s 2015

The Anique Memory and the Middle Ages

FRANTOVÁ, Zuzana and Ivan FOLETTI

Basic information

Original name

The Anique Memory and the Middle Ages

Authors

FRANTOVÁ, Zuzana (203 Czech Republic, belonging to the institution) and Ivan FOLETTI (203 Czech Republic, guarantor, belonging to the institution)

Edition

Roma, 176 pp. 2015

Publisher

Viella, Masarykova univerzita

Other information

Language

English

Type of outcome

Editorství tematického sborníku, editorství monotematického čísla odborného časopisu

Field of Study

Art, architecture, cultural heritage

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

RIV identification code

RIV/00216224:14210/15:00083387

Organization unit

Faculty of Arts

ISBN

978-80-210-7786-7

Keywords in English

antiquity; middle ages; cotton genesis; bayeux embroidery; miniatures; liturgy; Campania; Visconti; court of Burgundy

Tags

Změněno: 23/3/2016 10:16, Mgr. Zuzana Frantová, Ph.D.

Abstract

V originále

This volume was born from a desire to leave a tangible trace of the scholarly encounters that have taken place in the past two years at the Center for Early Medieval Studies of the Department of Art History at Masaryk University in Brno. Speaking in various forums – structured courses as well as stand-alone lectures – Xavier Barral i Altet, Nicolas Bock, Valentina Cantone, Herbert Kessler, Serena Romano, Elisabetta Scirocco and Jean-Michel Spieser have sparked exciting discussions of what continues to be known as a Middle Age. The common denominator that unites all of the scholarly work presented was the dialogue between the medieval "present" and the antique world: from Venice to Campania to Milan, from Constantinople to Burgundy, there emerged an intellectual and visual experience that suggests the medieval period was a uniquely fertile moment for engagement with the heritage of antiquity, filtered and mediated in different ways, but ever present. The purpose of this volume is to understand why and how patterns, images and ideas from the mythical (but visible) ancient past were received throughout the medieval millennium. We seek, that is, to understand why, hic et nunc, clients and workshops deliberately chose to speak in a "classicizing" aesthetic language, or to appropriate concepts belonging to the antique tradition wholesale.

Links

MUNI/A/1302/2014, interní kód MU
Name: Umělecká díla, jejich tvůrci a recipienti v průběhu historických epoch a současnosti (Acronym: Umělecká díla, tvůrci a recipienti)
Investor: Masaryk University, Category A