Translated by Henry Heitmann-Gordon. First published. Los Angeles: The J. Paul Getty Museum, 2010, ix, 214. ISBN 9781606061015. info
- recommended literature
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- not specified
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
General note: Výuka tohoto předmětu proběhne v pěti blocích, a to vždy od 9.10 hodin (2. 3., 23. 3., 6. 4., 20. 4. a 11. 5.).
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2017
The course is not taught in Spring 2017
- Extent and Intensity
- 2/0/0. 4 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- PhDr. Jan Jílek, Ph.D. (lecturer)
Mgr. Dagmar Vachůtová, Ph.D. (alternate examiner) - Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: Jitka Šibíčková
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: in blocks.
Information on course enrolment limitations: PŘEDMĚT JE VYUČOVÁN BLOKOVĚ V TĚCHTO TERMÍNECH: 18. 3.; 15. 4.; 6. 5. a 20. 5.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2015
The course is not taught in Spring 2015
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc.
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
The course is taught: every week.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2013
The course is not taught in Spring 2013
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc.
Supplier department: Department of Archaeology and Museology – Faculty of Arts - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
The course is taught: every week.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2011
The course is not taught in Spring 2011
- Extent and Intensity
- 2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Teaching methods
- lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- Study Materials
The course is taught once in two years.
The course is taught: every week.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2009
The course is not taught in Spring 2009
- Extent and Intensity
- 2/0/0. 4 credit(s) (maximum: 20 credits). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Prerequisites
- general knowledge of Greek and Etruscan art and culture and of the Roman republic
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives
- The lecture presents the main structure, theory and topics of Roman Imperial art from the 1st to the 3rd century A. D.
- Syllabus
- - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
- - Establishing Roman synthesis and its layering
- - Personal and common architecture
- - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
- - Iulio-Claudian period, portrait, historical relief and painting
- - Flavian art and architecture
- - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
- - Hadrian classicism - esthetic romantism, beginnings of spirituality
- - Antonian art - the increase of expressive elements
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
- KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
- ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
- ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
- PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
- PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
- PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
- PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
- PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
- PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
- PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
- PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
- Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
- Assessment methods
- Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
The course is taught: every week.
KLBcA26 Art of the Roman Principate
Faculty of ArtsSpring 2007
The course is not taught in Spring 2007
- Extent and Intensity
- 2/0/0. 4 credit(s) (maximum: 20 credits). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- PhDr. Marie Pardyová, CSc. (lecturer)
- Guaranteed by
- prof. PhDr. Jan Bouzek, DrSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc. - Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 13 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přednáška podává výklad vývoje římského výtvarného umění, jeho formy, zabývá se významem římského reprezentativního umění v době císařské.
- Syllabus (in Czech)
- Řím a výtvarné umění v průběhu principátu, vliv helénistického stylu, římské dekorativní umění a řecké dědictví, atticismus. Utváření římské syntézy a její vrstevnatost. Soukromá a veřejná architektura. Augustovské období a jeho význam pro formování státního reprezentativního umění (spojení římského obsahu a řecké formy). Julsko-claudiovské období, portrét, historický reliéf a malířství. Flaviovské umění a architektura. Trajánovský klasicismus - vrchol římské syntézy v portrétu a historickém reliéfu. Hadrianovský klasicismus - estetický romantismus, počátky spirituality, antoninovské umění - barokizace slohu, nárůst expresivních prvků.
- Literature
- PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
- KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
- ANDREAE, B. Römische Kunst. Freiburg, 1973. info
- BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
- V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
- KÄHLER, H. Der römische Tempel. Berlin, 1970. info
- FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
- MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
- Assessment methods (in Czech)
- Římské umění je klíčovým předmětem zkoušeným při státní bakalářské zkoušce.
- Language of instruction
- Czech
- Follow-Up Courses
- Further Comments
- The course is taught once in two years.
The course is taught: every week.
- Enrolment Statistics (Spring 2025, recent)