IM123 Aesthetic Theories of Multimedia and Synesthesis II

Faculty of Arts
Spring 2022
Extent and Intensity
1/1/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
doc. PhDr. Martin Flašar, Ph.D. (lecturer)
Guaranteed by
doc. PhDr. Martin Flašar, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 8:00–9:40 N21
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 150 student(s).
Current registration and enrolment status: enrolled: 0/150, only registered: 0/150, only registered with preference (fields directly associated with the programme): 0/150
fields of study / plans the course is directly associated with
Course objectives
The aim of the course is to provide theoretical, analytical and interpretative instruments for understanding media art, especially multimedia art. The course represents an introduction to the problem of multimedia in a broader context of art manifestos and their concrete application. Although multimedia seem to be rooted in the realm of digital media in 1980's, in a broader "archaeological" sense its basic principles could be traced back to artistic and theoretical approaches of 18th and 19th century.
Learning outcomes
- Obtaining knowledge and interpretative skills in the field of basic notions and history.
- Providing basic conceptual instruments for multimedia art analysis.
Syllabus
  • - Picture in music / Music for eyes.
  • - Problem of code. Music as a picture, sculpture, architecture.
  • - Sound art.
  • - Radio art.
  • - Czech multimedia art scene.
  • - Symbolic communications in the cultural context.
  • - From abstraction to algorithm.
  • - Lebenswelt as a videoclip.
Literature
    required literature
  • SMOLKA, M. – KOFROŇ, P. Grafické partitury a koncepty. Olomouc: Votobia, 1996.
  • LIPOVETSKY, Gilles. Éra prázdnoty. Úvahy o současném individualismu. Praha : Prostor 2003.
  • BAUMAN, Zygmunt. Úvahy o postmoderní době. Praha: Slon, 1995.
  • Multimedia : from Wagner to virtual reality. Edited by William Gibson - Randall Packer - Ken Jordan. New York: W.W. Norton, 2002. xxxviii, 4. ISBN 0393049795.
  • Hlaváčková, Jitka - Vojtěchovský, Miloš (eds.). Zvuky, kódy, obrazy [Sounds, Codes, Images]. Praha: ArtMap, 2020. s. 63-74. ISBN 978-80-907873-4-6.
  • FLAŠAR, Martin. Příliš hlučná samota. MP3 přehrávače a konstrukce individuálního prostoru. In Musical culture and education in international society. Nitra: Univerzita Konštantína filozofa v Nitre, 2010. od s. 82-92.
  • FLAŠAR, Martin - HORÁKOVÁ, Jana - MACEK, Petr a kol. Umění a nová média. 1. vyd. Brno: Masarykova univerzita, 2011.
  • LIESMANN, Konrad Paul. Universum věcí: K estetice každodennosti. Praha : Academia, 2012.
  • RATAJ, Michal. Elektroakustická hudba a vybrané koncepty radioartu: problematika vymezování tvůrčích pozic v prostředí akustických umění z pohledu domácí scény radioartu. V Praze: Kant - Karel Kerlický pro AMU, 2007. Disk. Malá řada. ISBN 978-80-86970-31
  • LICHT, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli, 2007
  • SCRUTON, Roger. Průvodce inteligentního člověka po moderní kultuře. Praha: Academia, c2002. ISBN 80-200-1076-9.
  • MEYROWITZ, Joshua. Všude a nikde. Praha : Karolinum, 2006.
  • ECO, Umberto. O zrcadlech a jiné eseje: znak, reprezentace, iluze, obraz. Praha: Mladá fronta, 2002. Myšlenky. ISBN 80-204-0959-9.
Teaching methods
Lecture, parallel reading of the recommended texts.
Assessment methods
- min. 50% attendance
- written test
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021.
  • Enrolment Statistics (recent)
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