2014
Theatricality and performativity in contemporary Czech live art
BERNÁTEK, MartinZákladní údaje
Originální název
Theatricality and performativity in contemporary Czech live art
Název česky
Divadelnost a performativita v současném českém scénickém umění
Název anglicky
Theatricality and performativity in contemporary Czech live art
Autoři
Vydání
Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin, 2014
Další údaje
Jazyk
čeština
Typ výsledku
Vyžádané přednášky
Obor
Umění, architektura, kulturní dědictví
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Filozofická fakulta
Klíčová slova česky
Performativita; Divadelnost; České divadlo
Klíčová slova anglicky
Performativit; Theatricality; Cyech Theatre
Štítky
Příznaky
Mezinárodní význam
Změněno: 6. 1. 2015 16:05, Mgr. Martin Bernátek, Ph.D.
V originále
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
Anglicky
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
Návaznosti
| GAP409/11/1082, projekt VaV |
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