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@proceedings{1322747,
author = {Skopal, Pavel},
booktitle = {Přednáška na Herderově institutu v Marburgu},
keywords = {co-productions; state socialist cinema; production history; Trust; Risk; Barrandov; DEFA},
language = {eng},
title = {Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985},
year = {2015}
}
TY - CONF
ID - 1322747
AU - Skopal, Pavel
PY - 2015
TI - Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985
KW - co-productions
KW - state socialist cinema
KW - production history
KW - Trust
KW - Risk
KW - Barrandov
KW - DEFA
N2 - A consideration of risk and trust enables us to imagine the creative environment of film production as multi-dimensional and multidirectional. This approach allows not to restrict ourselves to a hierarchical relationship between administrative bodies and subordinate creative personnel, but rather recognize a horizontal axis characterized by business partners and ideological allies. We may consider this relationship both in top-down fashion – from centralized managerial power toward practitioners – and in bottom-up fashion, insofar as power is directed from dramaturgical groups toward functionaries. But instead of a detailed explication of this conceptual background, the lecture will rather illustrate the role of "institutional trust" for co-productions on a few telling examples from the 1960s and 1970s.
ER -
SKOPAL, Pavel. Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985. In \textit{Přednáška na Herderově institutu v Marburgu}. 2015.
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