BUBENÍČEK, Petr. Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s. In Visible and Invisible Authorships; The 7th Annual Conference of The Association of Adaptation Studies, York, 27-28 September 2012. 2012.
Other formats:   BibTeX LaTeX RIS
Basic information
Original name Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s
Name in Czech Who is the author here? On the authorship of film adaptations in Czech cinema of the 1960s
Authors BUBENÍČEK, Petr (203 Czech Republic, guarantor, belonging to the institution).
Edition Visible and Invisible Authorships; The 7th Annual Conference of The Association of Adaptation Studies, York, 27-28 September 2012, 2012.
Other information
Original language English
Type of outcome Requested lectures
Field of Study Literature, mass media, audio-visual activities
Country of publisher United Kingdom of Great Britain and Northern Ireland
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/12:00061147
Organization unit Faculty of Arts
Keywords (in Czech) literatura; film; adaptace; autor
Keywords in English literature; film; adaptation; author
Tags rivok
Changed by Changed by: Mgr. Vendula Hromádková, učo 108933. Changed: 13/4/2013 14:37.
Abstract
The aim of this paper is to examine the phenomenon of authorship of adaptations exemplified by films created in Czechoslovakia in the 1960s. Besides delineating the social, political and partly also economic transformations of the 1950s and 1960s, this paper will focus on the production culture of the period, especially the work of production teams that were a part of the Barrandov film studio. The second half of the paper concentrates on the work of young filmmakers of the coming generation and on František Vláčil.
Abstract (in Czech)
The aim of this paper is to examine the phenomenon of authorship of adaptations exemplified by films created in Czechoslovakia in the 1960s. Besides delineating the social, political and partly also economic transformations of the 1950s and 1960s, this paper will focus on the production culture of the period, especially the work of production teams that were a part of the Barrandov film studio. The second half of the paper concentrates on the work of young filmmakers of the coming generation and on František Vláčil.
PrintDisplayed: 31/5/2024 01:27