Code |
Name |
Guarantor |
Type of Completion |
Extent and Intensity |
Credits |
Profile Cat. |
Requirement |
FF:AJLA20006 | Czech Literature in English |
B. Fořt | zk |
0/2/0 | 8 |
- |
- |
FF:AJLA21110 | Practical English Exam |
L. Nepivodová | zk |
0/0/0 | - |
- |
- |
FF:AJLA21120 | Oral Practical English Exam |
L. Nepivodová | zk |
0/0/0 | - |
- |
- |
FF:AJLA22022 | Applied Linguistics: Language Acquisition |
J. Chamonikolasová | z |
0/2/0 | 6 |
- |
- |
FF:AJLA22065 | Semantics: The English Verb |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22066 | Pronunciation Varieties of English |
K. Tomková | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22068 | Semantics: Sentence Semantics |
N. Kudrnáčová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22073 | Language of Advertising |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22082 | Pragmatics |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22083 | Stylistics: Language and the Media |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22087 | Forensic Linguistics: English language and law |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22093 | Pronunciation Varieties of American English |
K. Tomková | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22095 | Discourse analysis: Folktales |
J. Pelclová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22098 | Linguistic analysis of broadcast talk |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22102 | Language and Ideology |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA22106 | Genre and text structure |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24054 | Contemporary British Women Novelists |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24065 | Shakespeare in/and Love |
M. Franková | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24087 | Forrest Reid |
M. Kaylor | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24101 | Tom Stoppard, playwright |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24103 | Reading Harry Potter: Linguistic, Literary and Cultural Analyses |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24104 | Aspects of Later 19th and Early 20th Century British Literature |
S. Hardy | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24105 | Aspects of 19th and 20th Century British and European Literature |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24251 | Henry James and his Critics |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24252 | Twentieth Century Anglophone War Fiction |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24261 | Anglo-Welsh Literature |
S. Hardy | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24262 | Late Victorian and Edwardian Literature |
S. Hardy | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA24502 | Topics in Literature: Restoration Theatre |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25047 | Indigenous Literature |
M. Horáková | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25053 | Walt Whitman |
M. Kaylor | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25056 | Arthur Miller, Playwright |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25058 | H.P. Lovecraft and His Followers |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25059 | Beyond Postmodern Fiction: Infinite Jest by David Foster Wallace |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25060 | Eugene O’Neill, playwright |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25061 | Modern American Drama - tranformations of the genre |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA25062 | Postmodern Masterpiece: Gravity’s Rainbow by Thomas Pynchon |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA26069 | 20th Century British Drama and The Royal Court Theatre |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27051 | Contemporary Native American Societies |
M. Horáková | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27053 | Civil and Human Rights: A Comparative Examination |
J. Smith | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27074 | HBO's The Wire and the American City |
T. Pospíšil | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27076 | Conspiracy and Paranoia in American Fiction and Culture |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27086 | Topics in American Culture: Cultural Politics and Political Cultures of the United States |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27087 | How Did It Come to This? The Roots of Inequality in the US and UK in the Age of Trump and Brexit |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27088 | African American Art |
J. Smith | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27090 | Fear for Your Life: Evolution, Cognition, and Frightening Entertainment |
T. Pospíšil | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA27093 | Between Utopia and Dystopia: Digitality, Networks and Literature |
T. Kačer | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28001 | Postcolonial and Feminist Rewritings of Master Narratives |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28042 | Film in Canada: Institutions, Genres, Film-makers, Criticism |
T. Pospíšil | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28065 | Canada - US Relations |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28066 | Canada and Global Issues |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28067 | |
- | - |
0/0 | - |
- |
- |
FF:AJLA28084 | Indigenous Australia |
J. Chamonikolasová | zk |
0/2/0 | 6 |
- |
- |
FF:AJLA28087 | The Lie of the Land: Australia in Literature and Film |
M. Horáková | zk |
0/2/0 | 6 |
- |
- |
FF:SAKS001 | Identity and Alterity in Literature and Culture: Theory, Methodology, Analysis |
T. Pospíšil | zk |
0/2/0 | 8 |
- |
- |
FF:SAKS002 | Multilingualism, Language Change and Language Policy |
J. Chovanec | zk |
0/2/0 | 8 |
- |
- |
FF:SAKS003 | Cultural Perspectives on the Colonization of North America |
P. Kyloušek | zk |
0/2/0 | 8 |
- |
- |
FF:SAKS004 | North American Cultural Geographies |
T. Pospíšil | zk |
0/2/0 | 8 |
- |
- |
FF:SAKS011 | North American Cross-cultural Narratives |
M. Horáková | zk |
0/2/0 | 6 |
- |
- |
FF:SAKS012 | Translating North America into Czech (and vice versa): a historical-cultural perspective |
J. Rambousek | zk |
0/2/0 | 6 |
- |
- |
FF:SAKS013 | Film in the USA: Institutions, Genres, Film-makers, Criticism |
T. Pospíšil | zk |
0/2/0 | 6 |
- |
- |
FF:SAKS014 | Current Topics in American Linguistics |
J. Chovanec | zk |
0/2/0 | 6 |
- |
- |
|
|
|
|
|
358 credits |
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