2014
Baumolova choroba: Consilium ekonomů nad strukturálním neduhem
PODAŘIL, Miloš a František SVOBODAZákladní údaje
Originální název
Baumolova choroba: Consilium ekonomů nad strukturálním neduhem
Název česky
Baumolova choroba: Consilium ekonomů nad strukturálním neduhem
Název anglicky
Baumols cost disease: Consilium of economists over structural malady
Autoři
PODAŘIL, Miloš (203 Česká republika, domácí) a František SVOBODA (203 Česká republika, garant, domácí)
Vydání
Scientia et Societas, Praha, Newton College, 2014, 1801-7118
Další údaje
Jazyk
čeština
Typ výsledku
Článek v odborném periodiku
Obor
50600 5.6 Political science
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Kód RIV
RIV/00216224:14560/14:00075162
Organizační jednotka
Ekonomicko-správní fakulta
Klíčová slova česky
Baumolova choroba; nevyvážený růst; živé umění
Klíčová slova anglicky
Baumols cost disease; unbalanced growth; performing arts
Příznaky
Recenzováno
Změněno: 24. 2. 2018 13:05, doc. Ing. František Svoboda, Ph.D.
V originále
Forty-six years ago, an American economist William J. Baumol published a relatively simple concept of unbalanced growth model, in which, inter alia, attempted to explain some phenomena associated with performing arts. The discussion that followed his publication is a valuable example of gradual improvement of the economic model which describes this special economic phenomenon, associated most (but not exclusively) with the area of culture. The debate, which lasted for several decades and which interested economists such as Joan Robinson, Derek Leslie and William D. Nordhaus, is not only interesting chapter from the history of economic thought, but also a potentially useful tool for teaching economics, for an accessible and easily understandable description of the nature and methods of economic debate.
Anglicky
Forty-six years ago, an American economist William J. Baumol published a relatively simple concept of unbalanced growth model, in which, inter alia, attempted to explain some phenomena associated with performing arts. The discussion that followed his publication is a valuable example of gradual improvement of the economic model which describes this special economic phenomenon, associated most (but not exclusively) with the area of culture. The debate, which lasted for several decades and which interested economists such as Joan Robinson, Derek Leslie and William D. Nordhaus, is not only interesting chapter from the history of economic thought, but also a potentially useful tool for teaching economics, for an accessible and easily understandable description of the nature and methods of economic debate.