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@proceedings{1322747, author = {Skopal, Pavel}, booktitle = {Přednáška na Herderově institutu v Marburgu}, keywords = {co-productions; state socialist cinema; production history; Trust; Risk; Barrandov; DEFA}, language = {eng}, title = {Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985}, year = {2015} }
TY - CONF ID - 1322747 AU - Skopal, Pavel PY - 2015 TI - Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985 KW - co-productions KW - state socialist cinema KW - production history KW - Trust KW - Risk KW - Barrandov KW - DEFA N2 - A consideration of risk and trust enables us to imagine the creative environment of film production as multi-dimensional and multidirectional. This approach allows not to restrict ourselves to a hierarchical relationship between administrative bodies and subordinate creative personnel, but rather recognize a horizontal axis characterized by business partners and ideological allies. We may consider this relationship both in top-down fashion – from centralized managerial power toward practitioners – and in bottom-up fashion, insofar as power is directed from dramaturgical groups toward functionaries. But instead of a detailed explication of this conceptual background, the lecture will rather illustrate the role of "institutional trust" for co-productions on a few telling examples from the 1960s and 1970s. ER -
SKOPAL, Pavel. Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985. In \textit{Přednáška na Herderově institutu v Marburgu}. 2015.
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