Modern Art, Architecture and Urbanism in the Frame of Two
Ideological Regimes: Modes of Dealing with Cultural
Contradictions and Continuities in the Bata Company Town of
Zlín.

k 2016

Modern Art, Architecture and Urbanism in the Frame of Two Ideological Regimes: Modes of Dealing with Cultural Contradictions and Continuities in the Bata Company Town of Zlín.

VACKOVÁ, Barbora

Základní údaje

Originální název

Modern Art, Architecture and Urbanism in the Frame of Two Ideological Regimes: Modes of Dealing with Cultural Contradictions and Continuities in the Bata Company Town of Zlín.

Autoři

VACKOVÁ, Barbora (203 Česká republika, garant, domácí)

Vydání

3th ISA Forum of Sociology, 2016

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

50400 5.4 Sociology

Stát vydavatele

Rakousko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14230/16:00095869

Organizační jednotka

Fakulta sociálních studií

Klíčová slova anglicky

architecture; company town; power; urbanism; Zlín

Štítky

rivok

Změněno: 19. 3. 2018 22:47, Mgr. Barbora Vacková, Ph.D.

Anotace

V originále

The paper will focus on the relatively short history of the city of Zlín (Czech Republic; the company town of Baťa shoe factory build mostly during the first decades of the 20th century), specifically on the transformation of the capitalistic aesthetics and ethos into the socialistic one. The plan of the city as well as its architecture was based on the ideas of functionalist urban planning – besides the central position of the headquarters of the Bata's growing company, the zoning was applied. Next to residential, educational, health and social facilities were built also cultural facilities and infrastructure (film studios, space for exhibition of contemporary art, film festival, etc.). The city and the factory became tightly interconnected and the cultural politics was an inseparable part of the continuous building of the city identity: the avant-garde became an important part of the image of the city and was connected to the political and economic elite. Not only the cultural infrastructure, but also the myth (in the sense of Barthes) of the Baťa family and the city, became unacceptable after the coup d'état in 1948, the regime had to deal with this capitalist legacy. The transformation of the city from the capitalist regime to the state socialist one was a difficult economic, but even more complicated cultural and ideological task. But despite the fundamental ideological rupture it is possible to observe important continuities in cultural politics and it brings about questions we would like to discuss in our paper: What made a difference between the modernistic “socialist” and “capitalist” discourses and practices and what, in contrary, were the similarities? What techniques were applied in the process of redefinition of the city image, what role was played in this process by the cultural institutions of the city and also by the artists themselves?

Citovat

VACKOVÁ, Barbora. Modern Art, Architecture and Urbanism in the Frame of Two Ideological Regimes: Modes of Dealing with Cultural Contradictions and Continuities in the Bata Company Town of Zlín. In 3th ISA Forum of Sociology. 2016.

@proceedings{1351867,
   author = {Vacková, Barbora},
   booktitle = {3th ISA Forum of Sociology},
   keywords = {architecture; company town; power; urbanism; Zlín},
   language = {eng},
   title = {Modern Art, Architecture and Urbanism in the Frame of Two Ideological Regimes: Modes of Dealing with Cultural Contradictions and Continuities in the Bata Company Town of Zlín.},
   url = {https://isaconf.confex.com/isaconf/forum2016/webprogram/Paper81455.html},
   year = {2016}
}

TY  - CONF
ID  - 1351867
AU  - Vacková, Barbora
PY  - 2016
TI  - Modern Art, Architecture and Urbanism in the Frame of Two Ideological Regimes: Modes of Dealing with Cultural Contradictions and Continuities in the Bata Company Town of Zlín.
KW  - architecture
KW  - company town
KW  - power
KW  - urbanism
KW  - Zlín
UR  - https://isaconf.confex.com/isaconf/forum2016/webprogram/Paper81455.html
N2  - The paper will focus on the relatively short history of the city of Zlín (Czech Republic; the company town of Baťa shoe factory build mostly during the first decades of the 20th century), specifically on the transformation of the capitalistic aesthetics and ethos into the socialistic one. The plan of the city as well as its architecture was based on the ideas of functionalist urban planning – besides the central position of the headquarters of the Bata's growing company, the zoning was applied. Next to residential, educational, health and social facilities were built also cultural facilities and infrastructure (film studios, space for exhibition of contemporary art, film festival, etc.). The city and the factory became tightly interconnected and the cultural politics was an inseparable part of the continuous building of the city identity: the avant-garde became an important part of the image of the city and was connected to the political and economic elite. Not only the cultural infrastructure, but also the myth (in the sense of Barthes) of the Baťa family and the city, became unacceptable after the coup d'état in 1948, the regime had to deal with this capitalist legacy. The transformation of the city from the capitalist regime to the state socialist one was a difficult economic, but even more complicated cultural and ideological task. But despite the fundamental ideological rupture it is possible to observe important continuities in cultural politics and it brings about questions we would like to discuss in our paper: What made a difference between the modernistic “socialist” and “capitalist” discourses and practices and what, in contrary, were the similarities? What techniques were applied in the process of redefinition of the city image, what role was played in this process by the cultural institutions of the city and also by the artists themselves?
ER  -

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