Gestures of the Possible Life

k 2014

Gestures of the Possible Life

IVIČIČ, Martina

Basic information

Original name

Gestures of the Possible Life

Authors

IVIČIČ, Martina (703 Slovakia, guarantor, belonging to the institution)

Edition

MEDIA – PERFORMANCE 4 / GESTURE konference. (Brno, 19, - 20. 11. 2014), 2014

Other information

Language

English

Type of outcome

Prezentace na konferencích

Field of Study

Art, architecture, cultural heritage

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

URL

RIV identification code

RIV/00216224:14210/14:00078894

Organization unit

Faculty of Arts

Keywords in English

gesture living and artificial performer; digital organism; emergence autonomy

Abstract

V originále

Gesture of the living performer is the movement to express an idea or meaning. What kind of meaning can emerge from the gesture of artificial performers? Scientists from various fields of study call these entities digital organisms, or programs capable of performing mathematical operations to simulate and study living systems. They offer the opportunity to test generalizations about living systems that may extend beyond the organic life that biologists usually study. Also computer artists employ the biological concepts of living systems in manipulating the code. They create programs to generate data, visualizations or to demonstrate the reproduction processes in a particular ways. Digital artists are not limited in creating art objects, but can make dynamic art objects that can themselves become autonomous entities. In this context, Frank Malina highlights the plasticity of digital information, when an image can be processed, visualized, simulated and networked. According to him, a different kind of reproduction is made possible within computer by software: he calls it post-mechanical reproduction (or more descriptive term is generative reproduction – similar to biological one). The artificial organisms with their autonomy perform their genuine roles in the artificial life narratives. They can do gestures similar to the human ones, because they dispose of technical skills but on the other side as Auslander reminds, they do not have potential to exercise interpretative skills. Here we enter the problematic situation, when the "artificial" in AL refers only to the component parts, not the emergent processes: "[…] the processes are genuine – every bit as genuine as the natural processes they imitate" (Langton). Should these life-like performances be understood as the living gestures? This problem of the theoretical biology deals with the living material structures of organisms and their inherent "logic" counterparts at the same time.

Links

MUNI/A/0803/2013, interní kód MU

Name: Proměny a konstanty soudobé filozofie

Investor: Masaryk University, Category A

Citovat

IVIČIČ, Martina. Gestures of the Possible Life. In MEDIA – PERFORMANCE 4 / GESTURE konference. (Brno, 19, - 20. 11. 2014). 2014.

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   author = {Ivičič, Martina},
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   keywords = {gesture living and artificial performer; digital organism; emergence autonomy},
   language = {eng},
   title = {Gestures of the Possible Life},
   url = {http://performance.ffa.vutbr.cz/aktivity1.php?aid=123},
   year = {2014}
}

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PY  - 2014
TI  - Gestures of the Possible Life
KW  - gesture living and artificial performer
KW  - digital organism
KW  - emergence autonomy
UR  - http://performance.ffa.vutbr.cz/aktivity1.php?aid=123
L2  - http://performance.ffa.vutbr.cz/aktivity1.php?aid=123
N2  - Gesture of the living performer is the movement to express an idea or meaning. What kind of meaning can emerge from the gesture of artificial performers? Scientists from various fields of study call these entities digital organisms, or programs capable of performing mathematical operations to simulate and study living systems. They offer the opportunity to test generalizations about living systems that may extend beyond the organic life that biologists usually study. Also computer artists employ the biological concepts of living systems in manipulating the code. They create programs to generate data, visualizations or to demonstrate the reproduction processes in a particular ways. Digital artists are not limited in creating art objects, but can make dynamic art objects that can themselves become autonomous entities. In this context, Frank Malina highlights the plasticity of digital information, when an image can be processed, visualized, simulated and networked. According to him, a different kind of reproduction is made possible within computer by software: he calls it post-mechanical reproduction (or more descriptive term is generative reproduction – similar to biological one). The artificial organisms with their autonomy perform their genuine roles in the artificial life narratives. They can do gestures similar to the human ones, because they dispose of technical skills but on the other side as Auslander reminds, they do not have potential to exercise interpretative skills. Here we enter the problematic situation, when the "artificial" in AL refers only to the component parts, not the emergent processes: "[…] the processes are genuine – every bit as genuine as the natural processes they imitate" (Langton). Should these life-like performances be understood as the living gestures? This problem of the theoretical biology deals with the living material structures of organisms and their inherent "logic" counterparts at the same time.
ER  -

IVIČIČ, Martina. Gestures of the Possible Life. In \textit{MEDIA – PERFORMANCE 4 / GESTURE konference. (Brno, 19, - 20. 11. 2014)}. 2014.

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